NYC

On the Wall: Four Decades of Community Murals in NYC

a photographic exhibition in conjunction with the publication of…

Images of the African Diaspora

in New York CITY Community Murals

…On the Wall: Four Decades of Community Murals in NYC

presented by ARTMAKERS INC.

DATES: May 5 – 28

PLACE: African American Heritage Center

Macon Libary

361 Lewis Avenue (at Macon Street)

Bedford-Stuyvesant, Brooklyn

HOURS: 9-6, Mon, Wed, Fri

1-8, Tues

1-6, Thurs

10-5, Sat

SUBWAYS: A, C to Utica Avenue

INFO: ArtmakersNYC@aol.com, 212.989.3006

Macon Library, 718.573.5606

COST: free!

FREE PUBLIC PROGRAMS

Opening reception: May 5, 6:30-8:30

Curator’s lecture: May 12, 6:30-8

Teen art workshops: May 7 & 19, 4-5:30

Artmakers Inc. presents Images of the African Diaspora in New York City Community Murals, a traveling exhibition curated by Jane Weissman that explores how African and Caribbean art, history, religion and myth have influenced mural themes and content. The exhibition will be on view at the African American Heritage Center, Macon Library from May 5 -28.

The exhibition coincides with the publication of On the Wall: Four Decades of Community Murals in New York City by Janet Braun-Reinitz and Jane Weissman (University Press of Mississippi, 2/2009).

In the six years the authors researched On the Wall, Braun-Reinitz and Weissman discovered murals in Harlem from the early 1970s that were hitherto lost to history as well as murals painted since the late 1970s in Crown Heights, Brooklyn, that were unknown outside their immediate neighborhood.

Despite the disparity of time and geography, these murals are related in both theme and content, filled with images of the African Diaspora. The exhibition also looks at diasporan imagery – Caribbean as well as African – found in murals in other Manhattan and Brooklyn neighborhoods, Queens, and the Bronx.

The exhibition examines the traditional meaning of diasporan images and symbols and discusses them in terms of philosophy (i.e., the Black Arts Movement, Ghanaian artist Kofi Antubam) and their visual representations (e.g., Black Madonnas, Ethiopian illuminated manuscripts, Bògòlanfini and Adinkra fabrics, and Ndebele house painting).

Over the past 40 years, artists and arts organizations found contemporary meaning in these images and, through new research and interviews, the exhibition describes the relevance they have today. Decoded, the murals become more than striking images; they stand as visual representations of the cultural, social and political currents of the periods in which they were painted.

Weissman (who lives in Greenwich Village) and Braun-Reinitz (who lives in Clinton Hill) are longtime members of the Brooklyn-based Artmakers, an artist-run, politically oriented community mural organization that creates high quality public art relevant to the lives, work and concerns of people in their neighborhoods.

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ARTMAKERS INC.


Community Muralists

www.artmakersnyc.org

ArtmakersNYC@aol.com

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JEF AEROSOL “ALL SHOOK UP” NYC DEBUT AT AD HOC GALLERY

All Shook Up: Jef Aerosol

All Shook Up: Jef Aerosol
January 29 – February 21, 2010
Opening Reception – Friday, January 29, 2010, 6-10pm

Ad Hoc Art
43 Bogart Street
Brooklyn, New York 11206
(via subway take the L Train to Morgan Avenue Station)

For an online version of this document and pictures to download go to this link http://mim.io/3a6f1

Ad Hoc Art presents international stencil master Jef Aerosol in New York City for “All Shook Up”, a stunning show of cultural icons by a Street Artist with 30 years in the game.**

The show with Ad Hoc Art, a gallery widely regarded as one of Street Art’s polestars, features brand new stenciled works as well as the now-classic pieces that have made Jef Aerosol’s name itself iconic; on paper, wood, and found objects.

A true originator who helped spark what is now known as “Street Art” when he sprayed his first stencil series across the city of Tours, France one night in 1982, the self-taught Aerosol has continuously rocked the streets with his oversized portraits and helped define a new public art nomenclature with other French artists like Blek Le Rat, Miss Tic, and Speedy Graphito.

Steadily from the ’80s to the ’10s Aerosol has cut and sprayed stunning portraits of his heroes; cultural icons who stand undiminished by the hype.  They connect directly with the masses and shake public opinion with humor and provocation; Strummer, Cash, Vicious, Hendrix, Bowie, Bardot, Cobain, Lennon, Smith, Jagger – all brainy agitators and vixens cut and sprayed in stark layers of black, grey and white. And each with Aerosol’s signature hot red arrows affixed nearby for exclamation.

In Street Art and in the gallery, Aerosol has not purely focused on those well-known personages. Among the faces you’ll find a number of self-portraits and portrayals of the more anonymous among us such as those living and working in the streets.

Like the best photographers, Aerosol catches the instant of truth in his portraits, and reveals a universal humanity in each subject.  “In my work I love to call up my feelings and emotions to honor these modern day heroes who have fed my life with their music, art and ideas.  This new show is a powerful and vivid collection of these inspirations that I am really excited to bring to New York for the first time,” Jef Aerosol.

Three decades of getting up on walls in cities including Paris, London, Lisbon, Chicago, New York, Bejing, Venice, Amsterdam, Rome, Zurich, Berlin, Dublin, and Tokyo have given him all the “street cred” Jef Aerosol will ever need.

Sighted in numerous books and by authors like Tristan Manco (Stencil Graffiti, Street Logos), blogs like Wooster Collective and Brooklyn Street Art, and newspapers like The New York Times as one of the lynchpins in the stencil art movement that came to be called “street art”,  Jef Aerosol’s work has become a perennial favorite of collectors.  His work resides in hundreds of private collections, has exhibited in numerous galleries in Europe, the U.S. and Australia (list below), and is regularly auctioned with Bonhams (London, New-York), Artcurial (Paris), Drouot (Paris), and Dreweats (London).

In 2007 Aerosol published a gallery of portraits in VIP Very Important Pochoirs (éditions Alternatives, Paris, 2007).

Galleries where the work of Jef Aerosol has been shown include: Galerie Brugier-Rigail (Paris), Galerie Raison d’Art (Lille), Signal Gallery (London), Zozimus Gallery (Dublin), Art Partner Galerie (Brussels), Galerie Anne Vignial (Paris), Galerie Storme (Lille), Galerie Onega (Paris), Carmichael Gallery (Los Angeles), ATM Gallery (Berlin), and Famous When Dead Gallery (Melbourne).

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Sponsored by BrooklynStreetArt.com
Brooklyn Street Art Loves You More Everyday

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New York Post says Aerosol’s Solo Show Soars http://www.nypost.com/p/news/local/brooklyn/jef_aerosol_solo_show_soars_RX6reY7nAmqrUWWJK3aUJM

Jay-Z stencil done to commemorate this show by Jef Aerosol

Jay-Z stencil done to commemorate this show by Jef Aerosol

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Week in Images 02.22.09

Week in Images 02.22.09

We’ve been a little busy on that “Street Crush” KRAZEE-ness for a few weeks,

so we thought everyone should just take it easy, and not put up any work on the street until we could get back out there and take a look around. Well, that didn’t really work very well, did it? What the heck?

Specter

Remember your patriotism being questioned at every corner a couple years ago? Specter would like to continue the conversation apparently. (photo Jaime Rojo)

artzososhinshin

Don't know where Zoso is going with this, but Shin Shin is surrounding it with spring flowers (photo Jaime Rojo)

aakashnihalani1

Oh, you are like, such a square. I mean, like you are so square you are like a cube, or whatever. (Aakash Nihilahni) (photo Jaime Rojo)

aakashnihalani2

This was on a floor, which means it is probably destroyed by now. (Aakash Nihilahni) (photo Jaime Rojo)

blanco

Dreaming of Brownstones and affordable mortgages. (Blanco) (photo Jaime Rojo)

c215

I'm watching you. (c215) (photo Jaime Rojo)

chris

Someone needs a bib (Robots Will Kill) (photo Chris)

chris

The Amish Robot (Robots will Kill) (photo Chris)

chris
chris

All tied up (Chris from Robots Will Kill) (photo Jaime Rojo)

unknown

unknown (photo Jaime Rojo)

Ellis G.

Ellis G. (photo Jaime Rojo)

Gaia

Can't tell if he's petting it or snapping it's head off (Gaia) (photo Jaime Rojo)

General Howe

Obama and Iraq war veteran Tammy Duckworth at Arlington Cemetery - on a gravemarker covered with lace. (General Howe) (photo Jaime Rojo)

Art Goons C215

Like my new Stoll? Filene's Basement of course! I know, PETA would probably have a fit, but it was 40% off. (Art Goons, C215) (photo Jaime Rojo)

Art Goons
Art Goons

Damn! Forgot my gloves! (Art Goons) (photo Jaime Rojo)

Haculla

Siiiiinnngggiin in the Rain, Just Singing -- In the Rain!! (Haculla) (photo Jaime Rojo)

Hellbent

I used to live in this apartment on the upper east side near Gracie Mansion, and sometimes at night a golf-ball sized cockroach would run across my bed and thump onto the hardwood floor and run away. I kid you not. (Hellbent) (photo Jaime Rojo)

Hope

Hope, expressed as a garish, heavy pyramid-like sculpture. (unknown) (photo Jaime Rojo)

Imminent Disaster

Imminent Disaster (photo Jaime Rojo)

I want a Divorce
Keely

Keely (photo Jaime Rojo)

Keely

Keely (photo Jaime Rojo)

MBW

That famous kiss by two of our visionary leaders (MBW) (photo Jaime Rojo)

Momo

Momo (photo Jaime Rojo)

Mr. Afternoon

Sometimes the right hat can just MAKE the whole outfit. (Mr. Afternoon) (photo Jaime Rojo)

Sex

A temple to Sex. (photo Jaime Rojo)

Deeks and Stikman

Deeks and Stikman on a corroded wall (photo Jaime Rojo)

The Dude Company

The Dude Company honors Dr. King (photo Jaime Rojo)


Unknown

Bishop 203 (photo Jaime Rojo)

Unknown Collage
Veng

I know Why the Caged Bird Sings (Veng from Robots Will Kill) (photo Jaime Rojo)

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Rock On! Sticker Madness at Ad Hoc With Martha Cooper Going Postal

Long before Flickr was a Flicker in your daddy’s eye, Martha Cooper

was “all-borough” out on the streets and subways of New York with her camera capturing and documenting the legacy of graffiti images for future generations. A quarter century later, Ms. Cooper picked up her first digital camera and found it’s diminutive size and ease of use was perfect for capturing one of her new street loves, the postal sticker, in it’s multitude of incarnations.

*******************

On Friday night Ad Hoc Gallery hosted a lively show, party, and sticker fair to fete Martha and her new book “Going Postal”, the bound document that presents what she’s been snapping since 2002. To paraphrase Ms. Cooper, the book recognizes the aesthetics of the postal label and preserves the ephemeral form in print.

*******************

Lined up outside in the cold Bushwick night, the guests ranged from 7 to 77, the widest demographic we’ve ever seen at a show like this, attesting to the regard people have for sticker art as an art form, and, more likely, their regard for this strong proponent of the creative spirit, Martha Cooper.
Martha Cooper Basking in the Sticker Glow

Martha Cooper basking in the sticker glow (with family helping at the sticker table) (photo Steven P. Harrington)

The Crowd Stuck for Hours before Peeling Away

The Crowd Stuck for Hours before Peeling Off to the Afterparty (photo Steven P. Harrington)

Retrieving the newly dry stickers from the clothesline (photo Steven P. Harrington)

Retrieving the newly dry stickers from the clothesline (photo Steven P. Harrington)

Fans flipped through books to select their favorite (Kosbe) (photo Steven P. Harrington)

Fans flipped through books to select their favorite (Kosbe) (photo Steven P. Harrington)

This troupe of art fans added a new energy to the night! (photo Steven P. Harrington)

This troupe of art fans added a new energy to the night! (photo Steven P. Harrington)

Tazz Red Nose says he's been on the scene since back the day (photo Steven P. Harrington)

Tazz Red Nose says he's been wreckin' stickers since way back in the day. This piece is a full size canvas tribute to two of his most popular characters. (photo Steven P. Harrington)

9 Panels like this

9 Panels like this with stickers dating back to 1990, were placed around the Ad Hoc gallery. Martha likes the way the two distinct disciplines of graff-styled lettering and street art have intersected on stickers. (photo Steven P. Harrington)

Looking hard while posing for a pic. (photo Steven P. Harrington)

Looking hard while posing for a pic. (photo Steven P. Harrington)

Trading and giveaways between fans were happening all around (photo Steven P. Harrington)

Trading and giveaways between fans were happening all around (photo Steven P. Harrington)

A new giant bear by C.Damage (photo Steven P. Harrington)

A new bear by C.Damage (photo Steven P. Harrington)

Kosbe covers the options  (photo Steven P. Harrington)

Kosbe covers the options (photo Steven P. Harrington)

Blanco Explains Why BK is Down (photo Steven P. Harrington)

Blanco Explains Why BK is Down (photo Steven P. Harrington)

Dwell and One Unit win the award for most fanciful and otherworldly use of materials

Dwell and One Unit win the award for most fanciful and otherworldly use of materials on stickers. A small collection of their work incorporated wood patterned shelf-lining vinyl collage on postal labels. (photo Steven P. Harrington)

Chris Stain pulls at your humanity with his depictions of our neighbors. (photo Steven P. Harrington)

Chris Stain pulls at your humanity with his depictions of our neighbors. (photo Steven P. Harrington)

Depoe had more colorful abstracts on canvas in the show. Here is one of his stickers. (photo Steven P. Harrington)

Depoe had more colorful abstracts on canvas in the show. Here is one of his stickers. (photo Steven P. Harrington)

Aiko bunny with splashes of paint (photo Steven P. Harrington)

Aiko bunny with splashes of paint (photo Steven P. Harrington)

PC? - This may stand for Prince Charming (photo Steven P. Harrington)

PC? - This may stand for Prince Charming (photo Steven P. Harrington)

Giving generously, Chris from Robots will kill prepared envelopes containing 3 stickers and a button for the show. (photo Steven P. Harrington)

Giving generously, Chris from Robots will kill prepared envelopes containing 3 stickers and a button for the show. (photo Steven P. Harrington)

Blanco obliterated a postal label completely (almost) to create these stencil tributes to Norman Rockwell. This one refers to

Blanco opaqued a postal label completely (almost) to create this stencil tribute to Norman Rockwell. This girl walks the red line - the original "The Problem We All Live With" by Norman Rockwell appeared in Look magazine in 1964, ten years after the Brown Vs. Board of Education decision and during the height of the Civil Rights Movement. (photo Steven P. Harrington)

James Brown Blanco

Hilarious tributes to the cassette tape, Blanco made multiple variations of this stencilled sticker and, with an actual typewriter, gave them labels, including MixTape groupings of old-skool jams, as well as iconic album titles like "in Utero" by Nirvana, and this one. (photo Steven P. Harrington)

Click here for “Going Postal” by Martha Cooper

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Crash and Daze at Ad Hoc

Image

CRASH & DAZE

May 15th through June 14th 2009

Opening Reception: Friday, May 15th 2009

A contemporary of Keith Haring and a modern-day master of this present day art form, Crash One shoots his metaphorical arrows into art galleries, subway cars and dizzying flashes across concrete walls. His is a lavish gift to the eyes and a statement in time and space that celebrates the movements and change of an ever changing world. His work is a direct descendant of the Roman wall-scribes but he has evolved this inherited gift back to its simplest form: “tagging,” leaving his name. Great artists sign their names on the paintings they leave behind, in this new/old incarnation the artist leaves just his name. A reduction of unadulterated form; or “refined” art.

Daze, aka Chris Ellis, began painting New York City subway trains, the canvas of choice for the serious graffiti artist, in the late 1970s. After moving from subway trains to gallery walls he has exhibited in Paris, Stockholm, Tokyo, Florence and many other cities around the world.

Ad Hoc

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First Splash from the “Street Crush” show

A Kisser-Packed Spectacular

Martha Cooper “Next I caught the L out to Greenpoint where Alphabeta was having a very cool (or should I say hot?) Valentine’s bash complete with a Kissing Booth and Strippers.”

Hrag Vartanian “Nothing like a blindfolded burlesque dancer twirling a hola-hoop in front of a wigless drag queen..

It’s kind of hard not to have fun when you are surrounded by art, artist, homies, kissers, and ladies with sequined tassles hanging from the ceiling.

Fun Valen-Times, a perfect street art/ graffitti marriage, and a mash-up of cultural influences swirling around that may not have happened since chocolate met peanut butter. No time to go into it all right now so here’s a few pics to sate your appetite.

But it is never too early to express a heartfelt Thank You to all the street artists, the burlesque performers, the djs, the projectionists, the electronic drummers, the kissing booth builder, the Kisser volunteers, and the family of Alphabeta.

Aiko (Detail)

"Girls Can Play" by Aiko (Detail)

Jes

Kissing Booth Happy; The show reflected in Jess's smile.

"Girl With No Thumbs" (Detail) by Broken Crow

"The Girl with No Thumbs" (Detail) by Broken Crow

Nasty Canasta and Mimi the Clown (photo Steven P. Harrington)

Nasty Canasta and Mimi the Clown (photo Steven P. Harrington)

"Wild In the Street" (detail) by Jef Aerosol

"Wild in the Streets" (detail) by Jef Aerosol

Jus

Kissing Booth Fun

ti

Tigger! and Madame Voulez-Vous debate the necessity of clothing.

s

"Sex Sells" (detail) by Royce Bannon

Harvest

Harvest Moon flies above the crowd (photo by Kat)

ti

"Mam'zlle de mon reve!!" (detail) by Titi from Paris

crowd

What did he just say? I can't look, but I can't stop staring.

Clams

Clams Casino Elegance

The gallery is open till the 28th!

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Jon Burgerman and Jim Avignon tonight at Factory Fresh

Anxiety Room is Open. Step on in.

Look what Ali and Ad locked up in their basement! Is this what they mean by Anxiety Room? All week Jon and Jim have been painting like mad men to get ready for this opening tonight. They are all very anxious and excited about the show, which will be full of brilliant characters no doubt (not just the guests).

Jon in a Blue Swirly Mood

Jon in a Blue Swirly Mood (photo DA Stover)

Jon in a Blue Swirly Mood (photo DA Stover)

"Um, when you are done with the pink can I borrow it?" (photo DA Stover)

Anxiety Room at Factory Fresh

And you can see a cool new animal sexy piece by Jon Burgerman in the “Street Crush” show.


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PMP’s Swollen Purple Headedness at “Street Crush”

Peripheral Media Projects, a screen print troupe of artists,

anchored in the ever-expanding artist empire of Bushwick, Brooklyn, favors the symbol and it’s implicative powers. With clip-art flat icons combined with photo realistic images and textbook illustration, the compositional elements continue to break apart and regroup with each new piece.

For the “Street Crush” show, PMP is raining bunnies like a spring shower over nascent Brooklyn flower beds, drenching the toxic soil with fresh acid rain. Holy Cannoli!, don’t those bunnies multiply? We don’t pretend to know what the rest is all about, why don’t you have a look. Look straight and steadily into my eyes…….

Peripheral

You Are Feeling Very Sleepy. "Purple Head" by Peripheral Media Projects for the "Street Crush" show

Peripheral Media Projects

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The Dirty Fabulous comes to Ad Hoc

TheDirtyFabulous

April 3rd through May 3rd 2009

Opening Reception: Friday, April 3rd, 7pm-10pm

TheDirtyFabulous was born in the year of the Dragon and travels the windblown highway of Interstate 40.

This body of work actually began in 1997 – in a small, run-down house on some wooded land. The place has since been deserted. Working in that place helped bring into focus the narratives I would continue to work with. Over the years, the work has been slowly accumulating. I see this as an ongoing project – a book of fables, with large paper drawings as pages. These drawings have no set sequence of images or reading. The word fable is derived from the Latin word fabula, meaning “story”. I repeatedly explore themes such as myth, psychology, philosophy, apparition of beauty, eroticism, machines of fate, human folly, nostalgia, mortality, history, consumer culture, industrialization, loss and regret. Imagery is used from many sources and typically a work is generated in response to readings or in reference to life experiences. I use nineteenth century mechanical relics, sequences from dreams, vintage pin-ups, scientific historical images, anatomy and nostalgic panoramas as symbolic references. Combined in the work, they allow for commentary, connection and invention on many topics and ideas.

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Posterboy at Eastern District

PosterBoy “AdBooster” presented by PublicAdCampaign

April 3rd – April 26th
Opening Reception 7-10pm Friday April 3rd 2009
43 Bogart Street, Brooklyn, NY
PosterBoy
www.publicadcampaign.com Street Art and and vandalism have never been paired so eloquently as they are when PosterBoy gets out his razor. Through a simple act of civil disobedience, this work challenges our intense relationship with outdoor advertising in the city. It proposes new ways of interacting with your public environment and challenges notions of public and private space. Out of the work comes a dialogue which is sometimes political, sometimes humorous, and always a perspective shifting moment of communication.

By bringing outdoor advertising into the gallery, this installation will attempt to discuss the appropriation of public space by outdoor advertising from within the gallery walls. The artist, having more time to construct the imagery will engage a more intense dialogue with both the advertisement and the viewer. By physically altering the medium of outdoor media, the PosterBoy movement critiques both the content and the dissemination methods currently overwhelimg our collective consciousness. Ultimately what starts as an act of social unrest becomes a reimagination of the spaces we all occupy and a vision of a different shared public environment.

Over the past year PosterBoy has brought his critique of advertising and public space use to the streets of New York City with prolific force. Eastern-District is proud to bring you his first solo exhibition, including a large scale installation by the artist as well as prints of his now famous subway installations.

Posterboy and Aakash Nihalani

Posterboy and Aakash Nihalani (photo Steven P. Harrington)

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I Heart You! Chris Uphues at “Street Crush”

Who doesn’t know this happy heart guy?  Raise your hand!

That is because you are bitter.  That’s what it is.  And probably your mom was mean to you and your father was a big green sewer frog.  You know these hearts, with their various personalities and dispositions, but you just don’t want to admit it because you think that will make you soooooo un-tough.

When you round a corner and hit a sudden patch of hearts smacked up – with their different personalities and dispositions, they made you a little bit happier.  It’s okay.  No one will tell.

U Makin Me Salivate!  (Chris Uphues for "Street Crush" Show)

U Makin Me Salivate! (Chris Uphues for "Street Crush" show)

I got a love hangover (Chris Uphues for "Street Crush" show)

I got a love hangover (Chris Uphues for "Street Crush" show)

Tough Love  (Chris Uphues for "Street Crush"

Tough Love (Chris Uphues for "Street Crush" show)

Check out this fun animation of Chris’s art made by Jason Robert Bell.

Love from Jason Robert Bell on Vimeo.

Chris Uphues

Street Crush Show

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