Australia

Images of the Week 11.27.11

Images of the Week 11.27.11

Here in New York  everybody is still out kickin around the streets because the weather is warm and to welcome the oceanic flood of tourists who are here to see the big parade, the Rockettes, The Book of Mormon, and to buy fake Louis Vuitton bags on Canal Street. After Thanksgiving, it’s a tradition that we get mobbed by shoppers from all over the place, and it’s a tradition to complain about slow moving wide people in sweatpants slowing us down, even though secretly we’re happy to see cousin Bruce and Aunt Ida again. Also, if you slow down a little, you might even see some new Street Art and appreciate it.

Here’s our weekly interview with the street, this week featuring Anthony Lister, Betten, CID, Dr. Za, Erik Berglin, Jaye Moon, Leidy, OverUnder, Phil, RWK, Sise, Veng, and Willow.

Betten (photo © Jaime Rojo)

Leidy (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

CID (photo © Jaime Rojo)

Dr. Za (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

Erik Berglin (photo © Jaime Rojo)

Jaye Moon. “I write words in number codes so no one can understand.  This series is called ” Transparent Barriers”.  They look like address or phone numbers. but they are cursing words that people are not comfortable to say in public.  By writing them in numbers, I feel free to bring them out in public.  It’s about frustration about expressing inner feelings”. (photo © Jaime Rojo)

Phil (photo © Jaime Rojo)

Sise (photo © Jaime Rojo)

Veng (photo © Jaime Rojo)

Our Lady of Guadalupe. Artist Unknown. (photo © Jaime Rojo)

Willow (photo © Jaime Rojo)

New Yorker Spencer Elzey checked out Anthony Lister’s show “Bogan Paradise” while in Sydney recently. Here are a couple of images from the show:

Anthony Lister at Outpost (photo © Spencer Elzey)

See more photos by Spencer Elzey and read more about Sydney’s “OutPost Project” ReCap by clicking here

Anthony Lister at “Outpost” in Sydney (photo © Spencer Elzey)

Anthony Lister at Outpost (photo © Spencer Elzey)

Anthony Lister at Outpost (photo © Spencer Elzey)

Anthony Lister at Outpost (photo © Spencer Elzey)

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Sydney’s “OutPost Project” ReCap

Our sincere thanks to BSA reader and New Yorker Spencer Elzey, who took a trip to Sydney at the beginning of the month and had the opportunity to check out the Outpost Project Street Art festival. Here’s his report.

Overview and a warning. (photo © Spencer Elzey)

Cockatoo Island is the Governor’s Island of Sydney. The ferry leaves Circular Quay, motors beside the shimmering tiles of the Sydney Opera House, sweeps underneath the arching Harbor Bridge and the tourist who pay $200 for a chance to climb the upper deck above. Twenty minutes later, a large “No Trespassing” sign begins to become in focus. We have arrived at the Outpost Project.

Anthony Lister. (photo © Spencer Elzey)

The island, who’s past includes an old Imperial prison and one of Australia’s largest shipyards, welcomes each street art enthusiast with a detailed information brochure. The inner cover contains a fairly easy to follow map of what lies ahead. Right away three large inflatables (imagine a small grounded hot air balloon) greet you adorned with Anthony Lister’s iconic caricatures. The info packet says it best when describing the images; the “superheroes are never indomitable conquerors or unequivocal villains.” Straddled by two of these is a large piece by Belgium artist, and frequent Brooklyn talent, ROA.

ROA. (photo © Spencer Elzey)

Follow the art around the corner through a mural-lined alley between two buildings and some familiar styles present themselves including the stick-figure arms by Perth Street Artist Creepy.

Creepy and Daek. (photo © Spencer Elzey)

The second floor of one of these buildings is the current home to a large private collection of work by Banksy. The OI YOU! Collection had an interesting start, but where it currently stands is 22 pieces by Banksy. Intermixed are items by Faile, Swoon and others. The husband and wife team collecting behind OI YOU!, George Shaw and his wife Shannon Webster, sold both of their cars and re-directed a home improvement loan to feed their need for owning more street art.

Kid Zoom…and documentation of the destruction of three Holden Commodores. (photo © Spencer Elzey)

Inside the main building, known as the Industrial Precinct, MOX (Mark Cawood) is hard at work. After over 120 hours of intricate stencil cutting, his diligence is well on its way toward a completed final product. At the end of the hall, behind the small traffic jam of mangled cars, is a life size recreation of the childhood home of Street Artist and fine artist Kid Zoom.

Kid Zoom. “Home” The artist recreate a scale reproduction of his childhood home from early adolescent memory… (photo © Spencer Elzey)

Located deeper within the hall of the Industrial Precinct are two other impressive arrays; NEXT by T-World and Pastemodernism 3. Both of these installations, while serious in their scope, were whimsical at heart. The NEXT collection, overseen by “Melbourne-born T-shirt messiah Eddie Zammit,” asks 20 artists to assemble over 1,500 T-shirts to display. Local shout-outs included Barcade in Williamsburg and Katz’s Deli on Manhattan’s Lower East Side. Pastemodernism 3, now in it’s third year at OUTPOST, is the self-proclaimed “largest celebration of ‘paste-ups’ in Australia.” Over 100 artists had a part in this collaboration.

A view of the T Shirt installation. (photo © Spencer Elzey)

Traversing the Artery, a limestone lined subterranean tunnel, one passes by a “rogue gallery of 30 hand picked Australian street artists” including HA HA, Ghostpatrol, Numskull, Dmote and Yok, just to name a few.

The Art Gallery in the Tunnel. (photo © Spencer Elzey)

Upon exiting, you end up back at the beginning, next to the “No Trespassing” sign and amongst a collection by Will Coles. His concrete cast items, usually adorned with a word or two, are lifelike enough even the Seagulls seemed a bit confused.

Will Coles. (photo © Spencer Elzey)

Will Coles. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. (photo © Spencer Elzey)

New Rock Crew. 1976 Classic School Bus. Anthony Lister balloon on the background. (photo © Spencer Elzey)

Shannon Crees. (photo © Spencer Elzey)

Phibs. (photo © Spencer Elzey)

Mini Graff. (photo © Spencer Elzey)

Max Berry. (photo © Spencer Elzey)

We couldn’t read the artist’s signature. Please let us know if you know who this artist is. (photo © Spencer Elzey)

Hazzy Bee. (photo © Spencer Elzey)

HA HA on the left and Shida on the right. (photo © Spencer Elzey)

Ears. (photo © Spencer Elzey)

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Ambush Gallery Presents: “Surface Tension” A Group Art Exhibition. (Sydney, Australia)

Surface Tension

 

aMBUSH Gallery presents SURFACE TENSION

Australia’s new wave of street art is already here. Following on from their curatorial hit Outpost Project at Cockatoo Island, aMBUSH proudly presents Surface Tension, featuring artists E.L.K. (Luke Cornish, VIC), Heesco (VIC), Shida (QLD), Slurpree Slug (NSW), Sofles (VIC) and Sprinkles (NSW). The artists will paint and transform the gallery walls, integrating the space itself into their body of works. Hailing from Brisbane, Sydney and Melbourne, the stellar emergent line-up represents the next epoch, the next movement. Come and see where it all starts.

The opening will take place on Friday 25 November from 6-9pm at aMBUSH Gallery, 4A James Street Waterloo. Join us for complimentary drinks provided by Absolut and future leaning beats and Hip-hop between provided by Zwelli.

On the billing will be Brisbane born, cut-back king, Sofles, recently returned from the San Francisco all-Australian show ‘Young and Free’ – himself one of the country’s finest graffiti exports. Also from Brisbane, Shida’s vicious extra dimensional figures will grin across the concrete backdrop. Moving further down south, representing Sydney will be Sprinkles, co-founder of Half-Star clothing, with his hyper-cartoon skulls stalking the back of your thoughts. Marking his exclusive gallery appearance is the mysterious street thrasher, Slurpee Slug, with his raw psychedelia a cross between whizz fizz characters and acid. From the Melbourne camp, and representing Blender studios we have Heesco and E.L.K. Heesco, the current Sydney Secret Wars champion, has a talent in creating anguished faces and loose figures caught in motion. E.L.K. (Luke Cornish) is widely regarded as a National stencil treasure, able to bring photorealistic portrayals in muted tones through painstaking execution of layering, deconstructing and reconstructing his works with his own flair. E.L.K. was the winner of the 2010 Australian Stencil Art Prize, and made the cover of Monthly Art Magazine, April 2011.

The exhibition will also run alongside an online catalogue with works for sale from Saturday 26 November and runs until 4 December, allowing interstate buyers to remotely buy works. Information regarding this will be available on the aMBUSH website from the opening night.

WHAT: SURFACE TENSION
WHERE: 4A James Street, Waterloo SYDNEY
WHEN: Opening event Friday 25 November, 2011, 6-9pm
Exhibition continues daily until Tuesday 29 November, 12-4pm
SUPPORTED BY: Absolut, Information & Cultural Exchange, Ironlak and Wiltshire & Dimas Management
FREE PUBLIC EVENT
Media enquiries: Please contact John Wiltshire, aMBUSH Gallery on mobile on
0433 015 780 or the gallery on 02 8399 0707 or email john@ambushgallery.com
For more information please visit www.ambushgallery.com

aMBUSH Gallery
4A James Street, Waterloo
Sydney NSW 2017 AUSTRALIA
P +61 2 8399 0707 | F +61 2 8399 0787
www.ambushgallery.com

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Joseph Allen Shea and Marty Routdlege Curate: “Self Est” (Sydney, Australia)

Self Est

 

Self Est. is a four day art event exploring contemporary art from alternative backgrounds. This first installment of Self Est. (short for Self Established) investigates the study of letterforms and pavement-based education. Self Est. presents art created outside the traditional academy that has infiltrated the institution. 

These art forms may be self-taught, intuitive or born from marginal activities such as commercial art, graffiti or skateboarding. Taking motivation from these auxiliary artistic pursuits these artists bring unconventional and unique twists to fine art and are being recognised by galleries and institutions.

Exhibition – THURSDAY 17th

6 – 8pm

kind of – gallery

72 Oxford Street, Darlinghurst 

DMOTE, New York (USA) 

Dmote is known worldwide for his contributions to the outlawed art of graffiti. Using this education as a springboard Dmote honedhis skills in the commercial arts and is regarded by many for his graphic work for some of the worlds largest youth brands.These trades have honed his craft and given new inspiration for fine art painting where one can trace his lineage of knowledge through letterforms, subcultural iconography (skulls), street scenes (torn bill posters) and print media (pornography).

www.dmote.net   

HORFÉ, Paris (FR) 

Horfé (also spelt Horphée) has a potent history of Graffiti bombing from the streets and subways of paris and Europe. Horfé’s loose letterforms and unmistakeable hand-styles separate him from what is considered to be a conservative graffiti style.Horfé’s abstracted lettering often splurges and morphs creating organic scenes of fantasy, horror and death. Horfé’s maturing direction as an icon for parisian graffiti has pushed him into exhibiting works indoors with recent shows in Paris, London & Sweden.

www.topsafelondon.com  

ROID, London (UK) 

London born Graffiti writer Roid (Aste-roid) is currently one of the most watched graffiti writers in the world. Roid was an early adaptor quickly being noticed for his unique letter styling and typographic treatments. Under a previous alias Roid was recognized globally as a strong contributor to the European graffiti scene covering off all available aspects of the sport-like art form. After what seemed to be a hiatus into another dimension, Roid returned to shock the graffiti community with ground breaking techniques and retro inspired lettering concepts. Roid’s current style disregards traditional graffiti processes and explores geometry, space and the abstracted influence of electronic music.

Exhibition – FRIDAY 18th

6 – 8pm

GALLERY A.S.

55 Brisbane Street, Surry Hills 

BEN BARRETTO, Perth (AUS) 

Ben Barretto grew up filtering his creativity through his pursuits as a sponsored skateboarder while re-interpreting civic planning and structures. Although completing art school Barretto’s installations retain a motivation, intuitiveness and resourcefulness that comes from creating from what’s at hand, techniques acquired while riding upon four urethane wheels.

JEFF CANHAM, San Francisco (USA) 

Jeff Canham trained at New Bohemia Signs in San Francisco in the antiquated trade of hand sign painting. The handstyles and toxic paints used to render letters and icons deliver, now superseded by technology, give a result much more versatile and human than the majority of advertising we witness today. Canham transfers this apprenticeship to great effect in his fine art paintings on wood to advertise emotional and environmental informed concepts.

www.jeffcanham.com

Conversations – SATURDAY 19th

12 – 1.30pm 

Gallery A.S

55 Brisbane St, Surry Hills 

A discussion and Q and A with Self Est. artists and experts on unconventional sources for fine art.

Ben Barretto (AUS) – artist

Jeff Canham (USA) – artist

Fred Forsyth (UK) – director of Topsafe & Crack & Shine

Cameron Macauliffe (AUS) – public art expert

Painting, BBQ and Beers Finale – SATURDAY 19th

4 – 9pm 

Kippax & Lt Riley St, Surry Hills

In progress wall painting by Roid, Horfé, & Jeff Canham

elfest.com.au

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“Outpost: Art From The Streets” Sydney’s Own Mega Street Art Festival

The Outpost Project begins in two days on a former military outpost, Cockatoo Island, the largest island in Sydney Harbour in Sydney, New South Wales, Australia. This city really knows the value of the Street Art scene and celebrates the contributions of artists to the cultural wealth of the people who live there.

The entire island is basically porn for Street Artists, and right now about 150 are readying work their magic ways on the industrial spaces. Artists like ROA, Ethos, KidZoom, Anthony Lister, Everfresh Collective, Os Gemeos, Swoon, Faile, and Banksy are on the bill and a number of other projects will be taking place simultaneously, including a Pro/Am skateboarding exhibition, a region art gallery, DJs, artist battles, and pop-up bars.  The island becomes a canvas, and there is no admission. Um, are you coming?

Kid Zoom will be dominating the Turbine Shed with his project Kid Zoom: “Home”. Right now his home is split between Brooklyn and Perth, so he’s kind of a hometown boy. (photo © Jaime Rojo)


Another Brooklyn/Australia native, Anthony Lister will pepper the island with his signature characters  grinning larger than life transposed on enormous balloons. (photo © Jaime Rojo)

DMOTE will be involved in multiple projects but primarily on his own panel installation demonstrating new leaps and techniques he’s implementing in his ever-evolving style. (photo © Andrius Lippa)

Ben Frost is curating “Pastemodernism 3″ where every inch of surface area will be covered in wheatpasted posters from a slew of hand-picked artists. Probably the most populated exhibition of OUTPOST, “Pastemodernism 3” will include over 250 artists, both local and International. (photo © Andrius Lippa)

REKA. EVERFRESH STUDIO. The crew whose stellar lineup includes Phibs, Meggs, Rone, Reka, Sync, Prizm, Wonderlust, Stabs and Makatron will be tackling the East Apron Cliff Face with a tongue-in-cheek statement of the anti-graffiti rhetoric of yesteryear. (photo © Jaime Rojo)

Street Artist Creepy: Project Ugly will sit gazing over the harbour displaying 20 panels from interstate street artists, including an onsite live painting on an industrial scale by Sydney figure Sprinkles and as well, Brisbane based Shida. Amongst the pre-created collection will be Above (San Francisco), Creepy and Daek (Last Chance Studios, Perth) and Drypnz (NZ). (photo © Jaime Rojo)

Yok. Artery, located in the Dog Leg Tunnel will greet patrons upon first landing – being a sample of the creative tone to come including Meggs, Haha, Rone, Yok and Drewfunk amongst other featured Outpost Artists. (photo © Jaime Rojo)

Also included will be the Oi You! Collection featuring the largest private collection of Banksy’s, amongst works by David Choe and Herakut. As well, live painting by Sao Paulo artist Ethos and Belgian monotone muralist Roa.

Banksy is going to participate, but how? (photo © Jaime Rojo)

ETHOS. (photo © Jaime Rojo)

Herakut. (photo © Jaime Rojo)

ROA. (photo © Jaime Rojo)


From the press release:

“The crown jewel of Sydney harbour, Cockatoo Island, a former military outcrop and penal colony will be transformed this November. In conjunction with the Sydney Harbour Federation Trust, witness the island wide invasion as aMBUSH Gallery launches a curatorial take-over – transforming the industrial monument into a battlefield of street-art. The Outpost Project will be the Southern-hemisphere’s largest Street Art Festival to date, with a projected 90, 000 visitors over the course of 5 weeks. Amongst a myriad of forums, educational programs, aMBUSH will bring to the table the nexus of content featured on the island.”

For further information and a complete list of participating artists, events and schedule please visit the sites below:

http://outpost.cockatooisland.gov.au/

http://www.ambushgallery.com/

 

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Metro Gallery Presents: D*Face first solo show with METRO (Melbourne, Australia)

D*Face

D*Face Image courtesy of the gallery

Metro Gallery is excited to present D*Face’s first solo exhibition with the Gallery. The London street artist, known for his fluorescent prints, dark portraits, and interpretations of popular culture, has presented numerous sell-out exhibitions around the globe. D*Face’s 2011 exhibition at Metro Gallery will bring the artist’s bright, bold and comical style to Melbourne. While the artist is most commonly recognised for his collaboration with pop singer Christina Aguilera on her ‘Bionic’ album cover, amongst street art-enthusiasts, D*Face represents the avant-garde of street art, pushing boundaries in and outside of the gallery.

D*Face Image courtesy of Stolen Space Gallery

D*Face Image courtesy of the gallery

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Gallery A.S. Presents: Anthony Lister “Bogan Paradise” (Sydney, Australia)

Anthony Lister

Private reception

Friday  4th November  2011

6 – 9pm

As the launch event is limited capacity we will not be able to accommodate everyone.
If you would like to attend, it is essential to register interest at rsvp@gallery.as

Gallery A.S. at 779 George Street, (near railway square) Sydney

Exhibition continues by appointment only. Please contact galleryas@galleryas.com.au

Gallery A.S. presents an ambitious production with Brisbane-born artist Anthony Lister. Much farther reaching than your white walled gallery exhibition, Gallery A.S. has positioned Lister’s new happening in an exhausted sex shop in Sydney’s Chinatown.

Bogan Paradise challenges conceptions of the Australian identity – those attributes perceived as both positive and negative. Euphemisms amount in the Australian vernacular to champion the quintessential Australian larrikin – a character that most other cultures would bluntly disregard. It’s the ‘she’ll be right’ laid back attitude that we exonerate as while we consent to and discount irresponsible acts.

Lister investigates the underside of such a responsibility-free society. We witness several incarnations of the ‘victimless crime’, a ‘no worries’ attitude to a future too far off for retribution – pissing in public, Mum smoking a bong, swearing at the televised footy match, burn-outs on the oval, amoral Queensland cops, desecration of wildlife, motorcycle gangs, and other petty misdemeanors as well as a few more personal crimes such as the home-made tattoo in the garage, sun-burn, a terrible haircut, an unhealthy obsession with sports or celebrity magazines.

Social commentators have oft questioned the larrikin streak in Australian culture, and have theorised about its origins. Some say that larrikinism arose as a reaction to corrupt, authority during Australia’s days as a penal colony, or as a reaction to norms of propriety imposed by officials from Britain on the young country and such disdain for arbitrary authority a reaction to of the often conservative norms of bourgeois Australia. What cannot be argued is that the larrikin is an important part of our culture and has emerged repeatedly, informing Australian contemporary art, popular and youth culture and political debate.

Bogan Paradise will be held in the top 3 floors of a dilapidated heritage listed, discreet George St Building. The convergence of Lister’s vision with this early Sydney building and recently de-zoned sex shop presents a unique context for Anthony to amplify his themes of wayward Australiana. The space will exist as several involving environments as a rabbit-warren of surprising installed, performative and interactive rooms.

Anthony Lister is a trailblazer with an international following and a general disregard for borders. A prolific street artist and painter Lister has managed to marry the empathy and abjection of 20th Century figuration with the irreverence of the contemporary pavement culture. His work shows a genuine affection for the human body, and also a tender understanding of the ways in which the demented, destructive, playful and powerful collide and coalesce.

Anthony Lister was born and raised in Brisbane, a metropolitan center and capital of Queensland, Australia. In 2001, he earned his Bachelor in Fine Arts at Queensland College of Art, and in 2003, moved to New York to continue his education under the tutelage of distinguished abstract painter and New Zealand native Max Gimblett.

He has since shown in solo and group exhibitions all over the world in commercial and institutional galleries, art fairs and prizes alike. His work is held in many collections of high esteem including the National Gallery of Australia and the BHP collection.

Gallery A.S. is Joseph Allen Shea‘s site-specific exhibition project. It’s vision is to create marriage and/or discord between architecture and contemporary art to bring interest and vigour to Sydney’s art and cultural domain.

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941 Geary Gallery Presents: “Young and Free” Contemporary Australian Street Artists (San Francisco, CA)

young and free

brooklyn-street-art-941-geary-gallery-young-and-free

“I like renegades – there’s something so attractive about their natural instinct to defy convention.” Anon.

Some call Australia the ‘lucky country’, but we’ve always made our own fate. From a rebellious pas we’ve forged an identity steeped in cunning ingenuity, creative discontent and unorthodox flair. We’ve staged rebellions over rum, gained notoriety and won Nobels. We invented cask wine and Wi-Fi and we’ve won countless world titles. There may not be a lot of us, but we’ve always packed a punch.

So it is no surprise that with nothing more than a can of paint and a glint in their eye Australians are taking the street art scene by storm. It’s time for the rest of the world to sit up and take notice.

Young & Free will be the most significant exhibition by Australian street artists ever seen in the United States. The show will feature fresh work by thirteen of Australia’s finest urban art guerrillas – from the already internationally acclaimed to the burgeoning up-and-comers.

This tribe of artists comes from a variety of backgrounds: brilliant new work by notorious 80’strain painters through to the sublime subtlety of a modern day Rembrandt armed with a spray can. Young & Free is a reflection of Australia’s thriving street culture with a strong grounding in the past and a firm focus on the future. These artists are modern day bushrangers, patrolling the lanes from Melbourne to Manhattan.

This show features a mix of direct sprays, stencils and paste-ups, representing the rich and varied groundings from which these artists have grown. No matter their age, medium or style, the Young & Free artists all share one thing in common: they want to give the urban landscape a fresh coat of paint.

There are many similarities between Australia and San Francisco. Both have famous bridges, internationally established street art cultures and, of course, trams. What is different is our beginnings. Australia’s criminal foundations have seeped into our national persona – Aussies are born with a spirit of rebellion. As the opening lines from our national anthem proclaim, ‘Australians all let us rejoice, for we are Young & Free.’

The cans have been capped, the wheat paste stirred, and the stencils packed: this is the most important Australian street art exhibition ever, mate.

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Ambush Gallery Presents: Project 5, Volume 3 Group Show And Live Art Event (Sydney, Australia)

Ambush Gallery
brooklyn-street-art-ambush_gallery-2011_KeyAr
Cockle Bay Wharf &
aMBUSH Gallery for Project 5

A thrilling three day outdoor sensation of live street art
and cranking tunes.

For the 3rd time, Project 5 is bringing street art to Sydneysiders.

See international and home grown street art legends KID ZOOM, GHOSTPATROL, JAMES JIRAT PATRADOON and DEB hard at play letting loose on four mural panels spurred on by Sydney’s very own Future Classic Deejays

Project 5 proudly supports Information & Cultural Exchange (ICE) in a public art auction for charity at aMBUSH Gallery on 3 March 2011.

Live Art Event

Where: The Promenade Level, Cockle Bay Wharf, Darling Harbour
When: Opening night Friday 25 February, 6-9pm then
Saturday 26 and Sunday 27 February, 12noon-3pm

Live webcast on www.cocklebaywharf.com.au

Auction Event
Where: aMBUSH Gallery, 4A James Street, Waterloo Sydney
When: Thursday 3 March, 6-9pm

More info: www.project5.com.au

aMBUSH Gallery
4A James Street Waterloo
A Sydney NSW 2017
T 02 8399 0707
E info@ambushgallery.com

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Images Of The Week 02.06.11

Images Of The Week 02.06.11

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our weekly interview with the Street, this week featuring Alec, Kamineko, NohJColey, Oculo, Pawz,  and Vie3

brooklyn-street-art-nohjcoley-jaime-rojo-02-114

NohJColey’s second interactive sculpture in Brooklyn. The rod on the figures’ right hand side controls the movement of the figures head. It takes a couple of attempts, but the head will move revealing a hand and spoon. (photo © Jaime Rojo)

brooklyn-street-art-nohjcoley-jaime-rojo-02-112

NohJColey. Detail (photo © Jaime Rojo)

brooklyn-street-art-nohjcoley-jaime-rojo-02-113

NohJColey. Detail (photo © Jaime Rojo)

brooklyn-street-art-nohjcoley-jaime-rojo-02-111

NohJColey. Detail (photo © Jaime Rojo)

brooklyn-street-art-vie3-jaime-rojo-02-11Frida Kahlo appears in New York, by VIE3 (photo © Jaime Rojo)

brooklyn-street-art-Alec-jaime-rojo-02-11New York, monopoly, banker. Pretty much sums it up Alec.  (photo © Jaime Rojo)

brooklyn-street-art-Banksy?-jaime-rojo-02-11Ceci n’est pas une Banksy (photo © Jaime Rojo)

brooklyn-street-art-oculo-jaime-rojo-02-11

Oculo (photo © Jaime Rojo)

brooklyn-street-art-hello-hangover-brooklyn-jaime-rojo-02-11This is exactly what I said to myself yesterday morning ouch! (photo © Jaime Rojo)

brooklyn-street-art-Komodo-dragon-jaime-rojo-02-11Hey there, dinosaur breath! (photo © Jaime Rojo)

brooklyn-street-art-stencil-jaime-rojo-02-11Don’t overdose now. (photo © Jaime Rojo)

brooklyn-street-art-Terry-Richardson-jaime-rojo-02-11You get the thumbs up from Terry Richardson (photo © Jaime Rojo)

brooklyn-street-art-viva-la-brooklyn-jaime-rojo-02-11That’s right. (photo © Jaime Rojo)

brooklyn-street-art-julian-assange-kamineko-pawz-02-11

Julian Assange in West End, Queensland, Australia by Kamineko. (photo © Pawz)  More here:

brooklyn-street-art-urban-bonifre-jaime-rojo-02-11

Fire and Ice (photo © Jaime Rojo)

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“Space Invaders” at National Gallery of Australia

“Space Invaders” at the National Gallery of Australia in Canberra  is open for one more month as it presents a survey of the vigorous homegrown and international street art movement that has developed over the past ten years in the Pacific Rim. Home to well known and upcoming street artists like Anthony Lister, MISO, Kid Zoom and Creepy, Australia contributes a distinctive voice to a developing school and vocabulary.

With this show the National Gallery joined the ever expanding list of major art institutions recognizing and meditating on the importance and influence of Street Art as an art form and art movement. Once again the public is involved in the conversation about what Street Art is and where is it going- through the protected confines and altering prism of a formal art institution.

Below an excerpt from the Gallery’s web site:

“Drawn entirely from the collection of the National Gallery of Australia, the first Australian institution to have collected this type of work, Space invaders: Australian . street . stencils . posters . paste-ups . zines . stickers surveys the past 10 years of Australian street art. Featuring 150 works by over 40 Australian artists, this exhibition celebrates the energy of street-based creativity and recognises street stencils, posters, paste-ups, zines and stickers as comprising a recent chapter in the development of Australian prints and drawings..

Space invaders looks at artists and their iconic street-based works at the point of their transition from the ephemeral to the collectable and from the street to the gallery”

Brooklyn-Street-Art-HaHa-Neds-Head-Nat-Gallery-Australia-Jan2011

HaHa “Ned’s Head Triptych” (detail) (courtesy National Gallery of Australia)

Brooklyn-Street-Art-Masthead--Nat-Gallery-Australia-Jan2011

The current show name borrows from the French street artist, who borrowed from the video game.

Brooklyn-Street-Art-LIster-Mr-Evil-Head-Nat-Gallery-Australia-Jan2011

Lister “Mr. Sinister” 2010 (detail) (courtesy National Gallery of Australia)

Brooklyn-Street-Art-Jumbo-Nat-Gallery-Australia-Jan2011

Jumbo “X-Ray Man-machine” (detail) (courtesy National Gallery of Australia)

National Gallery of Australia
GPO Box 1150
Canberra ACT 2601
AUSTRALIA

  • Recorded information +61 2 6240 6501
  • General information +61 2 6240 6411

National Gallery of Australia Website  http://nga.gov.au/Home/Default.cfm

Space Invaders features stencils, posters, paste-ups, zines and stickers and will run until February 27 2011. If you are in the area and would like to visit the Gallery below is a list of upcoming events related to the show and the participating artists:

This Thursday (Jan 27) there is an artist talk with Mini Graff as she talks about her work featured in the exhibition.

This Saturday (Jan 29) there is a vinyl sticker printing workshop for teens
Print your own vinyl stickers with Sydney street artist Mini Graff. Translate your ideas onto vinyl stickers using screenprinting techniques. Please note that this program is at Megalo Print Studio + Gallery in Watson.

Sunday (Feb 6) there will be a screening of BOMB IT (DVD, 2007, not rated, 93 mins)
An explosive documentary about graffiti, the controversial art form shaping international youth culture today. By award-winning director Jon Reiss.

Participating artists for “Space Invaders” include:

AEON
AZLAN

BYRD
CIVIL
DEVIANT
DLUX!
DODD James
DOYLE Adrian
GHOSTPATROL
HAHA
HOLLENBACH Misha
JUMBO
KEATING Ash
LISTER
MAKATRON
MARCSTA
MEEK
MEGGS
MINI GRAFF
MISO MONKEY
NUROK
OKIPA
OPTIC
PHIBS
PRISM
PROOF
PSALM
REKS
RONE
SIBLEY, DAN
SIM Robert
SIXTEN
STARK Al
SYNC
TWOONE
VEXTA
XERO
YOK

ZAP

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