July 2020

John Fekner (with Don Leicht and Brian Albert) “Hymn 2020” / Welling Court Mural Project NYC

John Fekner (with Don Leicht and Brian Albert) “Hymn 2020” / Welling Court Mural Project NYC

A recent street stencil work by John Fekner, Don Leicht, and Brian Albert is a reprise, a sad reminder that the legacy of racism in the country has been with us for what seems like forever. During another chapter of Fekner’s creative life on New York streets he sang a visual HYMN to the civil rights leader Martin Luther King Jr. in the wake of the murderous brutality of white New York teens in Queens. Now thirty three years later the viciousness of police violence against black citizens on display can make you think nothing has changed fundamentally, even though we know it has.

We asked the artist how this HYMN at the Welling Court Mural Project this summer is a counterpart to the HYMN project more than three decades ago – a collaboration by John Fekner and Brian Albert.

John Fekner and Brian Albert. Hymn. Queens, New York. 1987. (photo courtesy of John Fekner)

HYMN  was a collaboration by John Fekner and Brian Albert. The project constructed on an embankment overlooking the Grand Central Parkway in Queens was intended as a call for peace, an immediate response to the growing racial tensions over the death of a young black man in New York City. A gang of white youths in the Howard Beach neighborhood of Queens brutally beat three black men whose car had broke down in the neighborhood, chasing one of the three, 23-year-old Michael Griffith from Bedford-Stuyvesant, to his death when he was hit by a car crossing the Shore Parkway on December 20th, 1986.

The piece consisted of a tombstone-shaped concrete electrical power box painted black with the word “HYMN” stenciled in 12-inch high white letters. Flush with the ground, in front of the ‘tombstone’ was a translucent 40” x 50” photographic print portrait of Martin Luther King, Jr., illuminated from a light source in the ground. The electricity necessary for the underground lighting was tapped from a streetlamp, which switched on at sunset.

Hymn was installed for Martin Luther King Jr. Day on January 19th, 1987. Passing motorists could see the work both during the daytime and at night when it transformed into a subtle glowing image of harmony and peace. The illegally sited work remained for a few weeks and was eventually removed from the parkway embankment.”

John Fekner, Don Leicht, and Brian Albert. Hymn. Welling Court Mural Project NYC. Queens, NYC. June 2020. (photo © Jaime Rojo)

John Fekner (with Don Leicht and Brian Albert) Hymn 2020 (Rest In Power) (above) is intended to be a solemn reflective message to show empathy and compassion to the local community and beyond, during this time of protest, police reform and positive change.


(Installation by Dante, Roman & Dave Santaniello at Welling Court Mural Project NYC)

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Largest Piece by BustArt in Tegel, Berlin for Urban Nation

Largest Piece by BustArt in Tegel, Berlin for Urban Nation

Massive and bright and staring at the summer sky, the new mural in the Tegel area of Berlin is quintessential BustArt. Two decades after starting his mark-making as a Swiss graffiti writer, his style borrows elements from that classic graffiti mixed with cartoons, pop art, and perhaps an eye toward others like Crash and D*Face who themselves point to the Roy Lichtenstein.

BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)

His  brand of ‘neopop” mixology is unique to him of course, and the tireless effort, scale of work (40 meters x 16 meters), and relative speed that he works sets him in a category of his own.

“This is the biggest wall I have painted so far and I could not be more happy with the outcome,” he says of the two week gig. The confident command of visual vocabulary, character and line work tell you that this new mural is a challenge BustArt was more than ready for.

BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)

Bustart also wants to shout out his mate @sket185 for the enormous help, the folks at @yesandpro who orchestrated along with Urban Nation, and we all give thanks to photographer Nika Kramer for sharing her work here with BSA readers.

BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
BUST Art in Tegel Berlin / One Wall Project. Urban Nation Museum. (photo © Urban Nation/Nika Kramer)
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BSA Images Of The Week: 07.05.20

BSA Images Of The Week: 07.05.20

Welcome to BSA Images of the Week.

Hanging tough is what New York does, and the art in the street is 10X more potent than six months ago. It’s almost cliche to say that Street Art and graffiti are about a conversation on the street, but the words and sentiments being expressed right now on monuments, edifices, and in doorways are a direct reflection of the high-emotion, high-stakes conversations that we must have about the true state of race, freedom and social mobility in 2020 US.

Here’s our weekly interview with the streets, this week featuring Art 2 Heart Art, Calicho Art, Chris RWK, Col Walnuts, Eortica, Irena Kenny, Jilly Ballistic, John Ahearn, Know Justice, Sac Six, Scratch, Shiro, Top Bun Artist, Zachary Ginsberg, and Zero Productivity.

Jilly Ballistic (photo © Jaime Rojo)
#blacklivesmatter (photo © Jaime Rojo)
#blacklivesmatter (photo © Jaime Rojo)
#knowjustice (photo © Jaime Rojo)
Top Bun Artist (photo © Jaime Rojo)
#blacklivesmatter (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Its The Fucking Face (photo © Jaime Rojo)
Zachary Ginsberg. Detail. (photo © Jaime Rojo)
Zachary Ginsberg (photo © Jaime Rojo)
Shiro, Erotica, Scratch. Hunts Point. The Bronx. (photo © Jaime Rojo)
Art 2 Heart Art . Calicho Art (photo © Jaime Rojo)
Irena Kenny (photo © Jaime Rojo)
John Ahearn. Hunts Point. The Bronx. (photo © Jaime Rojo)
Col Walnuts (photo © Jaime Rojo)
Zero Productivity, Chris RWK (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
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Happy 4th of July 2020 from BSA

Happy 4th of July 2020 from BSA

We’ve been hearing fireworks for weeks in Brooklyn and across New York City. That is not unusual activity to see leading up to this holiday celebrating the start of the country, but the quantity and quality of fireworks available on the black market (fireworks are largely illegal in NYC) and the duration of the explosions into the night has been wearing down already frayed nerves of people in some neighborhoods, spawning rumors and conjecture.

4th of July 2020 (illustration ©Jaime Rojo and Steven P. Harrington)

Have you ever noticed that every conspiracy theory appears to involve black SUVs? Or maybe black helicopters? Dude, what do you think that means?

Tonight we’ll expect a cavalcade of illegal fireworks to light up the sky all over the city nonetheless. In the morning we’ll expect that none of our social and political problems will have disappeared overnight because of a patriotic holiday. We know that none of us are free until all of us are free, so there will still be work to do.

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BSA Film Friday: 07.03.20

BSA Film Friday: 07.03.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. “No Weapon Formed Against Thee Shall Prosper” Cey Adams, Sophia Dawson, and Marka 27

BSA Special Feature: “No Weapon Formed Against Thee Shall Prosper” Cey Adams, Sophia Dawson, and Marka 27

Quoting Isaiah 54:17 in the Bible, this mural inspires us and girds us and reminds us that when it comes to systemic racism the battle is not for the faint of heart. Can we get an ‘Amen’?

“No Weapon Formed Against Thee Shall Prosper” By Murals For The Movement, Cey Adams, I’m Wet Paint and Marka 27 is dedicated to the victims of police brutality and mass incarceration.

Shout out to @ow.ley for creating the video.

“No Weapon Formed Against Thee Shall Prosper”

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Lady Pink Blossoms in Welling Court Mural Project NYC – 2020

Lady Pink Blossoms in Welling Court Mural Project NYC – 2020

Free spirit Lady Pink has sprinkled a summer bouquet across a wall here with friends in Queens for the Welling Court Mural Project this year. The Ecuadorian-American artist is known by many for her graffiti writing on trains in the 1970s and 1980s and her latter day murals empowering women, exploring the cityscape – and themes of rebellion or self-expression.

Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)

Here she has decided to keep it simple for summer 2020, perhaps in the face of the complexity of our lives at the moment. These colors and motifs of flora are reassuring and soothing – possibly to give a salve for our collective wounds as she subtly pays tribute to those names of black and brown people brutalized by our system.

The city is hurting, black people are hurting, poor folks are hurting. In times like these, Lady Pink and her painting family know what you need, because they need it too.

Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)

Shout out to Alison Wallis for organizing this years Welling Court Mural Project, despite the challenges of Covid-19. Read more about the project at wellingcourtmuralprojectnyc on Instagram.

Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
Lady Pink with the crew. Welling Court Mural Project NYC – June 2020 (photo © Martha Cooper)
Lady Pink. Welling Court Mural Project NYC – June 2020 (photo © Jaime Rojo)
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disCONNECT / Alex Fakso / Between The Collective And The Individual.

disCONNECT / Alex Fakso / Between The Collective And The Individual.

The marauding crowd, faceless and multi-podel, rumbling with half ideas and mislead missions. If you have lived in cities you know the feeling of being swept along inside one as it hurtles down the stairs, up the escalator, through the lobby, across various stadia.

Alex Fakso. Schoeni Projects / HK Walls. London. (photo © Ian Cox)

We like it because we feel like we are part of something bigger, something that must have a logic of its own. In losing yourself, in becoming one with these others, we are reassured for that moment that there is something larger and of consequence, if only to break apart again into one once more.

Alex Fakso. Schoeni Projects / HK Walls. London. (photo © Ian Cox)

Isolation and pandemic have scarred many minds in the last few months because they’ve been couple with fear, but these events have opened a few minds as well because we’ve had time to examine, correlate, critique, observe our own impulses and needs and wants.

Artist Alex Fakso tells us that he used to be an avid traveler for his work, relying perhaps on incessant movement for his sanity – moving from city to city sort of mindlessly. He says he may have taken some things and people for granted, including himself. and the current world crisis has allowed him to reflect on what was left for granted by many people including himself.

Alex Fakso. Schoeni Projects / HK Walls. London. (photo © Ian Cox)

In his installation for the disconnect exhibition in London, he says these ideas of panic and isolation are at the core. A distanced exhibit, he’ll be happy to see you contemplate the images of crowds placed here. He hopes it will be “a dive into a world which has dramatically changed,” he says, and one in which, “as individuals, we currently long to belong again.”

Alex Fakso. Schoeni Projects / HK Walls. London. (photo © Ian Cox)

Participating artists:

Adam Neate (UK)
Aida Wilde (Iran)
Alex Fakso (Italy)
Mr.Cenz (UK)
David Bray (UK)
Herakut (Germany)
Icy and Sot (Iran)
Isaac Cordal (Spain)
Vhils (Portugal)
ZOER (Italy)

Alex Fakso. Schoeni Projects / HK Walls. London. (photo © Ian Cox)
Alex Fakso. The Couple. Photo on vinyl on old reclaimed photos. Schoeni Projects / HK Walls. London. (photo © Ian Cox)
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