July 2015

BSA Images Of The Week: 07.19.15

BSA Images Of The Week: 07.19.15

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Chomp chomp, slurp slurp, spraaaaaaaaayyyyyyyyyyy spray sp sp sp spraaayyyyyyyyyy. The sounds of a sidewalk barbecue and painting a new piece on a wall on a hot July day in Brooklyn. Also honking, screeching, sirens, and Action Bronson, Hot Chip, or Major Lazer pumping out the windows of a passing car. Want a cherry popsicle?

Here’s our weekly interview with the street, this week featuring $howta, Barlo, BD White, Brad Robson, DAIN, Dee Dee, Denton Burrows, Faith47, Fin DAC, Jack Fox, Jorit Agoch, LOMNOPI, JPO, London Kaye, Marina Capdevila, Skirl, Sosta, and Zimer.

Top image above >>> Marina Capdevila (photo © Jaime Rojo)

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Findac does a B-Girl in BK (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Faith47 for The L.I.S.A. Project (photo © Jaime Rojo)

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$howta (photo © Jaime Rojo)

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Zimer (photo © Jaime Rojo)

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Skirl (photo © Jaime Rojo)

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London Kaye (photo © Jaime Rojo)

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BD White collab with JPO. (photo © Jaime Rojo)

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BD White collab with JPO. (photo © Jaime Rojo)

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Jack Fox for The Bushwick Collective. (photo © Jaime Rojo)

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Including traffic. Denton Burrows (photo © Jaime Rojo)

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Dee Dee. We think the stache came later… (photo © Jaime Rojo)

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Brad Robson at Woodward Project Space. (photo © Jaime Rojo)

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Peace (photo © Jaime Rojo)

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I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door.” (photo © Jaime Rojo)

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Barlo and Sosta collaborate in Hong Kong. (photo ©  Barlo)

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Dain is ripping things up. (photo © Jaime Rojo)

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Jorit Agoch for The Bushwick Collective. Last Sunday we published a process shot. Here is the completed mural. (photo © Jaime Rojo)

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Untitled. New York City. July 2015. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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THE BSA PRESENTATION “ON THE RADAR” IS MOVED TO SUNDAY AUGUST 23RD

THE BSA PRESENTATION “ON THE RADAR” IS MOVED TO SUNDAY AUGUST 23RD

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Hello Friend!

Just to let you know the BSA EVENT DATE at Coney Island Museum has changed to AUGUST 23RD

THE BSA PRESENTATION “ON THE RADAR” IS MOVED TO SUNDAY AUGUST 23RD

Many exciting new developments are happening at Coney Art Walls, curated by Jeffrey Deitch this summer at Coney Island. Big Announcement Coming.

As a result, our event date has been moved to AUGUST 23rd!

We are sorry for any inconvenience this date change causes.

HOPE YOU CAN STILL COME! We’ll be very happy to see you.

And Thank You very much for your support.
More Details on the Facebook Event Page for “ON THE RADAR”

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In Hazel’s Eye : Fauxreel & Specter on Toronto Mural Under a Bridge

In Hazel’s Eye : Fauxreel & Specter on Toronto Mural Under a Bridge

Canadian Street Artist Fauxreel and Brooklyn’s Specter collaborated recently on a commissioned mural under a bridge to commemorate the 2015 Pan Am Games that are hosting world athletes right now in Toronto.

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Faux Reel and Specter. “In Hazel’s Eye” Collaboration in Toronto for the Pan Am Games 2015 (photo © Dan Bergeron)

An unwinding corkscrew of fluorescent magenta hues springs across the ceiling to capture the energy of the games and, says Fauxreel, to depict the energy of a 1954 hurricane (Hazel) that caused severe damage to homes, businesses, and wildlife here along the Humber River. In their own depiction of graphical data that is often used to illustrate weather-related events, the two superimposed the out-of-control graphic on the somewhat surreal natural scene.

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Faux Reel and Specter. “In Hazel’s Eye” Collaboration in Toronto for the Pan Am Games 2015 (photo © Dan Bergeron)

The mural is one of many spread along something called the Pan Am Path, an art component to the games. A social/community activist and observer, Fauxreel looks at the cataclysmic natural event and sees something positive. “As a result of this storm the Toronto and Region Conservation Authority for The Living City (TRCA) was born and spaces along the Humber, like Cruickshank Park where the mural is located, were redeveloped to the benefit of all Torontonians.”

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Faux Reel and Specter. “In Hazel’s Eye” Collaboration in Toronto for the Pan Am Games 2015 (photo © Dan Bergeron)

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Faux Reel and Specter. “In Hazel’s Eye” Collaboration in Toronto for the Pan Am Games 2015 (photo © Dan Bergeron)

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Faux Reel and Specter. “In Hazel’s Eye” Collaboration in Toronto for the Pan Am Games 2015 (photo © Dan Bergeron)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday 07.17.15

BSA Film Friday 07.17.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Roma Street Art Tribes as Captured by Dioniso Punk

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BSA Special Feature: Roma Street Art Tribes as Captured by Dioniso Punk

Gwen Stacy Parts I and II

Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.

Discussions at panels cut into impassioned discussions by senior women in the courtyard or didactic examinations in the street – some for illustration, others for whimsy, none to be ignored. More of a fact finding mission than cogent analysis, you may find it difficult to follow the narrative and so it is better to let go and allow yourself be battered by the insights and observations delivered with the jumpy cuts and uncompleted thoughts and discussions, preferring instead to sink into the tribe of the humans, here selectively displayed for your pleasure and hopefully, edification.

(turn on the CC (closed captioning) if you do not speak Italian)

 

Featuring interviews with Solo, Gaia, Diamond 0707, Maupal, Best Ever, Bol23, Jerico, Guerrilla Spam Sen One, Sabrina, Dan, Stefano Antonelli (999 Contemporary,) Marta Ugolini (Galleria Ca’ D’Oro), Agathe Jaubourg (Pasolini Pigneto), Alìn Costache (YUT!), Edoardo Martino (Villaggio Globale), and Eleonora Zaccagnino (Acid Drop).

Special Guests: Mp5, Alice Pasquini, Mr. Thoms, Jessica Stewart, Sandro Fiorentini (La Bottega del Marmoraro).

Murals by Blu, Roa, Borondo, Etam Cru, Space Invaders, C215, Hogre, Herbert Baglione, Sten & Lex, JB Rock, Ernest, Pignon-Ernest, Etnik, Axel, Avoid, Sbagliato, Jim Avignon, Fin DAC, Jef Aerosol, Seth, Zed1, Ericailcane, Clemens Behr, Caratoes, Momo, Derek, Bruno, Kid Acne, Mto, Alexey Luka, Tellas, Moby Dick, Philippe Baudelocque, Mr. Klevra, Lucamaleonte, Diavù Kocore, Agostino Iacurci, Danilo Bucchi, Jaz, Desx, Reka, Lek & Sowat, Hopnn, Matteo, Basilé Alberonero, Ex Voto, Andreco, Moneyless, Nicola, Verlato, Ludo, L’Atlas, Escif, and Pepsy Zerocalcare.

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9 Year Old Interviews Faile in the Deluxx Fluxx Arcade

9 Year Old Interviews Faile in the Deluxx Fluxx Arcade

Summer interns are younger than ever this year in NYC!

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Thought you would like to see this video that Huffpost made last week as the FAILE show was about to open. Literally it was the day before the opening and behind the scenes people were running around like cats at a rocking chair convention. But you wouldn’t know it by the calm and friendly demeanor of Patrick and Patrick as they show 9 year old interviewer Ada Donnelly how to play the games and make sure she gets the inside story on the Deluxx Fluxx Arcade. The concept is genius! Read the full story HERE:

And here’s a pretty complete run-down of the show we did for the opening of ‘Savage/Sacred Young Minds’

 

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“Face Time” with Various & Gould in Berlin

“Face Time” with Various & Gould in Berlin

80 meters from the former Berlin Wall in an area still straddling “former east” and “former west” in Berliners’ minds, Street Art duo Various and Gould have just spent 12 days on “Face Time”, a patchwork faced mural that mimics the increasing diversity of the city. Suitably for this new view of the city, it is on a new building.

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Various & Gould “Face Time” Berlin. July 2015 (photo © Hans Friedrich)

A greatly enlarged version of a collage they made from 20 or so different faces, the 250 square meter piece is their first in the city and as is the case of much of their work, contains questions about our sense of identity and exactly what defines it.

“One guy asked us, ‘What’s the name of the man?’” says Various they talk about the various comments they got from various people on various occasions. “He said, ‘That face reminds me a bit of a young Obama.’

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

“The truth is that it is more of a patchwork identity,” offers Gould. “The result isn’t a real person with a name. We can’t even say whether it’s a man since the single face parts vary in gender.”

An unusually large size for the two, at some point the work involved was perhaps more than they realized. Luckily, some friends came by to help paint – and some strangers did too. “Twice we had the situation that very friendly – but total strangers – spontaneously climbed onto the scaffolding to offer their help!” says the wide-eyed Various incredulously.

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

In New York this sort of random generosity means they will be a.) trying to steal your paint,  b.) asking you for some cash for drugs. In Berlin apparently, it is just the random kindness of strangers. “Both times they worked with us for a couple of hours!” says Gould.

Mural work is more grueling than most people realize, including most artists, and at some point you may lose your mind painting these dots that emulate the screen printing process that V&G fell in love with years ago.

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Lunch time for the workers Various & Gould . Berlin. July 2015 (photo © Various & Gould)

Gould explains, “It was a lot lot lot of work, painting these halftone dots … But we really needed to do it this way. We are crazy about these dots. We are passionate silkscreen printers!”

The design is actually taken from a silkscreen print collage they wheatpasted versions of on the street in Paris earlier this year. The two even used a typical silkscreen method to painting – first by painting the areas of color underneath, then carefully applying the halftone layer (all the dots) on top.

Now that its done the two say they want their work to put into question our accepted ideas about beauty as well as identity with their Dadaistic “Face Time” series. “Our aim is to create characters, not to portray actual people,” says Various. Gould agrees, “But in the end, our fictional faces seem far more real to us than many of the faces shown in the media every day.”

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

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Various & Gould “Face Time” This is the original poster that inspired the big mural being wheat pasted in Paris in the Spring. (photo © Various & Gould)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Various & Gould)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Hans Friedrich)

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Various & Gould “Face Time” Berlin. July 2015 (photo © Hans Friedrich)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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LOLA, Atomic Sheep Dog Drinking from the Uranium Mine Per Jetsonorama

LOLA, Atomic Sheep Dog Drinking from the Uranium Mine Per Jetsonorama

A shepherd needs a good sheep dog on the reservation in Arizona, that much is clear. One that’s been drinking radioactive water at a uranium mine? That is less clear.

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Jetsonorama. Lola The Atomic Sheep Dog. Cow Springs, Arizona. July 2015. (photo © Jetsonorama)

But so far Lola has exceeded her charge and performed beyond other sheep dogs here in Cow Springs, says artist Jetsonorama – so much so that she’s become a bit of an artistic muse for him lately. “She is revered here,” says the photographer and street artist, who prefers to spell her name with an exclamation point at the end (Lola!). “Coyotes don’t bother trying to steal any sheep from her flock,” he says, “whereas most flocks of sheep have 3 or 4 sheep dogs per flock, Lola herds several hundred sheep solo.”

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Jetsonorama. Lola The Atomic Sheep Dog. Cow Springs, Arizona. July 2015. (photo © Jetsonorama)

Radioactive dust and contaminated water is scattered across a large expanse of the Navajo nation, say locals, with many of the 500 or more of these sites estimated to be open and unprotected – or rather protected from people and animals breathing in the air and drinking the water there.

In 2012 the journalist Leslie MacMillan reported in the New York Times about many of these open sites emitting dangerous levels of radiation and folks like Jetsonorama and neighbor ranchers were given a little hope that something would come of it.

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Jetsonorama. Lola’s herd.  The Atomic Sheep Dog. Cow Springs, Arizona. July 2015. (photo © Jetsonorama)

For now, Lola is Jetsonorama’s emissary of spreading this radioactive message – and she is going strong and rather purple-ish in this desert wall campaign. He’s calling her an atomic sheep dog.

“I first pasted Lola in January of 2014 at cow springs.  I used a wall where I paste regularly and local members of Bloods and Crips go over my work – and then I go back over them. When I paste Lola I tint the background with a graffiti-patterned magenta, then I cut her out of the photo.”

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Jetsonorama. Lola The Atomic Sheep Dog. She does have some canine friends. Cow Springs, Arizona. July 2015. (photo © Jetsonorama)

It’s unclear whether the presumed radioactive water that Lola laps up has contributed to her performance on the range, or if Jetsonorama has found an effective PR spokes-dog for his campaign to raise awareness of these unprotected uranium mines, but Lola seems like she is owning it.

Right now she’s running solo, although Jetsonorama says she does some occasional socializing. “However, since becoming atomic,” he says, “Lola is THE super sheep dog!”

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Jetsonorama. Lucy’s trailer. Early morning light. Cow Springs, Arizona. July 2015. (photo © Jetsonorama)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Joe Caslin in Dublin and On a Castle for Same-Sex Marriage

Joe Caslin in Dublin and On a Castle for Same-Sex Marriage

Irish illustrator Joe Caslin has just completed a two-mural campaign this spring in Dublin’s city center on the side of a castle in Co Galway in support of this May’s country-wide same-sex marriage referendum. At the end of decades of activism by many in the LGBT community, these giant murals may have helped to sway the outcome – they certainly resulted in a lot of attention on social media and even the front page of the International New York Times.

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Joe Caslin. The Castle. Detail. Caherkinmonwee Castle. Galway, Ireland. (photo © Gavin Leane)

The image on the side of the seven story Mercantile building was inspired by Meeting on the Turret Stairs, the sorrowful passing of unrequited lovers depicted by Fredric William Burton’s in his1864 painting. Wind and rain quickly damaged the pasted paper version of his hand-drawn illustration, but not before it was recorded and parlayed across mobile devices and television screens.

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Joe Caslin. The Castle. Detail. Caherkinmonwee Castle. Galway, Ireland. (photo © Gavin Leane)

Far away from the city and surrounded by cows grazing in bucolic pastures, Caslin’s second illustration, this time featuring two lovely young women in an embrace, was affixed with potato-starch based paste onto the façade of a grand structure, the Caherkinmonwee Castle in Co Galway. If you were looking for a more fitting frame for your portrait, you would be hard pressed to beat this one and Joe once again proves that location and context is king (or queen).

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Joe Caslin. The Castle. Detail. Caherkinmonwee Castle. Galway, Ireland. (photo © Gavin Leane)

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Joe Caslin. Drawing for The Castle. (photo © Joe Caslin)

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Joe Caslin. The Castle. Caherkinmonwee Castle. Galway, Ireland. (photo © David Sexton)

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Joe Caslin. Equity. Process shot. Dublin, Ireland. (photo © Peter O’Dwyer)

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Joe Caslin. Equity. Process shot. Dublin, Ireland. (photo © Peter O’Dwyer)

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Joe Caslin. Equity. Process shot. Dublin, Ireland. (photo © Peter O’Dwyer)

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Joe Caslin. Equity. Process shot. Dublin, Ireland. (photo © Peter O’Dwyer)

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Joe Caslin. Drawing for Equity. (photo © Joe Caslin)

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Joe Caslin. Equity. Dublin, Ireland. (photo © Peter O’Dwyer)

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BSA Images Of The Week: 07.12.15

BSA Images Of The Week: 07.12.15

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Here’s our weekly interview with the street, this week featuring ASVP, Dain, D. Hollier, Dee Dee, Free Humanity, Homo Riot, Hunt, Jorit Agoch, Myth, Old Broads, Philippe Herard, Solus, The Electric Tattoo, Oji and Wing.

Top image above >>> Dain (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Dain with a later addition of KORN 40. (photo © Jaime Rojo)

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Wing (photo © Jaime Rojo)

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Philippe Herard in Paris, France. (photo © Aline Mairet)

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Philippe Herard in Paris, France. (photo © Aline Mairet)

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Philippe Herard in Paris, France. (photo © Aline Mairet)

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Homo Riot (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Hunt. And who’s watching the watchers as they watch? (photo © Jaime Rojo)

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The Electric Tattoo and Oji for The Bushwick Collective. (photo © Jaime Rojo)

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The Electric Tattoo and Oji for The Bushwick Collective. (photo © Jaime Rojo)

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Old Broads (photo © Jaime Rojo)

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Solus for The Bushwick Collective. (photo © Jaime Rojo)

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Solus for The Bushwick Collective. (photo © Jaime Rojo)

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Free Humanity and Pooh comment on the connection many continue to make between the chemical industry and the collapse of 40% of bee colonies. (photo © Jaime Rojo)

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Jorit Agoch over this barely 2 month old Cyrcle piece (photo © Jaime Rojo)

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Jorit Agoch (photo © Jaime Rojo)

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Positions are being taken on the street politically in the upcoming presidential election. Myth (photo © Jaime Rojo)

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D. Hollier and a new portrait of Nelson Mandela, whose birthday is coming up this week. (photo © Jaime Rojo)

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ASVP knocks out a new one for Sugarlift. (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC. July 2015. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Owen Dippie “Radiant Madonna” Unites Raphael and Haring in Brooklyn

Owen Dippie “Radiant Madonna” Unites Raphael and Haring in Brooklyn

“Soooooo incredible!” says Owen Dippie about his chance to do some sight-seeing yesterday finally at the Brooklyn Museum, where they are showing the work of people he calls his heroes, including Jean-Michel Basquiat as well as the brand new Faile show that opened Friday and the newly installed KAWS sculpture in the entry hall.

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

Not too bad for a New Zealand child of the 1980s who grew up idolizing artists like Biggie Smalls, Tupac Shakur, Michael Jackson, Andy Warhol, Basquiat and Keith Haring. As he became a teenage painter himself Dippie also discovered the painters of the High Renaissance of the 14th century and pushed himself to emulate with aerosol cans the brush technique and style of those Italian masters.

When you speak with Mr. Dippie and the topic turns to Brooklyn, he is nearly reverential because of its history as part of the graffiti and Street Art movements that inspired one, perhaps two generations of artists on the street. Of course, this being dirty Brooklyn, Dippie also had to confront a scallywag who was stealing his paint this week; a chatty dude who had befriended him with conversation and whom Owen discovered was walking away and getting on his bicycle with a bag of cans while the artist was up on a ladder. Yes Holy Brooklyn can turn into “Holy Shit!” in a New York minute.

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

So it is a measured miracle, a ratherish revelation this week that as a parting tribute to the city Dippie completed a deftly realized mashup of Raphael and Haring, with the Madonna dell Granduca holding Haring’s icon-symbol that is variously referred to as “Radiant Baby”, “Radiant Child”, and “Radiant Christ”. A self-professed Jesus Freak during his adolescence and a member of the Born-Again Christian movement from its halcyon days of the 1970s-80s, Haring would very likely have loved to see his work appropriated in this manner, the newborn messiah supported in the stately embrace of the virgin mother.

“If art is a religion then Keith Haring is a god,” Owen likes to say. He tells us that it is not exactly hyperbole when he makes a statement like that while creating this new mural entitled “The Radiant Madonna”.

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

“When I was 13 my teacher introduced me to Keith Haring – and it changed my life,” he explains. “I was young – a troublemaker – and already I was majorly into art. But from that point on I decided to dedicate my life to art and I have been on this crazy journey ever since.” When said in that way we are reminded of the words often used by the Born-Again Christians like Haring when describing the moment of their religious conversion.

Perhaps a Renaissance man in his own way of valuing the humanist, the religious, the classical and the modern, Dippie freely combines images that cross half-millenia to help represent this moment.

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

Like his recent merging of the cartoon characters of the Teenage Mutant Turtles with the four painters of the Renaissance whom they are named after (Leonardo, Raphael, Michelangelo and Donatello ), here in the “The Radiant Madonna” Owen feels that it is a natural marriage of imagery and influences and one he feels impassioned about.

“I am a child of popular culture and am inspired by my heroes,” he says. “By involving them in my art I pay my upmost respect to them in the best way I know how.”

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Owen Dippie. Radiant Madonna. The Bushwick Collective. (photo © Jaime Rojo)

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Raphael, Madonna dell Granduca, 1505 (public domain)

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“Radiantbaby”. Licensed under Fair use via Wikipedia

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday: 07.10.15

BSA Film Friday: 07.10.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Joe Caslin and The Castle
2. Luxury Living
3. BISSER in Williamsburg:
4. La Machination: KOLEO

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BSA Special Feature: Joe Caslin and The Castle

Appearing on a privately owned castle façade in the days leading up to the referendum in May that made Ireland the first country in the world to vote for same-sex marriage, Joe Caslin’s illustration of two long trestled beauties appeared here as a counterpart to a coupled male version he did in Dublin. Caherkinmonwee Castle in Co Galway (circa 1450) has mottled exterior that transforms the portrait into a monochromatic painting from a distance.

You’ll be happy to know that the adhesive is made with potato starch.

Of course, it’s all in the planning, the 14 hours of pasting, camera work and of course the soundtrack – here longingly, celtically yours from Róisín O. Rather melts your limestone heart, doesn’t it?

Luxury Living

Popular in cultural conversations in cities these days is the vision of the artist as unwitting gentrifier who, upon losing his lease is dismayed by his own effect on a neglected urban neighborhood — now overrun by construction cranes and opportunists with dollars in their eyes. This dramatically scored mini-adventure is the only way that some artists can still afford to visit the neighborhood they once made attractive and hip.

BISSER in Williamsburg:

Speaking of rapidly gentrified artist neighborhoods, here is Bisser visiting Williamsburg, Brooklyn to drop some serious art for the enjoyment of  those new bankers and corporate professionals. The new arrivals may take friends to pose for selfies in front of this mural on their way to brunch but would otherwise keep creatives like Bisser perpetually insecure as a 2nd class graphics “freelancer” without sick days, vacation, or health benefits in their corporate offices across the river.

La Machination: KOLEO

A sweet stencillist illustration that suddenly takes additional meaning in this brief recap of a new piece by KOLEO.

According to the descripton: “KOLEO presents “La Machination” (machination: machine / plot), a mural where automatons create organic creatures, treated badly. The creatures get together to become one and fight back. Then, they separate again to infiltrate the machines and destroy them from the inside. Later, a child finds a broken automaton and starts to repair it. The mural can be seen as an allegory of the wrongdoings humans can do to each other, that they end up fighting, before the next generation forgets their history and repeat the same mistakes.”

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Handiedan Sets a Pinup Tone for Wall\Therapy 2015 in Rochester

Handiedan Sets a Pinup Tone for Wall\Therapy 2015 in Rochester

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Rochester, New York is the home of the Wall\Therapy festival and BSA is partnering with the team and Urban Nation (UN) to bring you coverage of the grass-roots mural festival for 2015. It will begin in a few weeks but the Amsterdam-based Handiedan got into town early due to being in New York for her show with Jonathan Levine Gallery.

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Handiedan in progress. (photo © Jenn Poggi)

Her curvaceous pin-up girls and orientally adorned femme fatales from noir films and rockabilly imaginations intricately layered with patterns and designs from currency – sometimes it is all about getting that paper.

In this case the paper in use is covering the facade of a beautiful brick building dating back to 1890 that was originally a church and later became a machine shop and home to the Rochester Community Players theater group for a half century or so. After a fire a few years back the building has sat vacant for a while.  At least, that is what most people from the area can remember.

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Handiedan. Taking in the action from inside the building. (photo © Jason Wilder)

Here Handiedan’s specially treated custom designed paperwork brings added dimension while stunningly emulating the template shape and color palette. In many ways it is bringing the building back to life – perhaps in anticipation of its new use as another playhouse to open at the end of the summer.

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Handiedan in progress. (photo © Jason Wilder)

Wall\Therapy 2015 has released its line up of artists curated in collaboration with Yasha Young, director of Urban Nation (UN) Berlin. This years theme of surrealism and the fantastic is off to a rather spectacular start obviously and in addition to bringing you daily updates BSA will be in the house on Friday July 24th for a special live edition of BSA Film Friday at the Memorial Art Gallery at the University of Rochester. We are really looking forward to meeting you in person.

Artists included for this years Wall\Therapy include: Andreas Englund, Onur, Wes21, Never Crew, Vexta, Li Hill, Handiedan, Daze, Jeff Soto, Maxx242, Eder Muniz, Brittany Williams, Matthew Roberts and Joe Guy Allard.

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Handiedan in progress. (photo © Mark Deff)

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Handiedan (photo © Mark Deff)

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Handiedan (photo © Mark Deff)

 

To learn more about Wall Therapy and more details, schedules, program and dates click HERE

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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