May 2009

Broken Crow & Over Under Redux

Broken Crow & Over Under Redux

[svgallery name=”Broken_Crow_Over_Under_May09″]

Images Jaime Rojo

If you’ve tooled around the northside of BK recently you probably saw a giant porcupine and bear up there. Yes, Broken Crow was in town to participate in two art shows and put up three walls before heading on back to Minneapolis, where they participated in a 24 hour art creating event and painted a gigundo mural on the entire side of a building, with their bud Over Under.

So to recap – They drove from Minn. to Brooklyn in a beat-up loaner van, installed work in 2 art shows, painted 2 murals in Brooklyn, 1 in Manhattan, then drove the van all the way back to Minn. and painted 2 more murals… in 3 weeks. Kind of blows that stereotype about lazy shiftless artists, huh? Now they are exhausted, famished, delirious, and waaayyyy creatively satisfied. John and Mike reflect on jobs well done;

Brooklyn Street Art: You guys have been really busy for the last 21 days! How did the two shows go?

John: The two shows were great, as far as I can tell. I was happy with what we painted, and we got some good feedback, I think that’s the best you can ask for.
Mike:
I had lots of fun at the shows. It was great to meet so many talented, and like-minded people.

Brooklyn Street Art: What else have you been up to?

John: Last week we painted two murals in Brooklyn and one in Manhattan, this week we’re back home in Minnesota we did a 3 hour slot in a 24 hour art-making marathon working with teenagers, and we’re also painting a 20×80 foot wall. Who knows what we’ll be doing next week..
Mike:
We want to paint it all, but it is nice to be home and have a balance between art and family.

Brooklyn Street Art: How do you guys lay out a plan for the piece in Williamsburg?

Mike: We try to plan, but mostly our plans don’t work out. We usually just start with something that we want to paint. The creative problem solving happens while we are living in the painting.
John:
There’s a lot of guesstimating going on, and then usually someone says something like “what do we have that will fit?”, and then the next thing you know, you’re stepping back from it and it’s done.

Brooklyn Street Art: Did you bring all your supplies to Brooklyn or did you have to make preparations once you got here?

John: We brought paint with us, but we spent 2 days cutting stencils while it was raining cats and dogs outside. It was actually a blessing in disguise, the rain, because if it had been nice out, the last thing we would have wanted to do was sit inside cutting holes in stuff.
Mike:
While everything might be more expensive in New York, bringing your own supplies comes with the price of 38 hours in drive time.

What porcupine? Did you see a porcupine anywhere? (photo courtesy John Grider)

Brooklyn Street Art: John’s angel boy character can see into the future. What about the porcupine dude?

John: The porcupine is overly concerned about what the angel boy is telling him.
Mike:
The porcupine is all about self defense. D-Fence D-Fence!

Brooklyn Street Art: Are you optimists?

John: We are opportunivores.
Mike:
Yes.

Brooklyn Street Art: Are those airplanes flying out of the bears’ mouth, Mike?

Mike: They are paper airplanes. Over Under makes them. He loves origami and windsocks.
John:
Over Under loves puppies and unicorns. And machine guns.

Brooklyn Street Art: If these animal buddies were talking, what would they be saying to each other?

John: It’s sort of like the scene in Green Mile where the bees start flying out of Michael Clark Duncan’s mouth when he’s on healing people..
Mike:
The bear is saying “Move or I will projectile vomit in your face!” The porcupine is thinking”Not again. It will take me forever to pick this sh*t out of my quills.”

Broken Crow

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“Whole in the Wall” interview with the Co-Curators

“Whole in the Wall” interview with the Co-Curators

“WHOLE IN THE WALL: THE LARGEST AMERICAN & EUROPEAN STREET ART EXHIBITION IN NEW YORK – ARTISTS FROM THE 70’S TO NOW”

That’s a grand claim, and the Helenbeck sisters are going to try to back it up in June. The curators of this show are planning to pair New York writers from the 70’s and 80’s with European street art stars of the 00’s and present them in Louis XIV drawing rooms furnished with genuine articles from the period.

The show’s  numbers are grand too; 150+ pieces, 25,000 square feet of exhibition space, 40 years of art.  Promising to shake collectors and historians awake to the relevance of graff and street art in the continuum of fine art, it remains largely unknown what impact this show can have on the street. At the very least, it’s a bold courageous approach to further the ongoing conversation about Street Art’s relevance to the art world.

In the midst of installation, the co-curators of the show, Brigitte & Chantal Helenbeck, give us some insight about their approach and what they hope people will get from the “Whole in the Wall”;

Brooklyn Street Art: Why does this show juxtapose theses genuine antiquities, originally created for the upper classes, with an art form more frequently associated with the working class?

Brigette & Chantal: We think that Street Art has become a real part of the contemporary art scene.  By juxtaposing these Street Art pieces with antiquities we would like to underline the entrance of contemporary street art in the history of art.

Brooklyn Street Art: Can you pick one particular pairing of an artwork and an interiors setting in this show that made you laugh with glee?

Brigette & Chantal: We never really laughed, but were often amazed and surprised to notice how two genuine and high quality works of art create a balance and a force between them, no matter which time they belong to.  The audience always finds the pairing interesting.

Brooklyn Street Art: As you know, New York (particularly Brooklyn) is currently experiencing an explosion of new street art.  Are there any particular street artists of the new crop whose work excites you?

Brigette & Chantal: We are in New York also to discover this new crop, which one day we can maybe bring to Europe so that people can discover their works in future exhibitions.  We cannot put out a name, but the spirit of our gallery, which has been an experimental territory for young or acclaimed artists, has definitely been thrilled by the extreme creativity of young artists here in New York.

Brooklyn Street Art: As co-curators and twins, have you had the same vision for this show, or do your tastes differ a great deal?

Brigette & Chantal: We are alike and very different at the same time, but we function as a team and all our final decisions are a mix of our sensitivities and tastes. We find a way to agree at the end, and what people see is a jigsaw version of the two of us.

Brooklyn Street Art: A show of this vast scope must take a huge amount of planning, logistics, and effort.  What has been the most surprising part of the process for you?

Brigette & Chantal: To discover New York in a different way, definitely. We learn from people here every day and this turns out to be an extremely interesting experience. This is the logical direction of our professional path, and also part of a journey that we’ll continue in the future.

Brooklyn Street Art: Popular perception of graff and street art continues to evolve.  When people walk away from the show, what you like them to be thinking?

Brigette & Chantal: We would like them to see that these artists and their works have their place in the contemporary art field and they are part of the future history of art.  We are satisfied when people enjoy our exhibitions and discover new forms of art and new talents. This exhibition in particular is very alive, full of movement, colorful, like the Americans are, and like this city remains despite this difficult economic crisis worldwide.

********************************

Whole in the Wall: 1970 to Now

Friday, May 29 to Saturday, June 27
Open 10:30 a.m. to 6:30 p.m.; Tuesdays through Saturdays
529-535 W. 35th St. @ 11th Ave. (former Splashlight Studio)

Helenbeck Gallery

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Week in Images 05.17.09

New Stuff as the summer explosion begins…

Faile has spun out to Bedford Avenue (or at least a couple feet from it) in one more of these spinning columns to thrill the kids and the throngs of Williamsburg denizens, fans, and followers.  Rumor has it that you can also charge your cell phone with the energy stored from the spinning, but we couldn’t find the jack : (

(photo SMKjr)
(photo courtesy of SMKjr)

Yes you did! (photo Jaime Rojo)

Yes you did! (photo Jaime Rojo)

Overhead shot (photo Jaime Rojo)

Overhead shot (photo Jaime Rojo)

Link to SMKjr video of this piece rotating

Aakash in the Eastern District (Aakash Nihalani)(photo Jaime Rojo)

Aakash in the Eastern District (Aakash Nihalani)(photo Jaime Rojo)

The eventual fate of all (Chrisian Paine) (photo Jaime Rojo)

The eventual fate of all (Chrisian Paine) (photo Jaime Rojo)

(el Sol 25) (photo Jaime Rojo)

Pleased to meet you! (el Sol 25) (photo Jaime Rojo)

Something to do with sports or something I guess (I'm Keith Hernandez) (photo Jaime Rojo)

"Something to do with sports or something I guess" (I'm Keith Hernandez) (photo Jaime Rojo)

Well framed piece (Momo) (photo Jaime Rojo)

Well framed piece (Momo) (photo Jaime Rojo)

Nobody's sculpture, yet Everybody's Sculpture (Nobody) (photo Jaime Rojo)

Nobody's sculpture, yet everybody's sculpture (Nobody) (photo Jaime Rojo)

Quilt (photo Jaime Rojo)

A riotous and quirky quilt to keep your construction site warm (photo Jaime Rojo)

(Stikman, Royce Bannon) (photo Jaime Rojo)

(Stikman, Royce Bannon) (photo Jaime Rojo)

Tong-Tong, who's there? (Tong) (photo Jaime Rojo)

Thong-Thong, who's there? (photo Jaime Rojo)

(Zaca) (photo Jaime Rojo)

A Barbie moment (God this better not be a product placement or I will scaaareeeem!) (Zaca) (photo Jaime Rojo)

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Bodegas, Urban Sustainability, and Skewville?

So many stimulating high minded community-based projects are afoot these days,

as Brooklyn street artists continue to draw our attention to matters more pressing than, say, topless Miss California or the latest Tom Hanks tanker.

Stay tooned for a grand opening of a summer-long project in deep Bushwick that will raise consciousness and get you in the greens. See below the very industrious and stylish action-carpenters Skewville hard at work on their contribution to this seriously fun project opening next month!

Building a better future for Bushwick (photo Steven P. Harrington)
Building a better future for Bushwick (photo Steven P. Harrington)

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Sunday in the Subway with Posterboy

The more you see it, the more you know it down in your heart that we have turned a corner.

Hype be damned, the result of Posterboy’s plundering of the inescapable advertising messages you pay $2 to see in the subway is a new visual vocabulary that continues to pull surreal visual punches when you least expect it.

These portraits below could be the work of Posterboy, one of his admirers, or it could be the work of a team. From the average viewers perspective, that’s hardly the point.

Dear Mr. Black President (photo Steven P. Harrington)
Dear Mr. Black President (photo Steven P. Harrington)

The fact that new subway station banners are made of this easy-to-manipulate vinyl sticky backed material, coupled with the fact that there are rarely subway personnel or police in the subway stations these days, and you have a primo creative laboratory for everyone from “culture jammers” to collage artists to pop surrealists.

It’s the visual equivalent of the mash-up so popular in the digital DJ age; whole cloth samples snatched from fully realized pieces and re-matched with other genres, categories, styles, and eras. Sometimes the results are genius, sometimes clunky, many times causing nauseous feelings of disorientation.

Feed your eyes, feed the children (photo Steven P. Harrington)
Rockin the new specs (photo Steven P. Harrington)

These modern billboard materials are layered one on top of the another but peel back in a jiffy, easy to slice away and see what might be underneath.  You may not even see Posterboy’s remix on the crowded platform while you lean against a grimy column.  You may be watching a rat skittering along the third rail with a Snickers rapper in it’s mouth. But your train still hasn’t arrived because of (yet more) service cuts, and your phone doesn’t work down here in the tunnel so you glance up at the ad space and see the mangled headline manipulated to say “Get Head” with two floating mouths wide open beneath it.

It’s not graffiti, it’s not really street art, but it’s eye catching even when it’s not completely successful. It feels more like a studio than a gallery, full of experiments, dead ends, and occasional glimpses of brilliance.

You gotta some pretty lips (photo Steven P. Harrington)
You gotta some pretty lips Miss-ter (photo Steven P. Harrington)

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Brooklynite Opens a Pop-Up for the summer – Specter Print Release

New shop in East Village for summer


Brooklynite Gallery comes to the East Village!

BROOKLYNITE NYC is the Summer POP-UP Shop, showcasing work from some of the best international ‘street artists’. It’s a chance to get to see pieces from past exhibitions, new print releases and some cutting edge, emerging artists from all over the world.

BROOKLYNITE NYC is hosting an Opening Party and Print Release for: SPECTER . . . An artist whose been taking New York City by storm.


“Sho Shin” 20 x 24 inches (from the project, “If I saw you In Heaven”).

Come check out the new addition to the East Village landscape. . .

BROOKLYNITE NYC
632 East 11th Street
(Between Avenue B & C)
Store hours: Thursday – Saturday 2pm – 8pm
June through the end of August

OFFICIAL OPENING PARTY
Wednesday, June 24th, 7-9PM

Print Release Event for:
S P E C T E R

After Party at:
WHITE RABBIT
145 Houston Street
NEW YORK CITY
9:30pm- until

For more info check out:
www.brooklynitegallery.com
www.specterart.com
www.flickr.com/photos/35468141096@N01/sets/72157619023523305/

Specter & Bishop203 (photo Jaime Rojo)
Specter & Bishop203 (photo Jaime Rojo)

I always wash it first just in case.    (Specter)  (photo Jaime Rojo)
I always wash it first just in case. (Specter) (photo Jaime Rojo)

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“Plenty of Room On the Couch” Group Show at Eastern District

A group show that features the work of a number of street artists, among others.

Eastern District Presents:


“Plenty of Room on the Couch”
Curated by Jesse Lee Denning


Opening reception – Friday June 26th. 7 – 10pm
Special Guest DJ Todd Weinstock a.k.a. Toddlerone (Cubic Zirconia)

The goal of this exhibition is not only to highlight the vast array of talented artists in a summer spectacle but to also allow our peers, friends, and all around art lovers to purchase and own art that is both affordable and quality work!

ALL ART IS $300 OR LESS!

Featured artists:
-JK6- -Trevor Bittinger- -Colin Stinson- -Spaze Craft 1- -Denise DeSpirito- -John Breiner- -Dan Taylor- -Jesse Jones- -Kyoko Heshiimu- -Becca Roach- -Kelly Vetter- -Steve Smith- -New Colony- -Downer- -Chad Koeplinger- -AKO- -Michelle Tarantelli- -Gillian Goldstein- -Patrick Conlon- -Chip7- -Todd Noble- -Mister Mark- -Eyeball- -Chris O’Donnell- -Andreis Costa- -Zoe Sonenberg- -Carlyle Micklus- -Josh Taylor- -Jay Flanell- -Joshua Abram Howard- -Jeremiah Maddock- -Amandalynn- -Sweety- -Nikki Balls- -Subtexture- -Dosa Kim- -Amy Finkbeiner- -Aunia Kahn- -RROBOTS- -Dennis McNett- -Michael Alan- -Damion Silver- -JesseHectic- -JoKa- -Kristen Ferrell- -Douajee Vang- -Matt Vancura- -Grime- -Evan Cairo- -Parskid- -Justin Lipuma- -Regino Gonzales- -Lyndsey Lesh- -Tim Diet- -Dick Chicken- -Laura Meyers–Fernando Lions- -Sacha Jenkins- -James O’Brian- -John Reardon- -Myles Karr- -Dan Trocchio- -Andre Malcolm- -Leif Parsons- -Duane Bruton- -Bishop203- -Diego Mannino- -Civ-

jesse@eastern-district.com
Hours: 2-8pm Thursday-Sunday

EASTERN DISTRICT
43 BOGART STREET – L TRAIN TO MORGAN AVENUE.

www.Eastern-District.com

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Jon Burgerman “My American Summer” at Giant Robot

Ever clever Jon Burgerman has been hanging out in the BK all summer – (minus a two week stint in sandy, spread-out California) wondering where time disappears to and how to get free lunch.

Now he TELLS ALL in this scintillating visual expose called “My American Summer”

Giant Robot

437 East North Street

New York, NY 10009

Saturday August 15, 2009

6:30 pm til 9

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Aakash Nihalani in group show “Paraphrase” at Arario Gallery

Rising street artist Aakash Nihalani started “bombing” the streets of New York City with his colorful isometric forms just over a year ago. What began as repetitive silkscreen studies in the studio later developed into Nihalani’s signature approach to open-air installations. Using tape as his sole medium, he highlights the geometry of the city—from subway signage to a slab of concrete —with clean rectangles, squares and cubes. Employing the modus operandi of graffiti writers, Nihalani revamps public space, offering fresh perspectives and creating room for new words and ideas. His installation for Paraphrase will make use of both the walls and floors of the gallery. He will also utilize the windows that run along Arario’s south wall (facing 25th Street) to exhibit new works on mirror.

Arario Gallery

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Mural Panel at Ad Hoc featuring Chris Stain and Lady Pink and others

Ad Hoc Art
Bushwick Open Studios

moderated by Aaron Short

Featuring Chris Stain, Christopher Cardinale, Jane Weissman, author of On the Wall, Joe Matunis of El Puente, and Lady Pink, legendary muralist. As part of Arts in Bushwick’s Bushwick Open Studios, panelists come together to discuss topics concerning community murals in New York City, what works on the wall and what doesn’t, community involvement, as well as exploring the rich history of community murals in Brooklyn and its future prospects.

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Week in Images 05.10.09

Week in Images 05.10.09

Manhandling peace (bird of peace) (photo Jaime Rojo)

Let it go. (bird of peace) (photo Jaime Rojo)

Cake (photo Jaime Rojo)

Helpfully labelled Cake (photo Jaime Rojo)

Nice Hat! (Cake) (photo Jaime Rojo)

Nice Hat! (Cake) (photo Jaime Rojo)

Data rock silver heart (Chris Uphues) (photo Jaime Rojo)

Data rock silver heart (Chris Uphues) (photo Jaime Rojo)

Dain (photo Jaime Rojo)

Dain! I got a toof-ache! (photo Jaime Rojo)

(Dain) (photo Jaime Rojo)

Come a little closer so I kin git a good look at cha. (Dain) (photo Jaime Rojo)

Fauxreel (photo Jaime Rojo)

Fauxreel (photo Jaime Rojo)

These Keith Hernandez pieces may be promoting an indie documentary (not sure), but they are pretty funny and straddle the edge of advertising and street art.  But then, what doesn’t?

Everybody say Cheese. (I'm Keith Hernandez) (photo Jaime Rojo)

Everybody say Cheese. (I'm Keith Hernandez) (photo Jaime Rojo)

Ronnie talk to Keith! (I'm Keith Hernandez) (photo Jaime Rojo)

Ronnie talk to Keith! (I'm Keith Hernandez) (photo Jaime Rojo)

Under his Ever Watchful Gaze (I'm Keith Hernandez) (photo Jaime Rojo)

Under his Ever Watchful Gaze (I'm Keith Hernandez) (photo Jaime Rojo)

passenger

(Passenger Pigeon) (photo Jaime Rojo)

smile

Smile, when you're feeling lonely. (Smile) (photo Jaime Rojo)

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