The Greek Street Artist INO has been consistently observing the social and political factors that are at play in modern society and has been addressing these themes through his work painting large murals in more cities around the world. This week in Fortaleza aside the Atlantic in northeastern Brazil, INO created a headless female form that for him is evocative of a socio-political order that is “Broken”.
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
“This is a place where someone can see very big contradictions,” he tells us, “the poverty in the street, people begging for food – while you eat in the restaurant, the prostitutes every night in the streets.”
He shows us a photo of a street scene where women are being questioned by the police that he took at night while he was painting his wall from the vantage point of his lift up above. His imagination is activated by the scene, and he thinks of the frightening circumstances that women in the sex trade are put in that exploit them repeatedly.
“All of this, together with the rich people, the expensive apartments in huge luxury buildings that look empty, surrounded by barbed wire fences in each condominium yard…” It all is disturbing to him, and a scene repeated in many cities in so-called developed nations where the stratification between rich and poor is getting more pronounced than ever before in the modern era, leaving more feeling powerless and easily victimized.
For his new mural entitled “Broken”, completed here during the 4th Concreto Festival, the anonymous form is an obvious reference to people caught in a de-humanizing system. “The piece is depicting a naked thin woman in a position of offering her body, with a black splash coming from the head,” he says.
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
INO. “Broken”. Festival Concreto. Fortaleza, Brazil. November, 2017. (photo © INO)
Other Articles You May Like from BSA:
Robert Muller testified before Congress this week and no one seems happy. The spin-masters distort his words and his findings to accommodate their own personal narrative...and to continue to dist...
You want a booth at Coney so you can play a Carney? Do it yourself! Shout out to tireless creative New Yorker Kosbe and the Sticker Social Club who quickly set up shop in the Coney Art Walls compound...
We’re counting down the last 12 days of 2012 with Street Art photos chosen by BSA readers. Each one was nominated because it has special meaning to a reader or is simply a photograph from 2012 tha...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening:1. "Bubble Tea" with Sofles2. Doug Gillem Discusses Stereotypes in Street Art3. Vero Rivera in Co...
Barcelona-based muralist, fine artist, and experimenter Sixe Paredes is associated with his vibrant extractions with a geometric lightness. His stylized murals may have elements of nature, mythology,...