Gorgeous and haunting images today from photographer Roberto Conte of street artist/fine artist Gonzalo Borondo’s latest installation fo “Non Plus Ultra”, this time in the Salina Palace in Salamanca, Spain.
Testing the qualities of glass once again, the artist screen prints 56 pieces and installs them across 80 meters of space, evoking a chorus of forms, but who are these/is this forms/form.
Christ suspended from the cross comes to mind, so does the drama of an army of models marching down the stage.
“Transparency and hardness; fragility and resistance; protection and danger,” he reflects as Borondon considers what draws him again and again to glass as a canvas for screen print. All of these are applicable and yet his placement in this repetitive way strikes you as the ephemera of projection of image.
Other Articles You May Like from BSA:
Our Weekly Interview with the Street (Caper) (photo Jaime Rojo) A sale on melons at Met Supermaket this week? (Celso) (photo Jaime Rojo) A melange of soot, chain links, and da...
A quick look at the current progress for the 2014 version of Memorie Urbane in Italy today with new works by Seth and Eime in Terracina and Ernest Zacharevic in Arce. The festival, which runs April ...
Scholarship about the work of Jean-Michel Basquiat since his death in 1988 has been extensive. With dozens of books written, world-class museums have organized exhibitions about his work, including t...
A steel-wheeled graffiti train with Roger Gastman at the controls roars into LA’s Chinatown for a two-month stay at this station, a 40,000 square foot warehouse that houses “Beyond the Streets.” Origi...
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2023. Picked by our followers, these photos are the heavily ci...