Brooklyn Street Art

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BSA Images Of The Week: 05.24.15

Posted on May 24, 2015



New York is bittersweet as we are welcoming summer this weekend and remembering those who served and who were lost in war as well (Memorial Day); amidst a changing political atmosphere where the country is tentatively beginning to seriously debate whether the US should have gone to Iraq and Afghanistan.

So it’s also Fleet Week in New York, which means a lot of sailors and marines and Coast Guard personnel are carousing the tourist spots and bars – sort of a military spring break and a chance for the local girls and boys to yell out “Hey Sailor!” – and  flash some flirty eyes. It’s also big weekend for movies, barbecues, beers, burping, suntans, rummage sales, bike rides, and of course spray painting empty trailers in cluttered lots. That’s why we start this weeks pack with a new stallion just sprayed on a trailer in Williamsburg by Cern. He’s running wild with a great view of the cityscape behind him.

Also, Kiss Me I’m Irish!

So here’s our weekly interview with the street, this week featuring Cern, Christos Voutichtis, David De La Mano, Din din, Dont Fret, DourOne, Iraq Veterens Against the War, Kuma, Mata Ruda, Miishab, Musketon, Pablog H Harymbat, Rebel, Smells, Sweet Toof, Temo & Miel, and Urma.

Top image above by Cern (photo © Jaime Rojo)


Cern (photo © Jaime Rojo)


Iraq Veterans Against The War (photo © Jaime Rojo)


Mata Ruda in Jersey City, NJ for Savage Habbit. (photo © Jaime Rojo)


Mata Ruda in Jersey City, NJ for Savage Habbit. Detail. (photo © Jaime Rojo)


Telmo & Miel new mural in Dortmund, Germany for 44309//Street Art Gallery. (photo © Courtesy of 44309 // Street Art Gallery)


Smells . Sweet Toof (photo © Jaime Rojo)


Musketon. It’s in the cloud… (photo © Jaime Rojo)


DourOne new wall in Los Angeles, CA. (photo © Phil Sanchez)


Artist Unknown. This has got to be one of the more elaborate ways we have seen to throw an insult. (photo © Jaime Rojo)


Miishab (photo © Jaime Rojo)


Dont Fret (photo © Jaime Rojo)


David De La Mano and Pablo H Harymbat in Montevideo, Uruguay. (photo © Harymbat)


David De La Mano and Pablo H Harymbat in Montevideo, Uruguay. (photo © Harymbat)


KUMA (photo © Jaime Rojo)


Din Din (photo © Jaime Rojo)


Din Din (photo © Jaime Rojo)


Rebel (photo © Jaime Rojo)


Urma. New installation in Milan. (photo © Christos Voutichtis)

In case you thought that your uncle Ernie was the only one full of hot air, public artist creates this installation that attempts to capture the breath of the city. He tells us that in the end he decided his experiment was a good mix of architecture, Art, and postmodern French literature.

“I applied simple means to build parametric and temporary installations;

It is an open system, varying with steadily modifying environmental processes, but without completely changing its own structure.”


Urma. New installation in Milan. Interior. (photo © Domenico Laterza)


Untitled.  Manhattan fly over. (photo © Jaime Rojo)



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!




Coney Art Walls: First 3 Completed and Summer Begins

Posted on May 23, 2015

Summer Just Got More Fun in NYC as Coney Reinvents Itself Again

You know the scene: Cotton candy, blasting music, bold fonted signs, city beach, sticky fingers, tattoos, carnival barkers, rollercoaster barfing, stolen kisses under the boardwalk, big bellied men with their shirts off, giggling girls in flipflops smelling like coconut sunscreen, garbage on the sand, mermaids, porta potties, stuffed animals, concrete, cigars, hot dogs, butts, boobs, lipstick, screaming, flashing old-timey light bulbs, kids passed out in strollers, boozy Romeos, sketchy snake oil salesmen, aerosol painted walls by New York’s old skool graff writers. That last part is now in effect, actually.


How & Nosm (photo © Jaime Rojo)

Instead of being hunted down for catching a tag or bubble lettered throw up, a couple dozen graffiti/street art painters are invited to hit up Coney Island this summer and since today is the inaugural Saturday of the first unofficial weekend of summer in New York, we’re bringing you the first three freshly completed pieces. Part of “Coney Art Walls”, the muralists began taking the train out to this seaside paved paradise that is re-inventing itself once again, this time courtesy of art curator Jeffrey Deitch.


How & Nosm (photo © Jaime Rojo)

This week while the sun was still struggling to get a handle on Summer, we captured the early crew hitting up the temporary two sided walls outside and inside the compound that will share space with food vendors, picnic tables and a stage for music performances. Some brought family while they worked and a few even took a ride on the Cyclone with Martha Cooper just to scream their heads off. The artist lineup is looking stellar, with golden names predominantly associated with New York’s 70s-80s graff heyday sprinkled with a few of the current street art contenders, but you never know what is popping up next, or who. It’s Coney Island after all.

Here are the first three completed murals with the Tats Cru twins How & Nosm leading the pace, followed by Crash and Daze.


How & Nosm (photo © Jaime Rojo)


How & Nosm (photo © Jaime Rojo)


The one and only Martha Cooper shooting How & Nosm at work. (photo © Jaime Rojo)


How & Nosm (photo © Jaime Rojo)


How & Nosm (photo © Jaime Rojo)


How & Nosm (photo © Jaime Rojo)


How & Nosm (photo © Jaime Rojo)


Daze (photo © Jaime Rojo)


Daze (photo © Jaime Rojo)


Daze (photo © Jaime Rojo)


Daze (photo © Jaime Rojo)


Crash (photo © Jaime Rojo)


Crash. The inspiration. (photo © Jaime Rojo)


Crash. The sketch. (photo © Jaime Rojo)


Crash (photo © Jaime Rojo)


Crash (photo © Jaime Rojo)


Crash (photo © Jaime Rojo)


Crash (photo © Jaime Rojo)

This article is also published on The Huffington Post





Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


BSA Film Friday: 05.22.15

Posted on May 22, 2015



Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Rap Quotes ATL: Dirty South Edition
2. Narcelio Grud – Cinetic Graffiti
3. DourOne in South Park LA by Phil Sanchez
4. Haeler Keeping Detroit Alive

Rap Quotes ATL: Dirty South Edition

We’re here in the Waffle House in the dirty south talking about putting up site-specific rap lyrics all around Atlanta. Pass the syrup please. This Rap Quotes project has taken you from New York to LA and Philly and now to the gateway. It’s a treasure hunt, it’s educational, it’s musical, historical, geographical, features strip clubs, – fun for the whole dysfunctional family! Big ups to Jay Shells and Animal New York for keeping this flame high!

Narcelio Grud – Cinetic Graffiti

The latest project incorporating hand made creations and artistic vision, Grud may have perplexed more participants than titilated with this one; a hand-powered sound installation.

DourOne in South Park LA by Phil Sanchez

The neighborhood of South Park hired DourOne to paint this mural in Los Angeles through their business improvement initiative. The commercial artist from Madrid has done a number of jobs with alcohol brands so his chops are smooth and this multi-sliced portrait is meant to evoke the character of various neighborhoods in LA.

Haeler Keeping Detroit Alive

Another entry from Animal New York this week – the graffiti artist Haeler in Detroit, where all things are running wild right now as entrepreneurs, artists, prospectors, and snake oil salesmen are laying claim to the bones that the banks left. Sidenote: why do people sound like Darth Vader in these videos?

“We are the people!”, Xenophobia, and Penises for Rallitox in Berlin (NSFW)

Posted on May 21, 2015

“Wir sind das Volk!” and Dildos from the “Confusionist”

Continuing his human sticker campaign, street artist Rallitox has gathered a nice crowd in front of this portion of the Berlin Wall, otherwise known popularly as the East Side Gallery, many of whom are happily snapping photos as he sticks a couple of friends to it. The installation is a bag of mixed messages, perhaps the biggest is “look at me”, but we’ll help you unpack a couple of others here while we all stare at the spectacle of duct tape and dildos.


RallitoX. East Side Gallery AKA Berlin Wall. Berlin. May 2015. (photo © courtesy of RallitoX)

Wir sind das Volk! (We are the people!) is a phrase associated with a populist movement of reunification that erupted during the fall of the Berlin Wall that separated West from East twenty five years ago, but strangely, according to Rallitox, has been recently commandeered by xenophobes who want to get rid of certain immigrants. “Now the movement called Pegida, who are against the “Islamification” of Germany, are using this slogan for their own profit,” he says, and he is unhappy with this perversion of the original meaning in a campaign that is swaying opinions.



RallitoX. East Side Gallery AKA Berlin Wall. Berlin. May 2015. (photo © courtesy of RallitoX)

“Since I was a child I was fascinated with how advertising was conditioning our behaviors, the way we act and how are we supposed to be. I guess that at the end, everything is created in our brains. If you can control people’s minds you can dominate them. If you want to manipulate people you have to control in the best way the languages and symbols that affect us as humans,” he explains.

He admits that this new message of his may not be entirely clear. “This is my psycho-confused response to all those who are trying to claim that there are people who deserve to be ‘the people’ and others who are not good enough to be part of it, depending on what they believe.” That seems pretty clear from here – Rallitox wants to seize the slogan and reclaim it in some way.


RallitoX. East Side Gallery AKA Berlin Wall. Berlin. May 2015. (photo © courtesy of RallitoX)

Now, about the fleshy pink appendages pointed rather parallel to the pavement and attached to this installation: that meaning is slightly less obvious, even while being completely obvious.

“For me the penis is an icon that reflect perfectly the human state of mind,” he explains. “The hypocrisy toward part of the human body that is considered ugly and tasteless even when more or less half of humanity have one between their legs is interesting. On the other hand, drawing and working with penises gives me a lot of trouble in terms of selling my art and it closes doors in some mainstream street art circles where this ¨bad taste¨ is normally not so well received, with the exception of some more open minded blogs or magazines.”

Dang! That compliment was obvious too. Sure glad we are open minded, and since you, dear reader, are reading this, you clearly must be as well


RallitoX. East Side Gallery AKA Berlin Wall. Berlin. May 2015. (photo © courtesy of RallitoX)

Yes under a patriarchal construct you may associate these duct-taped dildos as symbols of power and dominion, or as possible weapons and open provocation, or the implication of a virile conceptual idea. Or we may see these as a criticism of boner headed thinking. Mainly we just keep in mind that dick jokes are often funny and when placed on the street at roughly eye-level, present a great number of entertaining photo opportunities.

“Some viewers don’t understand what the relationship between penises and politics is,” Rallitox says as he sounds like he is about to explain. “I aim to be a confusionist and to use Street Art to spread confusion, awareness, and chaos in some organized way.”

You may agree that the confusion aspect of the work is quite successful here.




Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


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