Brooklyn Street Art

…loves you more every day.

Do It Here: FRA Biancoshock X Erotik

Posted on February 24, 2015

We’ve been fascinated by the conceptual work of the self-described “Urban Activist” Fra. Biancoshock recently. He appears to be in the midst of distilling some of the fundamental arguments of the street art scene, from a provocative perspective of course. His earnest examination of these arguments sheds a light on their nature and provides a spark for further discussions.


A few weeks ago he stenciled the word “Toy” across a graffiti piece in the urban wild, and the genuine act contained the obvious insult as well as a meditation on its many implications about “rules” and history of the game. By committing the act of dissing purely as an academic exercise, he took us one step back from a simple act of rivalry to consider what it means to call someone a toy and to use a stencil to do it with.

Today he creates a piece for the viewer to consider another contested debate; Where does graffiti rightly belong, assuming it belongs anywhere? More to the point, is it correct to call a piece of work “graffiti” if it is made specifically to be hung in a gallery? Stripped of its illicit nature, is it actually graffiti when it is in the gallery? Further complicating the discussion, he uses a stencil for the inside piece, a technique many graffiti artists wouldn’t consider graffiti.


Erotik . Fra Biancoshock. “Do It Here” CLICK ON IMAGE TO ENLARGE (Photo courtesy of © Fra Biancoshock)

For Fra. Biancoshock’s new project, in which he collaborated with one of the historically well known and celebrated Italian graffiti writers, Erotik, he fairly decisively tells us his opinion on definition and gives a pretty straightforward directive. Perhaps he is advocating that graffiti and street artists not show their work as fine art in a gallery setting at all.

“This is a provocative project that underlines the importance of clarifying what graffiti is, where it were born, and where is the natural place to create it,” he says. “The phrase is simple and immediate. Similarly the concept is simple: Do graffiti in the street, illegally, without sponsors, not on the canvases for exhibition spaces,” he says. In other words, you cannot make a work for the gallery and call it graffiti, and that is not where it belongs.

We think that’s what it means anyway.

“PERSONS OF INTEREST” BSA in Berlin Curates NEW UN Project M/7

Posted on February 23, 2015




PERSONS OF INTEREST Opens Project M/7 for Urban Nation (UN) in Berlin with 12 Brooklyn Artists on March 14, 2015, curated by Steven P. Harrington and Jaime Rojo.


Urban Nation (UN) and Brooklyn Street Art (BSA) bring Brooklyn to Berlin with PERSONS OF INTEREST, a stunning portraiture show for Project M/7. New original artworks by a diverse collection of 12 important Brooklyn Street Artists will appear on the façade and in the windows of the future Urban Nation ‘Haus’. BSA and UN invite guests to a reception and a show with new works directly on the walls at the UN Pop Up Space.

The show will open at 7-22 pm (in Bülowstrasse 97) with a reception where guests will have the opportunity to meet the curators and artists in person.




Curated by Steven P. Harrington and Jaime Rojo,
authors, lecturers, and co-founders
of the influential and respected urban contemporary art site
Brooklyn Street Art (BSA) (

Location: Bülowstrasse 7/ 97, 10783 Berlin, Germany

Dates: March 14 – June 15, 2015

Featuring new custom artworks by:













Persons-Interest-BSA-UN-SIMPLE-LogoGraffiti, Street Art, and the D.I.Y. scenes of Berlin and Brooklyn continue to be vital and PERSONS OF INTEREST honors the fertile environment that fosters the creative spirit in both cities.

Straight out of Brooklyn PERSONS OF INTEREST is a portraiture show in the street level windows of the future Urban Nation home in Berlin by a select group of important Brooklyn street artists who represent a cross section of styles and techniques seen on walls, in doorways, and everywhere else on the streets of Brooklyn (and NYC) during the last decade and a half.

Download the full Press Release here.

See images of artists other works and download them at bottom of this announcement.


Please write to for interviews, images, or additional information.

Brooklyn Street Art Website
@BKStreetart on Instagram
@BKStreetart on Twitter
Brooklyn Street Art on Tumblr
BSA Fan page on Facebook
Celebrating 5 years of BSA on The Huffington Post

Urban Nation Website
@UrbanNationBerlin on Instagram
Urban Nation on Facebook

Thank you very much for your time and consideration.

BSA Images Of The Week: 02.22.15

Posted on February 22, 2015



Here’s our weekly interview with the street, this week featuring Ador, Antonie Trouve, Brain Alfred, Clint Mario, Daco, Delphine Carre, Dran, EZK, Hiss, Icy & Sot, M Chat, ME, Meer Sau, Phillip Vignal, and Sweet Toof.

Top Image >> A warm embrace during our coldest week of the winter. Icy & Sot for Centrifuge Project. (photo © Jaime Rojo)


Sweet Toof for Woodward Project Space. (photo © Jaime Rojo)


Dran. Detail of his installation at Pictures on Walls. London. (photo © Julie A)


Dran. Detail of his installation at Pictures on Walls. London. (photo © Julie A)

For our full coverage of Dran’s show “Public Execution” click HERE.


EZK in Paris. (photo © Geoff Hargadon)


HISS (photo © Jaime Rojo)


M Chat in Paris. (photo © Geoff Hargadon)


Meer Sau in Paris. (photo © Meer Sau)


Mark Samsonovich is finding new ways to get his work out onto the street. (photo © Jaime Rojo)


Mark Samsonovich (photo © Jaime Rojo)


Ador. New piece in the French country side. (photo © Ador)


Phillippe Vignal in Paris. (photo © Geoff Hargadon)


Brian Alfred (photo © Jaime Rojo)


Clint Mario . Me . Ad Takeover in Manhattan. (photo © Jaime Rojo)


Clint Mario . Me . Ad Takeover in Manhattan. (photo © Jaime Rojo)


Daco in Paris. (photo © Geoff Hargadon)


Antonie Trouve and Delphine Carre in Paris. (photo © Geoff Hargadon)


Untitled. NYC. February 2015. (photo © Jaime Rojo)


Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!




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