Herakut (photo © courtesy of Stroke)
“I’ve wandered around a lot of art galleries thinking: I could have done that, so it seemed only right that I should try. These galleries are just trophy cabinets for a handful of millionaires. The public never has any real say in what art they see.” (Banksy) | ||
For the first time in human history, the majority of the earth’s population is living in urban residential areas. The urban environment and the corresponding lifestyle can be counted amongst the fundamental sources of inspiration for contemporary culture. The historical revolution of visual forms of expression, in which the designs of the everyday streetscape, with its graffiti, tags, tattoos, advertising or graphic design found their sustenance, define the progression of
|
contemporary art. The urban environment as the literal and metaphorical platform for this development inspires and presents the artists and their work. The URBAN ART FAIR works as a parallel universe to the inflated classical art market of the “rich and beautiful”, driven by aggressive investment strategies, auction houses and the greed for spectacular maximum prices. The goal is to establish an art-entry-market for both: the artist (gallery) and the interested buyer.
|
Passion and dedication are still more important than business plans and projections. Unbeatable participation costs combined with professional presentation and an uninterrupted passion for the art – this is where we see the starting point fort he world’s first and only URBAN ART FAIR. During the last decade, no other German art show can compete regarding growth and media interest.
Click here for further information regarding Stroke Urban Art Fair.
|
Other Articles You May Like from BSA:
CLET and "London Calling" / Paul Simonon's Bass Smash with The Clash / Dispatch From Isolation # 64
It’s September 1979, the creaking fissures of societal liberalism were being formed by a retrenchment of money into public coffers, attacks on labor, and to fund western war machines – privatization ...
It’s September 1979, the creaking fissures of societal liberalism were being formed by a retrenchment of money into public coffers, attacks on labor, and to fund western war machines – privatization ...
Sickid Paints a Sun-Melted Mind Tableau in Wynwood, Miami
Neo-psychedelic-cosmic-abstract-expressionist Sickid took this wall by storm in Wynwood and is blowing minds daily with his curious cast of misshapen feverish oddballs and satiric characters doing ne...
Neo-psychedelic-cosmic-abstract-expressionist Sickid took this wall by storm in Wynwood and is blowing minds daily with his curious cast of misshapen feverish oddballs and satiric characters doing ne...
Case Maclaim Flips a Coin on the Fate of Brexit in the South of Paris
“The painting is resolutely European. A kind of flash about Brexit in England,” says Gautier Jourdain of the new globally framed hand in this working class district of La Grande Borne in Paris. Cas...
“The painting is resolutely European. A kind of flash about Brexit in England,” says Gautier Jourdain of the new globally framed hand in this working class district of La Grande Borne in Paris. Cas...
Painting the Desert : Urban Artists in the Navajo Nation
It’s an unusual pairing: Street Artists who are accustomed to the grit and grime of deteriorating neighborhoods in the city translating their skills to the desert where the environment is outstandingl...
It’s an unusual pairing: Street Artists who are accustomed to the grit and grime of deteriorating neighborhoods in the city translating their skills to the desert where the environment is outstandingl...
The Bushwick Collective 11th Annual Block Party - 2022
Joe Ficalora and the Bushwick Collective crew took over the streets of Bushwick again this year to entertain the locals, the visitors, and everybody else with his annual block party. When you look at...
Joe Ficalora and the Bushwick Collective crew took over the streets of Bushwick again this year to entertain the locals, the visitors, and everybody else with his annual block party. When you look at...