Brooklyn Street Art

…loves you more every day.

SNEAK PEEK: Specter Shows “Billy Bobby” at Pure Evil

Brooklyn-Based Specter Prepares For His Solo Show At Pure Evil Gallery
Street Artist Specter isn’t standing still and for the last sixteen months or so he has been running at top speed working on his gallery shows while at the same time doing what he wakes up for every morning: Creating art to install on the streets.

After a long trip to Russia where he spent several weeks speaking to art students, traveling, and beautifying some parts of the vast country with new pieces on the streets, he returned to Brooklyn where he wasted no time to work on three of his now iconic sculptures and put them on various locations around Brooklyn. -All this while working on his new material for his Solo Show at Pure Evil Gallery in London tomorrow.

Here is a peek at what’s in store for the esteemed people of London: This one was just installed in gallery for Thursday’s show.

Tats Cru Declares “Death of an Era”: How, Nosm & Aryz in Brooklyn

Tats Cru Declares “Death of an Era”: How, Nosum & Arz in Brooklyn
Photography © Jaime RojoBronx Tats Cru muralists How and Nosom Perre hit Brooklyn last week with their buddy Aryz to put up a new piece on the side of a deli while stray cats wandered out from the fence next door to take a look. While BSA watched, the guys climbed up and down ladders and showed solid technique like the pros they are.

The globe trotting twins born in seaside San Sebastion in the Basque region of Spain grew up in Dusseldorf and fell in love with the New York style of graffiti in their teens. When they joined the Tats Cru in New York in the late nineties they had already proved their skillz as graff artists and begun to explore Street Art and muralist technique.

With Aryz visiting from Barcelona it was a perfect time to hit the streets of Williamsburg and get a piece up before the skies darkened further. “End of an Era” appears to pay tribute to some of hiphop and graffiti culture’s early icons and surround them with a rising tide of blood. A critique of the darker powers of commercialism, it may also be homage to a romantic vision of a dirty and dysfunctional city that increasingly looks Disneyfied. While homogeneity threatens the character of some of our neighborhoods, work like this ensures an expression of individuality that keeps the streets alive.

With one eye on an impending summer storm and another on their wall, the guys busily consulted sketches and wielded their cans in a race against time.