All posts tagged: Nespoon

NeSpoon and the Cross of Toulouse in Blagnac, France

NeSpoon and the Cross of Toulouse in Blagnac, France

We again join the world of street artist Nespoon, this time nestled in the enchanting town of Blagnac, in the picturesque region of Occitania, which serves as the backdrop for her latest artistic endeavor. Blagnac (pop. 23,759), a serene residential suburb of Toulouse in the south of France, is not only known for its tranquility but also for being home to the illustrious headquarters of Airbus, the largest aerospace corporation in the world.

Invited by the curator, Maud O’Jeanson, Nespoon embarked on a journey that would culminate in a solo exhibition of her paintings and sculpture at the esteemed Odyssud Cultural Center from May 12th to July 5th, 2023. As is her custom, she was also commissioned to create new work for the walls of the city hall.

NeSpoon. City Hall. Blagnac, France. (photo courtesy of the artist)

The city authorities proposed a project that paid homage to the ancient symbol of the region, the Cross of Occitania. This revered emblem, also known as the Cross of Toulouse or, albeit inaccurately, the Cross of the Cathars, has held profound significance for over a millennium. In the medieval era, it adorned the coat of arms of the St-Gilles family, the Counts of Toulouse. Today, this emblem can be found on official symbols of local government bodies, fluttering on flags, etched into house walls, wrought in iron on bridge balustrades, and even imprinted on postcards. Its ubiquity extends to the local subway, where it marks its presence, and it is cherished as jewelry, sought-after souvenirs, and even as graffiti on urban walls. Some believe that the origins of the Toulouse cross predate Christianity, possibly once representing a radiant sun wheel with its twelve rays. Traditionally, the numbers 3, 4, and 12 were intricately incorporated into this symbol.

NeSpoon. City Hall. Blagnac, France. (photo courtesy of the artist)

In a Nespoonian twist, the artist chose to disrupt this rhythmic pattern and embark on a deconstruction journey of the symbol. Adding new elements and forging novel divisions and symmetries, she breathed new life into this timeless icon. The numerical essence of her project can be described by the numbers 4, 5, 8, and 20, intricately interwoven into her mesmerizing creations.

Inspired by the intricate artistry of lace, Nespoon derived her pattern for the mural from a delicate technique called tatting. Every stroke and design element bore her mark, infusing the cross with her own artistic language. Despite the challenges posed by the surprisingly cool and rainy May weather in this region, Nespoon devoted ten days to her work transforming the city hall’s façade.

Nespoon extends her heartfelt gratitude to the city of Blagnac, the team at Odyssud, and especially Maud O’Jeanson for their unwavering support in making this extraordinary project a reality.

NeSpoon. City Hall. Blagnac, France. (photo courtesy of the artist)
NeSpoon. City Hall. Blagnac, France. (photo courtesy of the artist)
NeSpoon. City Hall. Blagnac, France. (photo courtesy of the artist)
NeSpoon. Odyssud Cultural Center. Blagnac, France. (photo courtesy of the artist)

NeSpoon’s Dentelle de rue at the Odyssud Cultural Center runs until July 05, 2023. Click HERE for more details.

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BSA Images Of The Week: 01.08.23

BSA Images Of The Week: 01.08.23

Welcome to BSA Images of the Week!

Boy, that Kevin McCarthy is as popular as an STD in a bordello. After begging and paying off more and more people to vote for him so he could become Speaker of the House, it was well past midnight before he got some serious action – and it took 15 ballots over 4 days to award him into his position finally. A classy bunch too, if the pushing and shoving is any indication. Not to be outdone, our own favorite Brooklyn right-wing corporate progressive homesnack Jeffries sliced and diced his foes with some fancy alphabetics in his speech that somehow looked suddenly like a State of the Union speech via Sesame Street.

“FREEDOM OVER FASCISM. GOVERNING OVER GASLIGHTING. HOPEFULNESS OVER HATRED. INCLUSION OVER ISOLATION. JUSTICE OVER JUDICIAL OVERREACH. KNOWLEDGE OVER KANGAROO COURTS. LIBERTY OVER LIMITATION. MATURITY OVER MAR-A-LAGO. NORMALCY OVER NEGATIVITY.”

Clairvoyants that they are, the World Economic Forum already had McCarthy’s new title on its website weeks ago. In our age of dirty wars and dirtier martinis, that story had legs in some Twitter circles, but the WEF clarified the situation.

Meanwhile the BSA office game on Friday was Kevin McCarthy name-that-tune day – challenging us to find popular songs to describe the ongoing losing of votes: Winners of the contest were “You Can’t Always Get What You Want” by the Rolling Stones, “Big Pimpin”, by Jay Z, “Burning Down the House,” by Talking Heads, “Fool on the Hill,” by the Beatles, and “Please, Please, Please” by James Brown, “If It Ain’t Ruff,” by NWA.

Meanwhile, BSA was starting the year in Jersey City to catch some of the newer street art murals that we haven’t published, and the graffiti was on-point as well.

Here’s our weekly interview with the street, this week featuring: Nespoon, SETH, MadC, Homesick, Manik, Mack, WASP, Beset, JCMP, and Louie Gasparro.

MadC. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
MACK (photo © Jaime Rojo)
SORY (photo © Jaime Rojo)
BESET (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
NeSpoon (photo © Jaime Rojo)
NeSpoon. Detail. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
Homesick. Samya. ? (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Louie Gasparro tribute to Virgil Abloh. (photo © Jaime Rojo)
NEW. RAM (photo © Jaime Rojo)
SETH. Detail. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
SETH. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
SETH. Detail. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
SETH. JCMAP. Jersey City, NJ (photo © Jaime Rojo)
FEELSYKOE. OSF. WASER (photo © Jaime Rojo)
MANIK. WASP (photo © Jaime Rojo)
AVERT (photo © Jaime Rojo)
Help with ID, please… (photo © Jaime Rojo)
Help with ID, please… (photo © Jaime Rojo)
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NeSpoon Covers Europe in Lace – 10 Cities this Year

NeSpoon Covers Europe in Lace – 10 Cities this Year

When it comes to local lace and architecture, Nespoon has you covered.

The Polish street artist has had a very productive year, traveling to Spain, Italy, Sweden, and France – always in pursuit of historical examples of this time-honored and exquisite yet dying art. By enlarging the patterns of people’s needlework – some of it quite honored and revered – she re-lights the candle of interest for the contemporary topography of the city. As one woman’s mission, the sometimes forgotten craft is shared here with a modern audience – the original patterns and designs often created by generations before this.

NeSpoon. Penelles, Spain. (photo © NeSpoon)

Today we have the honor and pleasure of sharing many of the 10 murals she painted in several countries in the first nine months of the year – along with her descriptive texts to accompany the works.

“I always paint my murals as in-situ works. Wherever I am, I always research local lace-making traditions. In many cities, lace-making factories operated, in the countryside they were traditional, female lace-making circles. I often find interesting exhibits at the local historical museum. Sometimes I just visit the apartments of seniors living nearby, I always find some lace. Based on such patterns, I prepare a mural design,” says Nespoon.  

NeSpoon. Original Lace. Penelles, Spain. (photo © NeSpoon)

“In Spain, in Penelles, I painted for the Gargar Festival, near Barcelona. I designed the mural on the basis of a traditional 19th-century ‘mantilla’, a veil used by women there for liturgical purposes, such as weddings and funerals.”

NeSpoon. Penelles, Spain. (photo © NeSpoon)
NeSpoon. Penelles, Spain. (photo © NeSpoon)

“I came to Halmstad, Sweden, at the invitation of the city council. Swedish lace is very simple, so I decided to approach the design issues differently. I created the pattern of the mural spontaneously by sketching it directly on the wall with my free hand. There was no historical reference here.” 

NeSpoon. Halmstad, Sweden. (photo © NeSpoon)
NeSpoon. Halmstad, Sweden. (photo © NeSpoon)
NeSpoon. Halmstad, Sweden. (photo © NeSpoon)
NeSpoon. Halmstad, Sweden. (photo © NeSpoon)
NeSpoon. Luri, Corsica. France (photo © NeSpoon)

“In Yffiniac, in Brittany, France, in a private historical museum, I found a magnificent Breton ceremonial shawl from the end of the 19th century. A fragment of the pattern became the basis of my design. I painted for the Street Arte en Baie Festival.”  

NeSpoon. Original lace. Luri, Corsica. France (photo © NeSpoon)
NeSpoon. Luri, Corsica. France (photo © NeSpoon)
NeSpoon. Luri, Corsica. France (photo © NeSpoon)
NeSpoon. Stigliano, Italy. (photo © NeSpoon)

“I found similar inspiration in another Italian city, Stigliano. A woman living near where I worked showed me the lace made by her mother. There I painted for appARTEngo artepublica, the local association.”  

NeSpoon. Stigliano, Italy. (photo © NeSpoon)
NeSpoon. Original lace. Stigliano, Italy. (photo © NeSpoon)
NeSpoon. Stigliano, Italy. (photo © NeSpoon)
NeSpoon. Yffiniac, France. (photo © NeSpoon)
NeSpoon. Original lace. Yffiniac, France. (photo © NeSpoon)
NeSpoon. Lace news. Yffiniac, France. (photo © NeSpoon)
NeSpoon. Yffiniac, France. (photo © NeSpoon)
NeSpoon. Mendicino, Italy. (photo © NeSpoon)

“In Mendicino, in the south of Italy, I painted for the Gulìa Urbana Festival. My inspiration was the tablecloth I found in the house of a woman living nearby.” 

NeSpoon. Mendicino, Italy. (photo © NeSpoon)
NeSpoon. Mendicino, Italy. (photo © NeSpoon)
NeSpoon. Mendicino, Italy. (photo © NeSpoon)
NeSpoon. Brescia, Italy. (photo © NeSpoon)

“Brescia is an Italian city near Venice. It was in Venice that the first handbook for lace making, Le Pompe, was printed in the 16th century. The mural I painted for the LINK Urban Art Festival was based on Venetian lace from the island of Burano.”

NeSpoon. Brescia, Italy. (photo © NeSpoon)
NeSpoon. Brescia, Italy. (photo © NeSpoon)
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NeSpoon Interprets 19th Century French Needle Lace from the Musée des Beaux-arts

NeSpoon Interprets 19th Century French Needle Lace from the Musée des Beaux-arts

Polish artist Nespoon has revived a cottage industry of appreciation for the historical art of lace design, steeping her practice in a sincere study to preserve the work of generations, towns, and regions. For her first mural of the year she borrows a 19th Century French needle lace from the Musée des Beaux-arts et de la Dentelle in Alençon.

NeSpoon. CItéFestival écologique d’Arts Urbains. Callac, France. (photo © NeSpoon)

Deftly interpreted here, Nespoon’s new work frames a corner building in the city of Callac in French Brittany. Exquisite, not only in the rendering and design of the lace patterning itself, but in the project’s ability to bring the past forward in a newly relevant and even contemporary manner.

The project is part of the Festival écologique d’Arts Urbains.

NeSpoon. CItéFestival écologique d’Arts Urbains. Callac, France. (photo © NeSpoon)
NeSpoon. CItéFestival écologique d’Arts Urbains. Callac, France. (photo © NeSpoon)
NeSpoon. CItéFestival écologique d’Arts Urbains. Callac, France. (photo © NeSpoon)
NeSpoon. CItéFestival écologique d’Arts Urbains. Callac, France. (photo © NeSpoon)

 

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Ceramics, Miniatures, and Molten Missives; Sudden Sculptures In The Street

Ceramics, Miniatures, and Molten Missives; Sudden Sculptures In The Street

Okay, you are not likely to find Michaelangelo’s Pietà or Bernini’s Ecstasy of Saint Teresa, but you will serendipitously discover ruddy-cheeked siren or a pointillist Whistler’s Daughter made of plastic beads or a molten chess set or a brutalist architectural model as you scan the surface of the modern city for sculpture.

NesPoon in Boras, Sweeden. (photo © Jaime Rojo)

Easy to overlook as so much bumpy skin on the face of the metropolis, today’s street art sculptures have personality and drama and echoes of the “high art” that may be stuck on the other side of the wall, but here it is for everyone to enjoy. Or destroy. 

NesPoon in Leipzig, Germany. (photo © Jaime Rojo)

Whether commercial or diagrammatic or exquisitely ornate, we always appreciate the added dimension that adds to what can be a rather flat “Street Art” scene sometimes – and an excellent entry point into the scene for your friend who is sight-impaired.

Here is a collection of small sculptures from Leipzig to Hong Kong to Moscow and Madrid for you to enjoy.

Unidentifed artist in NYC (photo © Jaime Rojo)
Traz in Berlin. (photo © Jaime Rojo)
3 x 3 x 3 in Hong Kong. (photo © Jaime Rojo)
3 x 3 x 3 in Hong Kong. (photo © Jaime Rojo)
Vaka in Madrid. (photo © Jaime Rojo)
Lego Party in Berlin. (photo © Jaime Rojo)
Unidentified artist in NYC. (photo © Jaime Rojo)
Unidentified artist in Moscow. (photo © Jaime Rojo)
Berroer in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Mesy in Berlin. (photo © Jaime Rojo)
Wolfi in Madrid. (photo © Jaime Rojo)
Mr. Joul in Berlin. (photo © Jaime Rojo)
Unidentified artist in Madrid. (photo © Jaime Rojo)
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Selections from the URBAN NATION Biennale “ROBOTS AND RELICS: UN-MANNED”

Selections from the URBAN NATION Biennale “ROBOTS AND RELICS: UN-MANNED”

“What if…”

What If… UN Biennale. Berlin September 2019. (photo © Nika Kramer)

That’s how curator Yasha Young began the UN Biennale in Berlin this month. A fantasy-infused ramble through a future jungle teeming with dark pop goth and an animated gorilla, the multi-featured installation by the outgoing Creative Director was meant to pose questions about a possible future, or many possible futures on an Earth deeply scarred, reclaiming itself from man/womankind’s folly.

Millenium FX Ltd. Gorilla Albert. UN Biennale. Berlin September 2019. (photo © Nika Kramer)

Spread along a 100-meter path and teeming with small surprise exhibits popping from the savage magic of two-day overgrowth, the installation appeared to take inspiration, at least in part, from the wildly successful Berlin exhibition two years ago called, “The Haus”, by a trio called Die Dixons. That one featured 175 artists creating immersive, site-specific futurist/fantasy installations on the five floors of a former bank – inviting dance troops and performances and thousands who cued for hours around the block.

INTI with Millenium FX Ltd. Gorilla Albert. UN Biennale. Berlin September 2019. (photo © Nika Kramer)

One of artists at UN’s “ROBOTS AND RELICS: UN-MANNED”, Herakut, was also in the Haus exhibition and here under the roaring U-Bahn on Bülowstraße produces one of the best synthesis of technology and fantasy. Their sculptural painted theatrical character of Mother Nature is straight from a childs’ imagination, blinking eyes forming a blue inquisitive aura around its visage.

Hera of Herakut. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Herakut. UN Biennale. Berlin September 2019. (photo © Nika Kramer)

No doubt many visitors winding through this late summer wildness were feeling quizzical to one another, confronting the various staged scenarios by 27 artists and asking “what if…”. Perhaps a  lush and greener version of the traveling “29 Rooms” selfie house we saw in Brooklyn a few years ago, this one blended themes of post-disaster with a glistening dark leafy future girded with idiosyncracies and Hans Ruedi Giger airbrushed human/machines locked in biomechanical reverie.

“They carry us off into barren deserts with relics of human existence,” says the press release,  “colorfully patterned animals in overgrown areas as well as spherical light worlds.”

Coderch Malavia Sculptors. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Plotbot Ken. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Frederique Morrel. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Dan Rawlings. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Vermibus. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Vermibus. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Pappas Parlor. Berlin September 2019. (photo © Nika Kramer)
Ekow Nimako. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Ekow Nimako. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Vegan Flava. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Vegan Flava. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Goin Art. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Goin Art. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Urs Koller. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Urs Koller. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
NesPoon . Pedro Estrellas. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Filthy Luker . Pedro Estrellas. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Filthy Luker . Pedro Estrellas. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Quinte55enz . Pedro Estrellas. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Nomad Clan. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Nomad Clan. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Theater Anu. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Theater Anu. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Theater Anu . Gehard Demetz. UN Biennale. Berlin September 2019. (photo © Nika Kramer)
Outings Project. UN Biennale. Berlin September 2019. (photo © Nika Kramer)

Participating artists include:

Coderch & Malavia // Cryptik // Dan Rawlings // David de la Mano // Dima Rebus // Ekow Nimako // Filthy Luker // Frédérique Morrel // Gerhard Demetz // Herakut // Inti // Julien de Casabianca // Louis Masai // Milenium FX // NeSpoon // Quintessenz // Nomad Clan // Rune Guneriussen // Sandra Chevrier // Theater Anu // Vermibus


Special shout out to Tobias Kunz, Annette Dooman, and the entire Studio Kunz team, Jens Rüberg and team and the YAP team.

We wish to express our gratitude to photographer and BSA contributor Nika Kramer for sharing her photos with us. Follow Nika on Instagram @nikakramer

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NeSPoon and Regue Fernández Bring Bowling Women to the Square in Belorado

NeSPoon and Regue Fernández Bring Bowling Women to the Square in Belorado

StARTer Proyectos Culturales, an independent cultural organization just finished a collaboration of two artists in the plaza, and you can almost here the voices of the women whose memories they evoked.

A unique project that brought the images of women playing a local game similar to bowling to the frontages of Plaza San Nicolas, the combined talents of Street Artists Nespoon and Regue Fernández brings back images of people who lived here in this northern Spanish town of Belorado, population 2,100.

NeSpoon. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)

“This square was a place where local women played bowling,” says the Polish Nespoon. “I found and painted local lace motifs and Regue created the figures of the local women based on old photos he found from the city’s newspaper.”

Conceived and led by curator Estela Rojo and Fernández, the project is meant to address the presence of women in public space; and the heavy attendance at the opening here, it looks like it was a success.

NeSpoon. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)

“Many people came to the opening of the square to see the new décor,” Nespoon says, describing the large crowd gathered to watch women playing the game and to see the new artworks. “There was a lot of joy, laughter and fun.”

Check out the work of StARTer Proyectos Culturales HERE StARTer Proyectos Culturales

NeSpoon. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
NeSpoon. Regue Fernández. StARTer Proyectos Culturales. Belorado, Spain. Summer 2019. (photo © NeSpoon)
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NesPoon Makes Swiss Lace

NesPoon Makes Swiss Lace

There used to be over 600 lace-makers here. Nespoon is remembering them with her new works on the street.

NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)

Part of a residency that she is doing with the  LuXor Factory in Le Locle, this project has enabled the Polish Street Artist/fine artist/muralist to study the local lace motifs that are identified with this part of Switzerland historically. She has included the heritage in this veritable wrapping of lace, custom made for this town of 10,000 especially.

NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
NeSpoon. Le Locle, Switzerland. July 2019. (photo © NeSpoon)
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NeSpoon at Rethink:Sisak in Croatia

NeSpoon at Rethink:Sisak in Croatia

It’s a good practice to rethink your city – especially when you imagine it to be something more than it is. Beginning in 2016 the picturesque city of Sisak in Croatia (pop 48,000) invoked the practice with Re:Think Sisak to look again at public space and imagine artistic interventions.  Running during the first half of June, it began with regional artists and has extended the list further afield each year.

NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)

Polish Street Artist Nespoon brought her lace motifs to the side of a building, with the help of the local fire department. A first time experience for her to have such assistance, she tells us “the officers were extremely nice and helpful- they operated the lift, and didn’t seem to mind sitting in the full sun for 10 hours.”

As she has in recent years, Nespoon also installed one of her fired ceramic pieces on the street, furthering her practice to another discipline.

NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Re:Think Sisak. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Sisak, Croatia. June 2019. (photo © NeSpoon)
NeSpoon. Sisak, Croatia. June 2019. (photo © NeSpoon)
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NeSpoon: Before & After

NeSpoon: Before & After

Favara is a town located in south central Sicily, in Italy. Known for its Medival castle, Favara’s main trade is in agricultural products and mining. Until recently, Favara was in danger of suffering the same fate that has afflicted many of the small towns and villages throughout Italy; The exodus of its young population to larger, metropolitan areas, due to unemployment where they are able to find better opportunities and entertainment. With this exodus comes the lack in tax revenue and the subsequent abandonment of priceless architecture and the neglect of the old part of the town to decay and the ravages of time and weather.

NeSpoon. Before. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Then came Andrea Bartoli and his wife Florinda Saieva. In 2010 they purchased several buildings that were neglected in the old city center and renovated them completely. Once the renovations were done they set up to create a cultural center that involved outdoor art exhibitions, shops, cultural events, screenings and the hosting of international artists to come and create art outdoors. They call it Farm Cultural Park. With this initiative Andrea and Florinda have created the renaissance of their historic city center and have put Favara back on the map. Favara as they happily exclaim is “A Place That Makes You Happy”.

NeSpoon. After. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Polish Artist, NeSpoon was invited to participate in this year’s edition of Farm Cultural Park and what an apt visual reference her contribution is to the concept of revival and the before & after.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

NeSpoon is known for her exquisite, lattice-like paintings and sculptures that take inspiration from old crocheted patterns. Here, visitors will be able to have a “sight for sore eyes” moment as they turn the corner and are regaled by the vision of a wall transformed from decay into a monochrome pattern very familiar with all of us.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)

Her use of monochrome helps the building retain its ancient character while at the same time it elevates it to a piece of art.

NeSpoon. Farm Cultural Park. Favara, Sicily. (photo © NeSpoon)
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BSA Images Of The Week: 04.07.19

BSA Images Of The Week: 04.07.19

Many images this week are from our short visit to Querétaro, Mexico this week – where, among other things, we saw first hand many of the murals mounted by the festival Nueve Arte Urbano over the past few years.  Each festival around the world is unique to its local culture – with the possible exception of the highly commercial ones that are self-styling as a franchise of cool McArt dipped in tangy “Street” flavored sauce. We had a good survey of this mural/street art/graffiti scene in the context of Mexico’s historic mural masters, and a true sense of how counterculture can be embraced by so-called “mainstream” culture for the betterment of both.

In short, the DNA of this festival is not about self-promotion but engaging community in meaningful dialogue, respecting tradition of indigenous culture, and embracing the modern day rebels who have brought art to the streets in myriad ways. Combined with an unprecedented 101 photo exhibition of graffiti, Street Art, and urban culture mounted on the streets that was too meta for our brains, we saw people walking the walk, not just talking the talk. We only wish we had more time, and a drone!

Additionally this week we have a few more favorite shots from a quick trip to Berlin last week. Berlin is basically Brooklyn’s sister city and it was also in the full throes of Spring, with long lines at the all-night dance clubs way after the sun came up. This weekend it looks like Brooklyn is warming up too – almost beer garden time!

Until then, let’s head over to Bamonte’s for a vodka martini with the fine men and women of what’s left of Italian American Williamsburg here in Brooklyn. This is an institution that’s 119 years old lined with framed photos of famous Italian Americans and celebrities who ate there like Telly Savalas and that guy from the Sopranos!

No music, only the clinking of glasses and animated storytelling and some people who may have been dining here when the Dodgers were still in Brooklyn – all eating lobster tails, shrimp cocktail, clams oreganata, iceberg lettuce salads, pastas, meat balls, fish, sautéed porkchops, scalloped potatoes, green beans, chicken parmesan, and blueberry pie or tiramisu. Okay it’s not five star, you big hotshot, but it’s at least as good as your Aunt Rosa’s kitchen, amiright? Bamontes not good enough for you now, you big Broccolini?

And the portions, my god, you won’t need to eat again until Good Friday.

So here’s our weekly interview with the street, this time featuring 007, 1UP Crew, Calladitos, City Kitty, Clown Soldier, CS SZYMAN, Deih XLF, drsc0, Ger-Man, La Madriguera Grafica, Mantra, Nespoon, Paola Delfin, Santiago Savi, Victor Lopez, and Voxx Romana.

007 Unicorn in Berlin (photo © Jaime Rojo)
1UP Crew. Urban Spree Berlin (photo © Jaime Rojo)
Mantra. Detail. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Mantra. Detail. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Calladitos. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Eduardo Ruiz . Santiago Savi. Detail. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Eduardo Ruiz . Santiago Savi. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Victor Lopez / La Madriguera Grafica. Detail. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Victor Lopez / La Madriguera Grafica. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)
Paola Delfin on the dome. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)

Tania Quezada . Diego Afro-Cruz. Detail. Nueve Arte Urbano / Centro Cultural Manuel Gomez Marin. Queretaro, Mexico. (photo © Jaime Rojo)

SC SZYMAN. Urban Spree Berlin. (photo © Jaime Rojo)
Ger-Man. Berlin. (photo © Jaime Rojo)
NeSpoon. Urban Nation Museum Berlin. (photo © Jaime Rojo)
City Kitty . Clown Soldier . Dr. Drsc0 (photo © Jaime Rojo)
Ali Six. Berlin. (photo © Jaime Rojo)
Deih. Urban Nation Museum Berlin. (photo © Jaime Rojo)
VOXX. Urban Spree Berlin. (photo © Jaime Rojo)
Untitled. Queretaro, Mexico. April 2019. (photo © Jaime Rojo)
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BSA Images Of The Week: 03.31.19

BSA Images Of The Week: 03.31.19

Welcome to Images of the Week! Go outside! Take your recycled bag with you because New York just outlawed plastic bags as of March 2020, so you can get in the habit now. This week most of our images come from the Urban Art holy city of Berlin, which we visited for a few days. Next stop, Querétaro, Mexico! Vamos!

So here’s our weekly interview with the street, this time featuring Berlin Kidz, Herakut, Homo Punk Action, Lapiz, Lister, Marina Zumi, Mr. June, Nafir, Nespoon, Nils Westergardt, Ostap, Pink Pony, 1UP Crew and Snik.

Nafir at Urban Spree Berlin. (photo © Jaime Rojo)
Herakut with Snik at Urban Nation Museum Berlin. (photo © Jaime Rojo)
NeSpoon in Berlin. (photo © Jaime Rojo)
Lapiz timely commentary on Brexit in Hamburg, Germany. (photo © Lapiz)
Pussy bubble train in Berlin. (photo © Jaime Rojo)
Pussy extinguisher in Berlin with Wetik. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Lister and Homo Punk Action in Berlin. (photo © Jaime Rojo)
It wasn’t me either…Berlin denial. (photo © Jaime Rojo)
1UP Crew dropped a fresh pretty blue roller in Berlin. (photo © Jaime Rojo)
Mr. June master class in geometry and optical illusion in Berlin for Urban Nation Museum. (photo © Jaime Rojo)
Marina Zumi at Urban Spree Berlin. (photo © Jaime Rojo)
Pink Pony in Berlin. (photo © Jaime Rojo)
Berlin Kidz. Berlin. (photo © Jaime Rojo)
Nils Westergard for Urban Nation Museum Berlin. (detail). (photo © Jaime Rojo)
Nils Westergard for Urban Nation Museum Berlin. (photo © Jaime Rojo)
Ostap homage to Klimt and Adele Bloch-Bauer II in Berlin. (photo © Jaime Rojo)
Untitled. Sunset over NYC. After Rothko. March 2019 (photo © Jaime Rojo)
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