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BSA Greatest Hits of 2021

BSA Greatest Hits of 2021

When it comes to street art, murals, graffiti, and related events around the world last year, we were running to keep up.

You may have missed some of the people, thinkers, artists, projects, and community resources that we shared with BSA readers last year. We’re pleased to share with you some of those stories you may overlooked. Here are some of the greatest hits of 2021.

Barcelona Small Scale Street Works Popping Up in the Face of Development

Graffiti and street art are cyclical in many ways – reflective of society, urban planning, politics, current events, demographics… Currently the city of Barcelona is pushing hard on cleansing itself of the wild graffiti and street art that brought it so many tourists 15 years ago.


Capitol Trump Trials Through the Eyes of Political Cartoonists

Okay okay everybody settle down. We’ve got a lot of excited people yelling things and making huge pronouncements about things – most full of hysteria tinged with paranoiac visions. When it all gets to be too much for us, we like to see how cartoonists are capturing the current zeitgeist, and making something funny. It’s a talented group of artists who can condense complexity and extract the humorous essence of a situation. Also, so far our move toward the right, the far-right, and the fascist has not led us to have leaders that outlaw cartoons. Fingers crossed.


Swoon Gives Us All a Tour of “Seven Contemplations” at Albright Knox

It’s a pity that the pandemic has kept so many people away from seeing great exhibitions in museums and galleries, among other things. At the Albright Knox Gallery in Buffalo, street artist Swoon’s “Seven Contemplations” ran its course without nearly as many visitors as you would expect.

So we decided to show you the exhibition in a mini-tour. Who else could be your host today but the artist herself, Swoon.


Street Art Says “Happy Inauguration” to Biden and Harris

The streets have been anticipating the arrival of the new president and vice president for a few months now. Today it took place and the U.S. has a 46th President – Joe Biden and 49th Vice President – Kamala Harris.

Pure poetry.


Chip Thomas: “Pandemic Chronicles” in Phoenix, AZ

Sometimes art in the streets can be like that – a reflection of your intellectual musings and your heart’s leanings. Because he has often taken a path less traveled, photographer / doctor / activist / organizer / producer / teacher Chip Thomas (aka Jetsonorama) seamlessly slips into and out of all of his roles. In this way, he may also appear as poet.


Street Art Recorded Protest and Pandemic in Real Time.

No More Normal is a semi-regular newsletter written by Jeff Stone on his substack. He recently interviewed us on the topic of activist street art and we’d like to share his article here.

In May 2020, Todd Lawrence and Heather Shirey were taking pictures of graffiti focused on the coronavirus in Minneapolis when a police officer killed George Floyd just a few blocks away.

The two cultural historians from the University of St. Thomas had recently started taking pictures of the murals, graffiti, stickers and tags throughout the Twin Cities in an effort to preserve that work during a once-in-a-century pandemic. Their archiving, though, took on a new level of urgency when a police officer murdered Floyd and footage of the killing went viral, sparking anti-racist demonstrations in Minneapolis and throughout the world. 


Said Dokins Says “This is Not the End of the World” in Mexico City

Checking in with Panteón Cultural Center in Mexico City, where we first took you when it was inaugurated in 2017, we find street artist/ fine artist Said Dokins participating in a large exhibition and a new mural for the storied interior. It’s reassuring to see “This is not the end of the world,” the title of the collective show featuring many Mexican artists in this venue that is refined and raw and at least in some ways community based – Not such a typical scene these days.


A Mural Jam and Censorship: Fighting for Freedom Of Expression In Barcelona – Part I

Freedom of expression is foundational in a democracy. Without it, it is not difficult for a culture to descend into authoritarianism, fascism, and dictatorship. By many standards, Spain’s democracy is still young, with a Parliamentary Monarchy since 1978. So it is curious and alarming to hear that this EU country has been silencing free speech in the last few years.


HotTea Faces Critics With Magnets in Minnesota

External critics may never be as brutal as your internal one – but graffiti and street art sometimes reveals a specifically vicious world of criticism that greets artists and writers. Imagine making friends with those critics and validating their position, and then moving on unscathed or even healed.

“Overall, the project is meant to inspire those who may take criticism to heart,” says street artist HOTTEA, and he means it as a form of sweet liberation, not a bitter one.


Ceramic Faile: A New Collection With StudioCromie in Grottaglie, Italy

Angelo Milano, the founder of Studiocromie and FAME Festival, has been courting Brooklyn artist duo Faile for more than a decade, and they finally created a series of ceramics together for his studio art business in Grottaglie under the tutelage and traditional expertise of the centuries-old Ceramiche Nicola Fasano’s workshop.

“Closed (In) for Inventory”: FKDL Makes the Most of His Confinement, 10 Items at a Time

The world is slowly making movements toward the door as if to go outside and begin living again in a manner to which we had been accustomed before COVID made many of us become shut-ins. Parisian street artist FKDL was no exception, afraid for his health. However, he does have a very attractively feathered nest, so he made the best of his time creating.

Women’s Murals Vandalized in Madrid, Newly Created in Barcelona

International Women’s Day is only controversial for those who feel threatened by the idea of equality and freedom.

Perhaps that’s why, according to current statistics, women continue to fight and protest against the gender wage gap in Spain, as well as against violence against women. The national female unemployment rate is 17.4%, compared to 13.8% for men.

BSA Writer’s Bench : “Graffiti Documenting and Divinity” by Jim Prigoff

Graffiti Documenting and Divinity

A writer once shared with me the following observation concerning the early documentation of modern graffiti, if stated in religious terms.

He said:

Henry Chalfant would be God. Martha Cooper would be the Virgin Mary. Jim Prigoff would be Jesus Christ, Jack Stewart the Holy Ghost.

Subway Art would be the Bible. Spraycan Art the New Testament.

I’m no savior, but I’m proud to have saved some incredible and iconic images of this culture while they were painted and to have met so many talented artists.

The Big Tiny World According To Sara Lynne-Leo

Sara Lynn-Leo. Well-placed, well-rendered, witty, insightful, incisive.

These are hallmarks of the miniature pieces of street art that New Yorker Sara Lynn-Leo has been putting up in many neighborhoods in alleyways, doors, dirty corners, magnet walls, street furniture, and lamp posts. Finding these offerings can be difficult. They may be tiny in size and often placed out of eye view.

“Aliens, That’s What They Called Them”- Molly Crabapple on the Streets

“I left all my memories in Syria, so there’s nothing left to take”.

“Husband works in construction. Husband salary depends on luck, waits on side of the street to get picked”.

“Prefer by land, but by sea if there’s no choice”.

“I have no dreams in Europe. I just want my husband to get a proper job, a proper life for my children”.

“I will bring nothing with me”.

“For sure, I’m nervous”.

INDECLINE Creates QAnon Easter Egg Hunts in DC Parks for a Surreal Holiday Prank

The era of fractured attention spans, heightened emotions, and ravaged hierarchical systems for ordering institutions, beliefs, and the truth is ripe for examination and dissection – even if it takes a looking glass to see it.

The anonymous art-activist thinkers at INDECLINE have spawned many interventions in the last decade in public space – intricate and smartly storied at times, obvious and deliberately provocative at others.

BSA Writer’s Bench : “Why Monuments?” by Carlo McCormick

Why Monuments?


Perhaps, caught up in the energy of street art and graffiti, we do not pay quite so much attention as we should to it being something we might otherwise call public art. Consider that public art as a form goes back through centuries of municipal planning and myriad private and public interests that are concerned with how community identity may be constructed and represented. It is shortsighted not to acknowledge how much of public art has long been about monuments.

Monumental Ransom: Curious Case Of “The Jefferson Davis Memorial Chair” in Selma, AL

This Friday, the anonymous artivists said they were set to return their ransomed confederate chair monument, “The Jefferson Davis Memorial Chair.” It was first reported missing from Live Oak Cemetery in Selma last month – an ornately carved stone chair dedicated in 1893 to the Confederate president’s memory and estimated to be worth $500,000.

California’s Augustine Kofie is in a New York “State of Mind” at Hashimoto

It really is primarily about your State of Mind, says LA-based painter Augustine Kofie about his battle with art and quarantine during this last year.

“The pandemic was a stop, an interruption, a loss of control,” he says – and points to the incomplete cycle symbols that appear throughout his new collection of paintings. Normal life, in its circular wending, was interrupted time and again, along with all our typical expectations.

Andreco: “Aula Verde” For Earth Day 2021 in Rome

Together with citizens, environmentalists and researchers, he’s created a work of Land Art here in Rome, and he calls the project Aula Verde.

“The work is alive, and over the years it will take shape and as it grows it will return innumerable benefits to the territory,” Andreco says, “currently it is studied by the researchers who are involved in the project, both for the purification of the water and the redevelopment of the surrounding greenery.”

Shepard Fairey in Dubai: A Mosaic Future and a Solo Show at Opera

Shots today from last month’s Shepard Fairey “Future Mosaic” at Dubai’s Opera Gallery. With works on canvas, paper, wood, and metal, as well as examples of iconic images and repeated motifs from the breadth of his art and design history, Fairey was very much present for his first solo show here. In a grueling schedule of just 9 days he also managed to install two huge murals facing a skate park in a commercial district of the city, the d3 (Dubai Design District).

“White people can’t be trusted with power,” from Dread Scott on the Street in Manhattan

Trust artist Dread Scott to perfect the provocative phrase that can raise the prickly ire of certain street passersby, simply and succinctly. And trust the self-elected censorious social media platforms like Instagram to actually ban it.

Chicago-born, Brooklyn-based Scott says, “White people can’t be trusted with power” in this new public artwork at 42nd near 10th Avenue in Manhattan. It may remind you of a Jenny Holzer “Truism” that she may have wheat-pasted on the street in the past, a pertinent pique that strikes at the heart of the matter, minus the sense of irony. But in the current context of white people’s reluctant awakening, Mr. Scott writes, “When this was originally posted, Instagram banned it as ‘hate speech.’ ”

“KAWS: What Party”. Need a Companion?

Highbrow art institutions have coalesced behind a small recurring collection of well-known graffiti/street artists in recent years, granting them a lot of space and a powerful entrée to blue-check media parties, blue-chip platforms, and blue blood collectors. The bigger (and frequently well-funded) names are often the easiest to explain to an unfamiliar general audience of art viewers and, of course, will appeal to that younger demographic everyone is after. It shouldn’t surprise anyone when even the New York City Ballet spawned a series of collaborations with street artists in the last five years to bolster flagging attendance due to aging and, well, dying fans.

BSA Writer’s Bench : “Street Art and Graffiti: The Role of Copyright” by Enrico Bonadio

Street Art and Graffiti:
The Role of Copyright


Artists are getting robbed. It is time to give them the legal tools they need. With this spirit, a few years ago, I started researching copyright aspects of street art and graffiti.

These artistic movements have been intriguing me for a while. Living for several years in the East London area of Shoreditch, where creativity has exploded and developed after the new millennium’s arrival, has certainly nurtured my curiosity towards these forms of art.

VERMIBUS: A Full “IMMERSION” into his Berlin UBahn NFTs, Complete with Glossary of Blockchain Terms

This project represents an innovative attempt to solve one of the biggest problems when exhibiting street art,” says Berlin-based street artist Vermibus, “- the lack of its original context.”

True, something about our previous curated exhibitions of street art – even our current show of Martha Cooper’s photography work at Urban Nation Museum here – loses the feeling of the street once it enters the museum doors.

“I truly believe this way of experiencing and conserving Street Art will be the inevitable future.”

Vermibus

Concreate Festival 2021 Launches in Finland

Concreate Urban Art Festival, held now for the second time, has clearly taken over Keran Hallit in Espoo, Finland. Keran Hallit is a huge former logistics center currently operating as a space for art, culture, sport, and other free-time activities. During the next few years, the halls will be demolished to make space for a new neighborhood.

Portraiture by Case Maclaim and Helen Bur in Madrid for Urvanity 2021

Frankfurt-based ultra-talent Case Maclaim is with the Urvanity Art Fair this week, and he has created a new mural in Madrid’s old, historical city center. His work is being shown by Brussells Ruby Gallery, along with that of street artists EverSiempre and Wasted Rita. Still, he just wanted to go big with a tribute to children’s imagination.

BSA Writer’s Bench: Igor Ponosov with Poetry, Philosophy, & Manifestos in Russian Streets

Russian Urban Art: Poetry, Philosophy, and Manifestos in the Streets


In the interest of defining specific areas of the study of Russian Urban Art, I’ll highlight here three main periods that I think are important in the development of these forms of urban art: the 1910s–20s, the 1990s, and the current era. From my perspective, each period was usually born during crisis and revolution, went dead after a few years, and then came to life slowly again. It was this circular pattern that I am trying to define in my recent book Russian Urban Art: History and Conflicts, but here I want the focus to be more specific.

Urvanity 2021: Highlights. A Selection Of Works From The Galleries

Madrid’s Art Week – who would believe that it could actually happen? And to prove it, we have the 5th Anniversary of Urvanity defiantly strutting from one end of the COAM headquarter to the other. Taking its original inspiration from graffiti, post-graffiti, surrealism, pop, and that broadly applied “Urban Contemporary” tag, Sergio and the Urvanity team have persevered this year again.

Josh Katz is “Mighty Real” in San Francisco with Glamorous Sylvester Portrait

A Superstar of the disco era long before people even heard of telling you their pronouns, this queen crossed over and back and even had bonafide dancefloor hits. How fitting that queer muralist Josh Katz painted this glamorous portrait to lift spirits in this city where day socializing and nightlife has been hamstrung by the pandemic, even shuttering some gold-plated legends in LGBTQ+ club history.

Katz says he is happy to bring Sylvester out into the street-life, a response to “what I see as a lack of LGBTQ representation in street art.” He promises that he’ll continue painting portraits to honor legacies and increase visibility.

My Dog Sighs “Inside”: A Hidden, Staged Exhibition in Portsmouth, UK

According to his descriptions of the artist’s new “Inside” installation in the UK’s only island city of Portsmouth (pronounced PORT-smith), there will be tours in this secret location – ever so because the atmospheric and theatrical work is not officially sanctioned and is staged in an abandoned building.

A Land of Mirrors for Pener: Bartek Świątecki Paints Hometown in Poland

25 years in the game, Pener routinely lets his mind travel to encompass possibilities, then channels them abstractly through a series of echoing geometric forms with aerosol and brush. Here in his hometown of Olsztyn, Poland, he says he imagined the possibilities that young minds inside an elementary school could contemplate.

Winston Tseng: Money Fixes Everything

On a recent sunny May day, we followed street artist Winston Tseng to document his new series of posters installed on three locations in Manhattan. The series is titled “Money Fixes Everything.”

The flat and colorful 2-D illustration style of street artist/graphic artist Winston Tseng doesn’t scream social inequity and cultural insanity the way other graphic styles may. The graphic language is the 2-D, flat, icon-based vernacular familiar to phones and applications, a neutral and familiar reduction to precisely convey the visual elements necessary to infer more is there. Brilliantly pared and exacting in composition, a close look allows the viewer to unpack Tseng’s specific brand of critique – perhaps causing you to crack a smile, or roll your eyes, shake your head.

Leon Keer Triggers Childhood Nostalgia with “Kit de Secours” in Plougasnou, France

Leon Keers is subversive, if that is the way your mind works. His mind-bending plays on real and surreal perspectives may lead you down a path of suspicion, for it appears that he is adept and agile when playing with perspective.

Vanguard | Bristol Street Art: The Evolution of a Global Movement. Installation Shots

You saw our announcement for the new exhibit At the Vanguard: Bristol Opens Exhibition On Evolution of Global Movement of Street Art and now you get a chance to see the actual shoe newly installed. Dense and rich with original artwork, photography, and ephemera, Vanguard is a studious presentation that confidently lays claim to Bristols place in the history of graffiti and street art.

Biancoshock’s Smashed Google “Street View” Car Sculpture in Corsica

For five years conceptual artists Biancoshock and Harmen de Hoop have been giving each other assignments as part of a common project that can range from titillating to amusing to incomprehensible.

As with so many works in public space by either of these two interpreters of societal nomenclature, these works field-test theories of the visual prank as much as they level observations or critiques of human behavior. With each installation, you are welcomed to examine one more of myriad modern idiosyncrasies – now placed in a new context. Your interpretation may vary.

Gola Hundun, Anthropic Space, Natural Space, and His Newest Installation in Milan

Italian land artist/street muralist Gola Hundun has divided his creative projects in the last few years into two distinct but related practices.

The first is to investigate buildings that are being reclaimed by nature and develop site-specific installations that work in harmony with the history of the relationship between architecture and nature. The second, of which we have an example for you today, is a mural installation on active buildings within cities, perhaps invoking a more integrated ecology of symbols and natural systems around it. These two lines of inquiry comprise his project “HABITAT”, a sincere stream of research that lies on the border between anthropic space and natural space

Motorefisico Bring Op, Kinetic, and Tape Art Stencilling to Santa Croce di Magliano

It’s impossible to imagine the contemporary built environment without considering the impact of street art and graffiti has had on not only city dwellers but our city’s designers and architects. While previous generations may have dismissed incorporating painting techniques beyond traditional frescoes or murals, the new generation considers it their birthright to bring modern art movement influences, including Optical Art, Kinetic Art, and straight-up tape art often used on the street.

Monkey Bird: “L’ouvreur de Chemins” Celebrates a Cathedral’s 800th in Spain

It’s not every day that you have an 800th anniversary.

Bringing monumental aesthetics, theologic references, and the language of classical architecture to this massive wall at Calle Fernán González, 52, the French duo MonkeyBird celebrates the Burgos Cathedral in grand style. Louis Boidron and Edouard Egea say they worked painstakingly to prepare their tribute to the original workers and artisans who first built the Gothic and Baroque-styled Cathedral, a UNESCO World Heritage site since 1984.

Escif: “The Fences Must Fall”; A Provocative Ljubljana Street Art Festival

We’ve had the privilege to travel to many cities and cultures over the last decade and a half, from Russian to Chinese to North African to Tahitian and Norwegian, to witness the affecting power of street art on cities, communities, and everyday people. Regardless of the street author’s intent, however earnest or carefully considered, we’re often surprised by the variety of interpretations that can arise from a singular work of art or intervention.

MARUM Presents “MEXPANIA” and Miscegenation in Querétaro

Édgar Sánchez and Arcadi Poch may not simply be curators of the new initiative called Mexpania that merges the cultures of Mexico and Spain. They are social scientists, anthropologists, historians, and some may say, alchemists. With the inaugural installations of this auspicious project primarily created inside the entrance and with only 4 national/international artists, you may be curious how these foundational works will influence future curatorial choices for this ever-growing museum dedicated to urban art, or arte urbano.

Elfo’s Neo-Dada Butchering Diagram in Turin

Elfo’s furtive and artful wanderings can veer off into the neo-Dadaist fields at times, sometimes wittily so, and textually. The Italian graffiti writer and street artist uses the simplest of devices to capture attention, a reductive and deliberate strategy born of careful consideration girded by impulses to broadcast his view, to be seen and heard.

Bifido Quotes Keats for ArtAeroRap “Vaccine Edition 2021” in León, Spain

Italian street artist Bifido finishes this rough wall with the sweetest of sentiments here as summer draws ever nearer to its end. Quoting Keats, as romantics are wont to do, Bifido tells us his latest staged photo wheatpaste is transparent in its sentiment, opaque in his specific meaning.

“It is a hug, so it is something that can be shared,” he offers. “For this time I have nothing to say about this piece.”  Enough said.

Edoardo Tresoldi: A Reprise of “Sacral” for Ravenna

“An archetypal image”, Edoardo Tresoldi says, “is capable of creating a dialogue between past and present, using a language comprised of meanings that recur over time.”

M-City is Airborne with Szczecin Wars in Poland

“Szczecin before the Second World War was a German city,” says the street artist named M-City. Now it’s flying as a spaceship in his latest stencil mural here – in Poland.

NemO’s x Nicola Alessandrini Build a Grotesque, Stunning “Nest” in Italy

Ah, the feckless, sebaceous, inward-turned man; Bumbling through the world unaware and uncaring how his actions may impact the lives of others. Little does he know that the fire he starts will burn him as well.

Bifido: “Love Will Tear Us Apart” in Mostar, Bosnia Herzogovina

I am inhabited by a cry.
Nightly it flaps out
Looking, with its hooks, for something to love.

Sylvia Plath

Street poet and street artist Bifido doesn’t mean to be morose, but here in Mostar he can’t help himself as he creates mirrored expressions of a sullen, ill-tempered youth on city streets. Part of the Bosnian /Herzegovinian street art festival named after this city of 113,000 Croats (48.4%), Bosniaks (44.1%), and Serbs (4.1%), the annual meeting of international and local artists produces a broad variety of artworks for the city.

Graffiti, Stencils, and Quickie Weddings: Dispatch From Asheville N.C.

“Are you the minister?”

“I am not that, sir,” he answered, “I’m the vacuumer.” Our short tour ends abruptly as the loud whir of the cleaning machine rises to meet the southern-fried rock classic on the sound system here at Fleetwood’s in Asheville, North Carolina. Ours, and his, is a quick sweep through this small city of 90,000 in the Blue Ridge Mountains known for its progressive ideas, punk squats, Thomas Wolfe, and a harmonious alliance between sanctioned murals, organic street art, and graffiti.

Losing BLU in Ljubljana, Slovenia

The brilliant illustrator of fantasy and firey allegory, BLU, championed the cause of the Rog Factory squat in Ljubljana, Slovenia, in 2016 with a centrally framed handgun in pink and red. In that heated moment the community of artists and activists had fended off developers, construction thugs, and even some kind of fascists attacking them or trying to chase them from the property.

LADY AIKO Does Her “Martha Cooper Remix” on the Façade of Urban Nation (UN)

We have some special events taking place this month to celebrate one complete year of the career-spanning exhibition “Martha Cooper: TAKING PICTURES”, which we created with the team at Urban Nation Museum in Berlin.

Today graffiti/street artist AIKO talks about her striking new graphic mural for the façade of the museum that highlights and interprets a suite of recognizable elements from Martha’s iconic photographs – a perfect answer to the Martha Remix section of the exhibition inside featuring 70 or so artists “remixing” her photos in their individual styles.

Mantra in Miami to Open “Metamorphōsis” at GGA

Half biologist, half street artist, all gentleman. The French painter Youri Cansell AKA Mantra opens his very first US solo show tonight at Goldman Global Arts (GGA) in Miami. In preparation for “Metamorphōsis,” the artist has been painting non-stop all summer at a temporary studio in Cancun.

“Peoples Discontent” Debuts with Video Greeting from Shepard / Martha Cooper Signed New Print at UN

BSA X UN X MARTHA COOPER X SHEPARD FAIREY

When we asked Shepard Fairey if he would be up for a new remix of a Martha Cooper photo for our exhibition celebrating her career, he quickly said yes. Not only did he create a new original piece of art based on one of her classic “Street Play” images to hang in the gallery of our “Marth Remix” section, but he and his excellent team have also produced a new print – 250 of which sold out in 20 minutes on the Urban Nation website last night.

Whitewashed: Gonzalo Borondo Buffs His Painting Inside an Exhibition in Turin

Borondo buffed his own work. It happens occasionally, not often.

Rarely inside an exhibition.

SpY: “Earth / Tierra” at Plaza de Colón in Madrid

SpY describes his new public art project “Earth,” as “a luminous red sphere caged inside a structure.” You may wonder what this structure made from building-site scaffolding represents, especially when he says “the sphere is caged within it”. Gaseous fumes? Global Oligarchs? Free-trade agreements? K-Pop fans? We asked him:

BSA: Is the earth the color red because it is on fire, in pain, in a state of emergency, or perhaps in love?

SpY: The red earth in a cage has different meanings. 

Faile at GGA with BSA – Miami Art Week Marches On

Get in, get out, no one gets hurt. Our few days in Miami were full of adventure on the street and at parties and receptions for artists. The party rages on tonight and this weekend at the fairs and in the galleries and bars and streets of course, but our last events were interviewing Faile onstage at Wynwood Walls last night, going to the Museum of Graffiti 2nd Anniversary party/opening for FUZI, and, well there was this thing with Shepard Fairey and Major Lazer and a guy proposing marriage to his girl before the crowd…

Read more

Broken Crow Knock Out 4 New Murals for “The Bigger Picture” in St. Paul

Minneapolis based Street Artists John Grider and Mike Fitzsimmons, known together as Broken Crow, have just completed a jigsaw-style stencil installation at four locations along St. Paul’s central corridor that, when seamed together, create a 60-foot long stampede of wildlife charging along University Avenue. Using the trademark stencil illustration style they’ve employed on 126 murals over the last decade, this enormous wildlife composition includes a lion, camel, rhino, zebra, tortoise, and penguin running alongside others to accompany the light rail that is being built to whiz by here.

It’s an unusual concept and the resulting video of all four locations being installed simultaneously really makes this newly released time-lapse video especially entertaining (see below). A public works project called “The Bigger Picture Project”, each mural contains a QR code that will trigger images compiled by photographer Benjamin Clasen of what the entire project looked like from the vantage point of the guy who shot 30,000 photos of it.

Broken Crow, “The Bigger Picture Project”, (detail of a composite image of the four walls together) (photo © Benjamin Clasen)

Brooklyn Street Art talked to both artists and the photographer about the Bigger Picture; 

Brooklyn Street Art: Are you imagining people traveling to all four sites and looking at each installation to combine them?
John Grider:
The 4 walls are all on the same transit line/main thoroughfare between the downtown areas of St Paul and Minneapolis on University Avenue, which has been under construction for what feels like years now. I’m actually really excited about riding the light rail once it’s done just to see the murals all together because they were designed for the new trains to be the ideal viewing area.

Brooklyn Street Art: Can you talk about the preparation for the project? Did you cut all these stencils by hand?
John Grider: We spent over a year planning and preparing for The Bigger Picture Project from start to finish. We cut all the stencils by hand, which took about a month, and it took us around 6 months making and refining drawings for it before that.

Broken Crow “The Bigger Picture Project”  (photo © Benjamin Clasen)

Brooklyn Street Art: Mike, your stencil work for the last few years has created portraits of many animals – sometimes as metaphor, sometimes as straightforward documentation.  Is there one that appears more often than others?
Mike Fitzsimmons: We both have many favorites.  John loves to paint rams and big cats and I like to paint bears and penguins.  They all have very different reasons for being favorites. For example I like that penguins are very curious creatures that only survive the cold through their community efforts.  Plus they make me laugh both in real life and my artwork.  I like bears because they have adapted so diversely for survival.  A panda bear has adapted a thumb for breaking bamboo whereas, a polar bear has translucent fur to deceive and hunt seals.

Brooklyn Street Art: What is one of the newer ones you really connect to?
Mike Fitzsimmons: If I had to pick a favorite it would be the polar bear.  I had a moment of and clarity about this entire project that I wont forget while painting the polar bear fur.  I was beating myself up about my color choices.  I went down the ladder, took steps back and realized that it was exactly what I wanted it to look like.  All I had to do is take my sunglasses off.

I also really liked that in this composition we were finally able to paint an elephant in a way that it could never be mistaken for a political mascot.

Broken Crow “The Bigger Picture Project”  (photo © Benjamin Clasen)

One of the four walls in progress as Broken Crow completed this portion of “The Bigger Picture Project” in St. Paul, Minnesota this month.  (photo © Benjamin Clasen)

Brooklyn Street Art: Ben, as a photographer, this was a huge undertaking to capture all the action and then seam it all together. Was it clear to you what it would look like from the beginning, or did it reveal itself as the project moved forward?

Ben Clasen: Our preparation and organization evolved as we thought of new ideas. As the project got underway, we tried to consider everything and control as much of the outcome as we could: Mike and I scouted each location 4 times, and did a lot of measuring. Once we figured out the shape for the final composited building, I think we all fell in love with it.

We had a good plan for the layout of the 4 corners — in each case we were planning for a tolerance of 6 inches — I think we matched our layout within an inch and a half for each wall. We scouted for the path of the sun and knew when and where it would appear in the frame shot.

I feel like I had a good idea of what the final time-lapse would look like as we got down to shooting. Having said that, it was the organic stuff that happened, the stuff we couldn’t control, that created some of my favorite parts of the composite video. I love how the clouds, moving at different rates on the different days, add an old-school cinematic projector feel to portions of the frame. I love the interactions of the ladders and the seeming army of painters across the four simultaneous walls — there is a portion where John’s head and arms on the top-left wall seem to sit atop his body from the bottom-right wall.

Controlling everything is science. Letting stuff happen is where art comes from.

Broken Crow “The Bigger Picture Project”  (photo © Benjamin Clasen)

Brooklyn Street Art: Do you prefer the still images of the finished work alone or the ones with the guys creating the pieces?
Ben Clasen: That is a tough call; It’s like choosing a favorite among your children. There are so many wonderful vignettes of the guys in process — literally thousands of them. I feel like a real story is told by compressing the four days into single moments that you can sample at any given time. The human interaction with the murals I think is the essence of what street art is all about.

I felt compelled to go back to the walls to photograph the individual final pieces, and assemble The Bigger Picture under optimal lighting conditions, because in many ways it is the only way to put the pieces of the puzzle together. The composite scene is beautiful and full of character, representative of the neighborhoods in which they were painted. I love watching people’s reactions to seeing the composite photograph of the finished scene: there is an initial reaction to the whole of the work — “This is a beautiful mural…” and then there is a second reaction, “Oh goodness, those are separate buildings!”

Broken Crow “The Bigger Picture Project”  (photo © Benjamin Clasen)

The completed 4-part composited mural by Broken Crow, entitled “The Bigger Picture Project”  (photo © Benjamin Clasen)

Here is the Video Debut on BSA of Broken Crow’s “The Bigger Picture Project” by Benjamin Clasen

If you are in St. Paul you can scope the murals out in person 633 University Avenue, 651 University Avenue, and both sides of 2145 University Avenue.

All photos are copyright © Benjamin Clasen. Learn more about him at MidnightToil.com

“The Bigger Picture” by Broken Crow was financed in part by the Cultural Sales Tax Revitalization Program through the City of St. Paul and is a collaboration of Irrigate.

Learn more about this project at thebiggerpictureproject.net

Broken Crow’s latest show “We Did What We Could”, opens Friday June 15 at XYandZ Gallery. Learn more about Broken Crow at brokencrow.com

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Fun Friday 09.17.10

Fun-Friday

Fun Friday 09.17.10

Brooklyn-Street-Art-Faile-WEB-Fans-Orchard-Sept-2010

Faile Introduces Book to Celebrate First 10 Years

Ducking flying branches from the sudden tornado that ripped through Brooklyn late yesterday afternoon, the Faile dudes made their way to a small brightly lit spot on the Lower East Side that featured a dazzling and rich assault on the senses. The colorful graphic overview of the first ten years working together is expressed in large prints that check off all the Faile vocabulary that has come into existence since their beginnings as students and then on the street – where the impact on their creativity was most heavily evident.

The book is similarly dense and a treat beyond belief. You can see it all, and buy one if you like, at 151 Orchard Street today and tomorrow.

Brooklyn-Street-Art-Faile-Orchard-Sept-2010

Nick Walker Commemorates Pope’s Visit to the Queen

From The Londonist, this picture by Zara Shirwan of Mr. Walker in front of a brand new piece he’s done of the current head of the Catholic Church.

Only bit of confusion is the 2009 date next to the piece…but maybe that was intentional?

More here:

Brooklyn-Street-aRt-Nick-Walker-copyright-shirway

Wiiiillllllld Horses Couldn’t Drag Me Awaaayyyyyy – Minnesota Road Art!

From Brooklyn artist Luisa Caldwell comes this galloping roadside image for drivers along the intersection of US-8 & I-95 in Franconia Sculpture Park in Minnesota.

Brooklyn-Street-Art-Luisa-Caldwell-Horses

Running Fence: Scenic Route is a 10ft x 44ft free-standing sculpture installation of a wood wall with four spliced together commercially manufactured wall murals by Luisa Caldwell.

B oris Hoppek Street Performance at the FAME Festival

You ever notice those people who seem to carry the weight of the world on their shoulders? Poor Boris…



Wiiiillllllld Horses

Come on Mick, sing us a song

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