All posts tagged: Kaligrafics

Alberto Montes, Catalonia on Oct 1 Anniversary of Vote to Secede – New Mural “Politics of Lucidity”

Alberto Montes, Catalonia on Oct 1 Anniversary of Vote to Secede – New Mural “Politics of Lucidity”

Fresh from his residency at a nun’s convent called Creença (Belief), Alberto Montes takes on the “Politics of Lucidity” in this new mural in Barcelona here on October 1st one year after Catalan voted to secede from Spain in a vote Madrid deemed illegal.

A moody monocrome scene of people placing votes, Montes says he is paying tribute to peaceful democratic change in an era where democratic structures are under stress in much of the developed and developing world. In contrast, protesters have thrown at police a kaleidoscope of colored paints during the last couple of days in Barcelona, covering officers and the ground with aesthetically celebratory cheer.

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

“This mural reflects on the human condition and its ideals in moments of great tension and political decision,” says the Sevillian Montes, who achieves a depth of field in this scene by building up the layers and strategically masking.

It is times like these that we reexamine the fundamentals of democracies to see if they are healthy. Freedom of speech and artistic expression are often the first to go in oppressive police states so the existing of this work is a good sign. Meanwhile you can be continually reassured and hopeful because of the populist program he’s painting for, the heralded 12+1 Project in Sant Feliu del Llobregat outside Barcelona.

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

Alberto Montes. “PolÍtica de Luicidez” Contorno Urbano Foundation / Kaligrafics. 12 + 1 Project. Sant Feliu del Llobregat. Barcelona, September 2018. (photo © Alex Miró)

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ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

ESCIF “La Pared Es Nuestra”. Sant Feliu de Llobregat. Barcelona

When Street Artists and graffiti vandals are looking for a spot in public space they sometimes claim a wall as their own – even if someone else owns it. It’s a bit of hubris, but it helps with the street credibility among peers. In the case of this neighborhood in Barcelona, the whole neighborhood owns the wall – and Street Artist Escif knows it.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Winner of a competition among 300 international and national Street Artists last summer/fall on which BSA was part of the jury, the Spanish Street Artist has now completed his new mural in Sant Feliu de Llobregat entitled “La pared es nuestra” (The Wall is Ours). The wall borders the central square of outdoor civic life in a community of working people who coalesced and actively fought government neglect and resisted private capital brutality in the 1970s to create streets, services, and public space for themselves here.

To commemorate that victory and the struggle that led to it, this true community mural was conceived and realized last month in a grand opening ceremony and celebration that invited a few generations of its proud inhabitants.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Known for his study and critiques of social, political and environmental undercurrents that form the framework of modern society, Escif worked with local leaders and the projects’ sponsors Contorno Urbano and Kaligrafics to conceive of and produce the result. The wall features a non-linear representation of historical events and popular/civic engagement that were necessary to transform the neighborhood. Referencing photos from the elders from the earliest days of struggle, the warmly flat characters and graphic elements are open and frank, focused the the central elements of democratic processes and the chaotic forms that can ultimately yield the right to self determination .

The greater message can provide inspiration to groups of individuals who are knocked back on their heels and yet find common cause, reminding us all about the power of the people.

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

In a statement about his perspective for conception and execution of the piece, the artist says that a galvanizing event on this very square provided him with greatest inspiration and many in attendance at the opening celebration would agree that his vision is perfectly realized.

“In May 1977 [during Franco’s dictatorship], the residents of the Sant Feliu neighborhood called La Salud managed to halt the construction of a gas station. Neighbors say that it was during the night, while the city was still sleeping, when some brave women and men decided to push a concrete mixer into the construction hole where the foundations were going to be established.
They covered the hole with soil and then they planted a tree. Legend has it that if a tree is planted on an occupied plot of land, nobody will ever be able to remove it. That was exactly the genesis of that square, a square that still belongs to the neighbors, the residents of Sant Feliu.

“ ‘La Pared es Nuestra’ [The Wall is Ours] is a retaining wall that rescues the voices of those who are gone, that keeps the voice of those who remain, and that suggests the voice of those who are yet to come. An inclusive wall made by and for the neighbors, it is a wall that can be heard, that contains the sounds of the neighborhood, of its history, and of its inhabitants. This is a wall that can be read, and that has as many readings as visitors who come to contemplate it.”

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

 

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

Escif. “La Pared es Nuestra”. A project between Contorno Urbano Foundation, Kaligrafics and The Municipality of Sant Feliu de Llobregat. (photo © Clara Antón)

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Elara Elvira Community Mural for Contorno Urbano 12 + 1 in Barcelona

Elara Elvira Community Mural for Contorno Urbano 12 + 1 in Barcelona

Illustrator, muralist, stop-motion animator, and co-founder of FURRR Studio in Barcelona, Elara Elvira gives us “No title” for her new piece for the community mural program Project 12+1.

Elara Elvira “No Title” Fundacion Contorno Urbano/Kaligrafics. 12 + 1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo © Alex Miró Blay)

Organic shapes and patterns found in nature create the abstract composition, perhaps owing to her spare line-drawn aesthetic in her lo-fi illustration work. A native of this city who studied fine art at the university, Elvira has lived in Berlin and Nantes while participating in residencies, exhibitions, and interventions.

At the moment she’s just completed a rock-n-roll themed stop animation with her team at FURR – a teaser for the song “Motosaurio” from Gigatrin – which we post at the end of this post for your entertainment.

Elara Elvira “No Title” Fundacion Contorno Urbano/Kaligrafics. 12 + 1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo © Alex Miró Blay)

Elara Elvira “No Title” Fundacion Contorno Urbano/Kaligrafics. 12 + 1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo © Alex Miró Blay)

Elara Elvira “No Title” Fundacion Contorno Urbano/Kaligrafics. 12 + 1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo © Alex Miró Blay)

 


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Kazzius “In Search of the Movement” : High Speed Geometry in Spain

Kazzius “In Search of the Movement” : High Speed Geometry in Spain

Graffuturism in Barcelona today as KAZZIUS speaks geometry and abstraction on a wall for Contorno Urbano. Rapid fire planes of aqua, marine, and yellow all shoot along an invisible line, pile, collide, sub divide, reform, and continue forward in a split second. He calls this “In Search of the Movement”, but it looks like the dude found it.

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)

Writing graff since ’93 his interest in architecture eventually formed this fine-artist’s vector-sharp vocabulary, breaking apart letters and forms and elevating the simplest geometric shapes to center stage. Movement, depth, and the spaces in between all interplay in KAZZIUS’ balanced compositions, an insight into the jolt of energy and spontaneous practice that drives this painter.

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)

Kazzius. Fundación Contorno Urbano/Kaligrafics. 12 +1 Project. Sant Feliu de Llobregat, Barcelona, Spain. (photo Alex Miró)


KAZZIUS “In Search of the Movement” is part of Proyect 12+1 an Urban Art initiative created by Contorno Urbano in Sant Feliu de Llobregat, Barcelona, Spain.

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And The Winner Is… ESCIF !  (Barcelona Dispatch 2)

And The Winner Is… ESCIF ! (Barcelona Dispatch 2)

This week BSA is in Barcelona to participate in the Contorno Urbano competition to select an artist for a new community mural and residency in the municipality of Sant Feliu de Llobregat – and of course to see the famed Barcelona Street Art scene as it continues to evolve.


Street Artist ESCIF is Chosen as Contorno Urbano Winner.

From 300 to 12 to 1, we have a winner.

The final phase of the judging process was the meeting of the citizens who have a stake in the outcome that far outstrips the considered analysis of experts in the Street Art/ Public Art world. Four veteran members of the Sant Feliu De Llobregat Neighborhood Association generously shared their personal oral history recounting the struggles of this neighborhood that coincided with the passing of Franco in the 1970s.

Theirs is a story of people’s struggle; a coalescing neighborhood’s movement to fight for self determination, democracy, education, health, women’s rights, union rights, human rights, and yes, the right to public space in battles against the dictatorship and powerful private interests. Hearing these people talk was illuminating, educational, and inspiring – as was our visit to the Plaza De La Salut (La Salut Square), itself a result of the neighbors fight for public space against moneyed interests who wanted to build a huge gas station there in 1977.

After reading through close to 300 submissions and asking 12 to submit specific proposals, a thoughtful deliberation and strict voting process took place among an assembled panel of Mónica Campana, Verónica Werckmesiter, Fernando Figueroa, Esteban MarÍn and Jaime Rojo.

The chosen proposal was submitted by Escif, a Spanish artist who lives in Catalonia.

“Any public intervention is political as it modifies the daily life of people in the cities. This modification can be directed in two possible directions: bringing people closer to their reality or away from it,” he says on his website today.

“Even if my work is inevitably within the parameters of spectacle, I try to find a way to bring painting closer to reality. I try to erase (or at least blur) boundaries between life and spectacle, between presentation and representation, between contemplation and experience, between landscape and territory, between the power of institutions and the power of the people.”

More details will follow about his winning submission later, but here’s a loose collection of some examples of Escif’s previous work.

Learn more about Escif at Street Against.

Escif. (photo © Jaime Rojo)

Escif. (photo © Jaime Rojo)

Escif. (photo © Jaime Rojo)

Escif. (photo © lluis Olive Bulbena)

Escif. (photo © Henrik Haven)

Escif. (photo © Lluis Olive Bulbena)

Escif. (photo © Lluis Olive Bulbena)

BREATH – TEMPO DI RICARICIA

 

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Elisa Capdevila & Ivan Floro Paint “Carmencita” Tilted at 90 Degrees

Elisa Capdevila & Ivan Floro Paint “Carmencita” Tilted at 90 Degrees

The tea brand. The nightclub. The paella.

The dancer known as the “Pearl of Seville.”

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Carmencita is a name synonymous with the florid, proud and fanciful folklore of Spain expressed through the image of a colorful dancer. Castenets please! Flowers tossed at her feet, swirling skirt dizzying and brilliant.

While the famous dancer named Carmecita whom most Spaniards are familiar with was born in 1868 and was painted by John Singer Sargent (Musée d’Orsay, Paris) and William Merrit Chase (The Met, New York) among other notable painters, her image is less that of a person than of an archetype for mural painters Elisa Capdevila and Iván Floro, who were both born in the mid 1990s.

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Their new collaboration on a long wall in Sant Feliú is an opportunity to paint an image on the street that is impressionist and classical, and then to almost turn it on its head.

“Neither of us know the figure in the foreground, and it does not really matter except to know that she was connected to the world of entertainment and that the public admired her,” they tell us.

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

The image is compelling, ebullient and a bit of a mystery – even more so as it has been rotated ninety degrees counterclockwise along the sidewalk of this busy street.

“We decided to represent the figure horizontally because it is a perspective to which we are not accustomed and it is shocking,” they say.

Clearly it is an unusual presentation and interpretation of the image of Carmencita and perhaps it is a furtherance of the concept of a street “intervention”.

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Fernando Alcalá Losa)

Elisa Capdevila and Iván Floro at Kaligrafics. Contorno Urbano. 12 + 1 Project. May 2017, Barcelona. (photo © Alex Miró)

Elisa Capdevila and Iván Floro created this painting in conjunction with Contorno Urbano, 12+1 of Sant Feliú, organized in part with Kaligrafics.

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