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BSA Greatest Hits of 2021

BSA Greatest Hits of 2021

When it comes to street art, murals, graffiti, and related events around the world last year, we were running to keep up.

You may have missed some of the people, thinkers, artists, projects, and community resources that we shared with BSA readers last year. We’re pleased to share with you some of those stories you may overlooked. Here are some of the greatest hits of 2021.

Barcelona Small Scale Street Works Popping Up in the Face of Development

Graffiti and street art are cyclical in many ways – reflective of society, urban planning, politics, current events, demographics… Currently the city of Barcelona is pushing hard on cleansing itself of the wild graffiti and street art that brought it so many tourists 15 years ago.


Capitol Trump Trials Through the Eyes of Political Cartoonists

Okay okay everybody settle down. We’ve got a lot of excited people yelling things and making huge pronouncements about things – most full of hysteria tinged with paranoiac visions. When it all gets to be too much for us, we like to see how cartoonists are capturing the current zeitgeist, and making something funny. It’s a talented group of artists who can condense complexity and extract the humorous essence of a situation. Also, so far our move toward the right, the far-right, and the fascist has not led us to have leaders that outlaw cartoons. Fingers crossed.


Swoon Gives Us All a Tour of “Seven Contemplations” at Albright Knox

It’s a pity that the pandemic has kept so many people away from seeing great exhibitions in museums and galleries, among other things. At the Albright Knox Gallery in Buffalo, street artist Swoon’s “Seven Contemplations” ran its course without nearly as many visitors as you would expect.

So we decided to show you the exhibition in a mini-tour. Who else could be your host today but the artist herself, Swoon.


Street Art Says “Happy Inauguration” to Biden and Harris

The streets have been anticipating the arrival of the new president and vice president for a few months now. Today it took place and the U.S. has a 46th President – Joe Biden and 49th Vice President – Kamala Harris.

Pure poetry.


Chip Thomas: “Pandemic Chronicles” in Phoenix, AZ

Sometimes art in the streets can be like that – a reflection of your intellectual musings and your heart’s leanings. Because he has often taken a path less traveled, photographer / doctor / activist / organizer / producer / teacher Chip Thomas (aka Jetsonorama) seamlessly slips into and out of all of his roles. In this way, he may also appear as poet.


Street Art Recorded Protest and Pandemic in Real Time.

No More Normal is a semi-regular newsletter written by Jeff Stone on his substack. He recently interviewed us on the topic of activist street art and we’d like to share his article here.

In May 2020, Todd Lawrence and Heather Shirey were taking pictures of graffiti focused on the coronavirus in Minneapolis when a police officer killed George Floyd just a few blocks away.

The two cultural historians from the University of St. Thomas had recently started taking pictures of the murals, graffiti, stickers and tags throughout the Twin Cities in an effort to preserve that work during a once-in-a-century pandemic. Their archiving, though, took on a new level of urgency when a police officer murdered Floyd and footage of the killing went viral, sparking anti-racist demonstrations in Minneapolis and throughout the world. 


Said Dokins Says “This is Not the End of the World” in Mexico City

Checking in with Panteón Cultural Center in Mexico City, where we first took you when it was inaugurated in 2017, we find street artist/ fine artist Said Dokins participating in a large exhibition and a new mural for the storied interior. It’s reassuring to see “This is not the end of the world,” the title of the collective show featuring many Mexican artists in this venue that is refined and raw and at least in some ways community based – Not such a typical scene these days.


A Mural Jam and Censorship: Fighting for Freedom Of Expression In Barcelona – Part I

Freedom of expression is foundational in a democracy. Without it, it is not difficult for a culture to descend into authoritarianism, fascism, and dictatorship. By many standards, Spain’s democracy is still young, with a Parliamentary Monarchy since 1978. So it is curious and alarming to hear that this EU country has been silencing free speech in the last few years.


HotTea Faces Critics With Magnets in Minnesota

External critics may never be as brutal as your internal one – but graffiti and street art sometimes reveals a specifically vicious world of criticism that greets artists and writers. Imagine making friends with those critics and validating their position, and then moving on unscathed or even healed.

“Overall, the project is meant to inspire those who may take criticism to heart,” says street artist HOTTEA, and he means it as a form of sweet liberation, not a bitter one.


Ceramic Faile: A New Collection With StudioCromie in Grottaglie, Italy

Angelo Milano, the founder of Studiocromie and FAME Festival, has been courting Brooklyn artist duo Faile for more than a decade, and they finally created a series of ceramics together for his studio art business in Grottaglie under the tutelage and traditional expertise of the centuries-old Ceramiche Nicola Fasano’s workshop.

“Closed (In) for Inventory”: FKDL Makes the Most of His Confinement, 10 Items at a Time

The world is slowly making movements toward the door as if to go outside and begin living again in a manner to which we had been accustomed before COVID made many of us become shut-ins. Parisian street artist FKDL was no exception, afraid for his health. However, he does have a very attractively feathered nest, so he made the best of his time creating.

Women’s Murals Vandalized in Madrid, Newly Created in Barcelona

International Women’s Day is only controversial for those who feel threatened by the idea of equality and freedom.

Perhaps that’s why, according to current statistics, women continue to fight and protest against the gender wage gap in Spain, as well as against violence against women. The national female unemployment rate is 17.4%, compared to 13.8% for men.

BSA Writer’s Bench : “Graffiti Documenting and Divinity” by Jim Prigoff

Graffiti Documenting and Divinity

A writer once shared with me the following observation concerning the early documentation of modern graffiti, if stated in religious terms.

He said:

Henry Chalfant would be God. Martha Cooper would be the Virgin Mary. Jim Prigoff would be Jesus Christ, Jack Stewart the Holy Ghost.

Subway Art would be the Bible. Spraycan Art the New Testament.

I’m no savior, but I’m proud to have saved some incredible and iconic images of this culture while they were painted and to have met so many talented artists.

The Big Tiny World According To Sara Lynne-Leo

Sara Lynn-Leo. Well-placed, well-rendered, witty, insightful, incisive.

These are hallmarks of the miniature pieces of street art that New Yorker Sara Lynn-Leo has been putting up in many neighborhoods in alleyways, doors, dirty corners, magnet walls, street furniture, and lamp posts. Finding these offerings can be difficult. They may be tiny in size and often placed out of eye view.

“Aliens, That’s What They Called Them”- Molly Crabapple on the Streets

“I left all my memories in Syria, so there’s nothing left to take”.

“Husband works in construction. Husband salary depends on luck, waits on side of the street to get picked”.

“Prefer by land, but by sea if there’s no choice”.

“I have no dreams in Europe. I just want my husband to get a proper job, a proper life for my children”.

“I will bring nothing with me”.

“For sure, I’m nervous”.

INDECLINE Creates QAnon Easter Egg Hunts in DC Parks for a Surreal Holiday Prank

The era of fractured attention spans, heightened emotions, and ravaged hierarchical systems for ordering institutions, beliefs, and the truth is ripe for examination and dissection – even if it takes a looking glass to see it.

The anonymous art-activist thinkers at INDECLINE have spawned many interventions in the last decade in public space – intricate and smartly storied at times, obvious and deliberately provocative at others.

BSA Writer’s Bench : “Why Monuments?” by Carlo McCormick

Why Monuments?


Perhaps, caught up in the energy of street art and graffiti, we do not pay quite so much attention as we should to it being something we might otherwise call public art. Consider that public art as a form goes back through centuries of municipal planning and myriad private and public interests that are concerned with how community identity may be constructed and represented. It is shortsighted not to acknowledge how much of public art has long been about monuments.

Monumental Ransom: Curious Case Of “The Jefferson Davis Memorial Chair” in Selma, AL

This Friday, the anonymous artivists said they were set to return their ransomed confederate chair monument, “The Jefferson Davis Memorial Chair.” It was first reported missing from Live Oak Cemetery in Selma last month – an ornately carved stone chair dedicated in 1893 to the Confederate president’s memory and estimated to be worth $500,000.

California’s Augustine Kofie is in a New York “State of Mind” at Hashimoto

It really is primarily about your State of Mind, says LA-based painter Augustine Kofie about his battle with art and quarantine during this last year.

“The pandemic was a stop, an interruption, a loss of control,” he says – and points to the incomplete cycle symbols that appear throughout his new collection of paintings. Normal life, in its circular wending, was interrupted time and again, along with all our typical expectations.

Andreco: “Aula Verde” For Earth Day 2021 in Rome

Together with citizens, environmentalists and researchers, he’s created a work of Land Art here in Rome, and he calls the project Aula Verde.

“The work is alive, and over the years it will take shape and as it grows it will return innumerable benefits to the territory,” Andreco says, “currently it is studied by the researchers who are involved in the project, both for the purification of the water and the redevelopment of the surrounding greenery.”

Shepard Fairey in Dubai: A Mosaic Future and a Solo Show at Opera

Shots today from last month’s Shepard Fairey “Future Mosaic” at Dubai’s Opera Gallery. With works on canvas, paper, wood, and metal, as well as examples of iconic images and repeated motifs from the breadth of his art and design history, Fairey was very much present for his first solo show here. In a grueling schedule of just 9 days he also managed to install two huge murals facing a skate park in a commercial district of the city, the d3 (Dubai Design District).

“White people can’t be trusted with power,” from Dread Scott on the Street in Manhattan

Trust artist Dread Scott to perfect the provocative phrase that can raise the prickly ire of certain street passersby, simply and succinctly. And trust the self-elected censorious social media platforms like Instagram to actually ban it.

Chicago-born, Brooklyn-based Scott says, “White people can’t be trusted with power” in this new public artwork at 42nd near 10th Avenue in Manhattan. It may remind you of a Jenny Holzer “Truism” that she may have wheat-pasted on the street in the past, a pertinent pique that strikes at the heart of the matter, minus the sense of irony. But in the current context of white people’s reluctant awakening, Mr. Scott writes, “When this was originally posted, Instagram banned it as ‘hate speech.’ ”

“KAWS: What Party”. Need a Companion?

Highbrow art institutions have coalesced behind a small recurring collection of well-known graffiti/street artists in recent years, granting them a lot of space and a powerful entrée to blue-check media parties, blue-chip platforms, and blue blood collectors. The bigger (and frequently well-funded) names are often the easiest to explain to an unfamiliar general audience of art viewers and, of course, will appeal to that younger demographic everyone is after. It shouldn’t surprise anyone when even the New York City Ballet spawned a series of collaborations with street artists in the last five years to bolster flagging attendance due to aging and, well, dying fans.

BSA Writer’s Bench : “Street Art and Graffiti: The Role of Copyright” by Enrico Bonadio

Street Art and Graffiti:
The Role of Copyright


Artists are getting robbed. It is time to give them the legal tools they need. With this spirit, a few years ago, I started researching copyright aspects of street art and graffiti.

These artistic movements have been intriguing me for a while. Living for several years in the East London area of Shoreditch, where creativity has exploded and developed after the new millennium’s arrival, has certainly nurtured my curiosity towards these forms of art.

VERMIBUS: A Full “IMMERSION” into his Berlin UBahn NFTs, Complete with Glossary of Blockchain Terms

This project represents an innovative attempt to solve one of the biggest problems when exhibiting street art,” says Berlin-based street artist Vermibus, “- the lack of its original context.”

True, something about our previous curated exhibitions of street art – even our current show of Martha Cooper’s photography work at Urban Nation Museum here – loses the feeling of the street once it enters the museum doors.

“I truly believe this way of experiencing and conserving Street Art will be the inevitable future.”

Vermibus

Concreate Festival 2021 Launches in Finland

Concreate Urban Art Festival, held now for the second time, has clearly taken over Keran Hallit in Espoo, Finland. Keran Hallit is a huge former logistics center currently operating as a space for art, culture, sport, and other free-time activities. During the next few years, the halls will be demolished to make space for a new neighborhood.

Portraiture by Case Maclaim and Helen Bur in Madrid for Urvanity 2021

Frankfurt-based ultra-talent Case Maclaim is with the Urvanity Art Fair this week, and he has created a new mural in Madrid’s old, historical city center. His work is being shown by Brussells Ruby Gallery, along with that of street artists EverSiempre and Wasted Rita. Still, he just wanted to go big with a tribute to children’s imagination.

BSA Writer’s Bench: Igor Ponosov with Poetry, Philosophy, & Manifestos in Russian Streets

Russian Urban Art: Poetry, Philosophy, and Manifestos in the Streets


In the interest of defining specific areas of the study of Russian Urban Art, I’ll highlight here three main periods that I think are important in the development of these forms of urban art: the 1910s–20s, the 1990s, and the current era. From my perspective, each period was usually born during crisis and revolution, went dead after a few years, and then came to life slowly again. It was this circular pattern that I am trying to define in my recent book Russian Urban Art: History and Conflicts, but here I want the focus to be more specific.

Urvanity 2021: Highlights. A Selection Of Works From The Galleries

Madrid’s Art Week – who would believe that it could actually happen? And to prove it, we have the 5th Anniversary of Urvanity defiantly strutting from one end of the COAM headquarter to the other. Taking its original inspiration from graffiti, post-graffiti, surrealism, pop, and that broadly applied “Urban Contemporary” tag, Sergio and the Urvanity team have persevered this year again.

Josh Katz is “Mighty Real” in San Francisco with Glamorous Sylvester Portrait

A Superstar of the disco era long before people even heard of telling you their pronouns, this queen crossed over and back and even had bonafide dancefloor hits. How fitting that queer muralist Josh Katz painted this glamorous portrait to lift spirits in this city where day socializing and nightlife has been hamstrung by the pandemic, even shuttering some gold-plated legends in LGBTQ+ club history.

Katz says he is happy to bring Sylvester out into the street-life, a response to “what I see as a lack of LGBTQ representation in street art.” He promises that he’ll continue painting portraits to honor legacies and increase visibility.

My Dog Sighs “Inside”: A Hidden, Staged Exhibition in Portsmouth, UK

According to his descriptions of the artist’s new “Inside” installation in the UK’s only island city of Portsmouth (pronounced PORT-smith), there will be tours in this secret location – ever so because the atmospheric and theatrical work is not officially sanctioned and is staged in an abandoned building.

A Land of Mirrors for Pener: Bartek Świątecki Paints Hometown in Poland

25 years in the game, Pener routinely lets his mind travel to encompass possibilities, then channels them abstractly through a series of echoing geometric forms with aerosol and brush. Here in his hometown of Olsztyn, Poland, he says he imagined the possibilities that young minds inside an elementary school could contemplate.

Winston Tseng: Money Fixes Everything

On a recent sunny May day, we followed street artist Winston Tseng to document his new series of posters installed on three locations in Manhattan. The series is titled “Money Fixes Everything.”

The flat and colorful 2-D illustration style of street artist/graphic artist Winston Tseng doesn’t scream social inequity and cultural insanity the way other graphic styles may. The graphic language is the 2-D, flat, icon-based vernacular familiar to phones and applications, a neutral and familiar reduction to precisely convey the visual elements necessary to infer more is there. Brilliantly pared and exacting in composition, a close look allows the viewer to unpack Tseng’s specific brand of critique – perhaps causing you to crack a smile, or roll your eyes, shake your head.

Leon Keer Triggers Childhood Nostalgia with “Kit de Secours” in Plougasnou, France

Leon Keers is subversive, if that is the way your mind works. His mind-bending plays on real and surreal perspectives may lead you down a path of suspicion, for it appears that he is adept and agile when playing with perspective.

Vanguard | Bristol Street Art: The Evolution of a Global Movement. Installation Shots

You saw our announcement for the new exhibit At the Vanguard: Bristol Opens Exhibition On Evolution of Global Movement of Street Art and now you get a chance to see the actual shoe newly installed. Dense and rich with original artwork, photography, and ephemera, Vanguard is a studious presentation that confidently lays claim to Bristols place in the history of graffiti and street art.

Biancoshock’s Smashed Google “Street View” Car Sculpture in Corsica

For five years conceptual artists Biancoshock and Harmen de Hoop have been giving each other assignments as part of a common project that can range from titillating to amusing to incomprehensible.

As with so many works in public space by either of these two interpreters of societal nomenclature, these works field-test theories of the visual prank as much as they level observations or critiques of human behavior. With each installation, you are welcomed to examine one more of myriad modern idiosyncrasies – now placed in a new context. Your interpretation may vary.

Gola Hundun, Anthropic Space, Natural Space, and His Newest Installation in Milan

Italian land artist/street muralist Gola Hundun has divided his creative projects in the last few years into two distinct but related practices.

The first is to investigate buildings that are being reclaimed by nature and develop site-specific installations that work in harmony with the history of the relationship between architecture and nature. The second, of which we have an example for you today, is a mural installation on active buildings within cities, perhaps invoking a more integrated ecology of symbols and natural systems around it. These two lines of inquiry comprise his project “HABITAT”, a sincere stream of research that lies on the border between anthropic space and natural space

Motorefisico Bring Op, Kinetic, and Tape Art Stencilling to Santa Croce di Magliano

It’s impossible to imagine the contemporary built environment without considering the impact of street art and graffiti has had on not only city dwellers but our city’s designers and architects. While previous generations may have dismissed incorporating painting techniques beyond traditional frescoes or murals, the new generation considers it their birthright to bring modern art movement influences, including Optical Art, Kinetic Art, and straight-up tape art often used on the street.

Monkey Bird: “L’ouvreur de Chemins” Celebrates a Cathedral’s 800th in Spain

It’s not every day that you have an 800th anniversary.

Bringing monumental aesthetics, theologic references, and the language of classical architecture to this massive wall at Calle Fernán González, 52, the French duo MonkeyBird celebrates the Burgos Cathedral in grand style. Louis Boidron and Edouard Egea say they worked painstakingly to prepare their tribute to the original workers and artisans who first built the Gothic and Baroque-styled Cathedral, a UNESCO World Heritage site since 1984.

Escif: “The Fences Must Fall”; A Provocative Ljubljana Street Art Festival

We’ve had the privilege to travel to many cities and cultures over the last decade and a half, from Russian to Chinese to North African to Tahitian and Norwegian, to witness the affecting power of street art on cities, communities, and everyday people. Regardless of the street author’s intent, however earnest or carefully considered, we’re often surprised by the variety of interpretations that can arise from a singular work of art or intervention.

MARUM Presents “MEXPANIA” and Miscegenation in Querétaro

Édgar Sánchez and Arcadi Poch may not simply be curators of the new initiative called Mexpania that merges the cultures of Mexico and Spain. They are social scientists, anthropologists, historians, and some may say, alchemists. With the inaugural installations of this auspicious project primarily created inside the entrance and with only 4 national/international artists, you may be curious how these foundational works will influence future curatorial choices for this ever-growing museum dedicated to urban art, or arte urbano.

Elfo’s Neo-Dada Butchering Diagram in Turin

Elfo’s furtive and artful wanderings can veer off into the neo-Dadaist fields at times, sometimes wittily so, and textually. The Italian graffiti writer and street artist uses the simplest of devices to capture attention, a reductive and deliberate strategy born of careful consideration girded by impulses to broadcast his view, to be seen and heard.

Bifido Quotes Keats for ArtAeroRap “Vaccine Edition 2021” in León, Spain

Italian street artist Bifido finishes this rough wall with the sweetest of sentiments here as summer draws ever nearer to its end. Quoting Keats, as romantics are wont to do, Bifido tells us his latest staged photo wheatpaste is transparent in its sentiment, opaque in his specific meaning.

“It is a hug, so it is something that can be shared,” he offers. “For this time I have nothing to say about this piece.”  Enough said.

Edoardo Tresoldi: A Reprise of “Sacral” for Ravenna

“An archetypal image”, Edoardo Tresoldi says, “is capable of creating a dialogue between past and present, using a language comprised of meanings that recur over time.”

M-City is Airborne with Szczecin Wars in Poland

“Szczecin before the Second World War was a German city,” says the street artist named M-City. Now it’s flying as a spaceship in his latest stencil mural here – in Poland.

NemO’s x Nicola Alessandrini Build a Grotesque, Stunning “Nest” in Italy

Ah, the feckless, sebaceous, inward-turned man; Bumbling through the world unaware and uncaring how his actions may impact the lives of others. Little does he know that the fire he starts will burn him as well.

Bifido: “Love Will Tear Us Apart” in Mostar, Bosnia Herzogovina

I am inhabited by a cry.
Nightly it flaps out
Looking, with its hooks, for something to love.

Sylvia Plath

Street poet and street artist Bifido doesn’t mean to be morose, but here in Mostar he can’t help himself as he creates mirrored expressions of a sullen, ill-tempered youth on city streets. Part of the Bosnian /Herzegovinian street art festival named after this city of 113,000 Croats (48.4%), Bosniaks (44.1%), and Serbs (4.1%), the annual meeting of international and local artists produces a broad variety of artworks for the city.

Graffiti, Stencils, and Quickie Weddings: Dispatch From Asheville N.C.

“Are you the minister?”

“I am not that, sir,” he answered, “I’m the vacuumer.” Our short tour ends abruptly as the loud whir of the cleaning machine rises to meet the southern-fried rock classic on the sound system here at Fleetwood’s in Asheville, North Carolina. Ours, and his, is a quick sweep through this small city of 90,000 in the Blue Ridge Mountains known for its progressive ideas, punk squats, Thomas Wolfe, and a harmonious alliance between sanctioned murals, organic street art, and graffiti.

Losing BLU in Ljubljana, Slovenia

The brilliant illustrator of fantasy and firey allegory, BLU, championed the cause of the Rog Factory squat in Ljubljana, Slovenia, in 2016 with a centrally framed handgun in pink and red. In that heated moment the community of artists and activists had fended off developers, construction thugs, and even some kind of fascists attacking them or trying to chase them from the property.

LADY AIKO Does Her “Martha Cooper Remix” on the Façade of Urban Nation (UN)

We have some special events taking place this month to celebrate one complete year of the career-spanning exhibition “Martha Cooper: TAKING PICTURES”, which we created with the team at Urban Nation Museum in Berlin.

Today graffiti/street artist AIKO talks about her striking new graphic mural for the façade of the museum that highlights and interprets a suite of recognizable elements from Martha’s iconic photographs – a perfect answer to the Martha Remix section of the exhibition inside featuring 70 or so artists “remixing” her photos in their individual styles.

Mantra in Miami to Open “Metamorphōsis” at GGA

Half biologist, half street artist, all gentleman. The French painter Youri Cansell AKA Mantra opens his very first US solo show tonight at Goldman Global Arts (GGA) in Miami. In preparation for “Metamorphōsis,” the artist has been painting non-stop all summer at a temporary studio in Cancun.

“Peoples Discontent” Debuts with Video Greeting from Shepard / Martha Cooper Signed New Print at UN

BSA X UN X MARTHA COOPER X SHEPARD FAIREY

When we asked Shepard Fairey if he would be up for a new remix of a Martha Cooper photo for our exhibition celebrating her career, he quickly said yes. Not only did he create a new original piece of art based on one of her classic “Street Play” images to hang in the gallery of our “Marth Remix” section, but he and his excellent team have also produced a new print – 250 of which sold out in 20 minutes on the Urban Nation website last night.

Whitewashed: Gonzalo Borondo Buffs His Painting Inside an Exhibition in Turin

Borondo buffed his own work. It happens occasionally, not often.

Rarely inside an exhibition.

SpY: “Earth / Tierra” at Plaza de Colón in Madrid

SpY describes his new public art project “Earth,” as “a luminous red sphere caged inside a structure.” You may wonder what this structure made from building-site scaffolding represents, especially when he says “the sphere is caged within it”. Gaseous fumes? Global Oligarchs? Free-trade agreements? K-Pop fans? We asked him:

BSA: Is the earth the color red because it is on fire, in pain, in a state of emergency, or perhaps in love?

SpY: The red earth in a cage has different meanings. 

Faile at GGA with BSA – Miami Art Week Marches On

Get in, get out, no one gets hurt. Our few days in Miami were full of adventure on the street and at parties and receptions for artists. The party rages on tonight and this weekend at the fairs and in the galleries and bars and streets of course, but our last events were interviewing Faile onstage at Wynwood Walls last night, going to the Museum of Graffiti 2nd Anniversary party/opening for FUZI, and, well there was this thing with Shepard Fairey and Major Lazer and a guy proposing marriage to his girl before the crowd…

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BSA Images Of The Week: 09.28.14

BSA Images Of The Week: 09.28.14

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Here’s our weekly interview with the street, this week featuring Bikismo, Cera, Conor Harrington, indie184, Knarf, London Kaye, Nemo, NemO’s, Pyramid Oracle, Sheryo, Stikki Peaches, The Yok, Troy Lovegates, UNO, and Wolfe Work.

Brooklyn-Street-Art-Nuart-Mcity-2014-Screen-Shot-2014-09-27-at-5.34Scroll to the end to see the brand new video of M-City stencilling atop a sea vessel during his Nordic oceanic installation off the coast of Stavanger. Also, check out the blowing winds on the mic at the beginning.

Top Image >> Bikismo’s new mural for the New York Street Gallery sends mixed messages brought during the fog of war, an age in which we currently live. (photo © Jaime Rojo)

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London Kaye rather trapped behind a fence (photo © Jaime Rojo)

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NemO’S “Arrow-d Signal ” New piece in Piacenza, Italy. (photo © NemO’S)

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Conor Harrington in town for his pop-up with Lazarides did this mural for The L.I.S.A. Project. (photo © Jaime Rojo)

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Troy Lovegates in Chicago for Pawn Works. (photo © Pawn Works)

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NEMO and the undercover carrot (photo © Jaime Rojo)

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UNO taking the pig out for a stroll in this new piece in Rome, Italy. (photo © UNO)

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Slim shady and The Yok and Sheryo (photo © Jaime Rojo)

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Sometimes my mind gets so muddled and confluszed and I can’t straight think. CERA in Philadelphia. (photo © CERA)

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CERA in Philadelphia. (photo © CERA)

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Dude, you seen my wheels? Wolfe Work (photo © Jaime Rojo)

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No regrets!  Okay, maybe one. Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Knarf in Vienna, Austria for Inoperable Galley. (photo © Knarf)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches (photo © Jaime Rojo)

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Stikki Peaches collaboration with Indie184. (photo © Jaime Rojo)

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Untitled. SOHO, NYC. September 2014. (photo © Jaime Rojo)

M-City and Nuart present Ocean Art

 

 

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BSA Images Of The Week: 07.13.14

BSA Images Of The Week: 07.13.14

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BSA-Images-Week-Jan2014

Apparently there is another spectacular sporting event that’s got everyone captivated today and for a couple hours it will be easy to get a cronut or a seat on the subway because people will be worshipping flat screens inside a dark sports bar on the Lord’s Day. We recommend you jog right over to the High Line because it’s free and will likely be a little more commodious than usual. You can lounge while listening to a sleek waterfall, stroll arm in arm with your beloved, gaze upon the urban-wild landscaping and even catch a new billboard high-jacking that might make you crack a  smile.

The billboard space is great if reserved for Art On The High Line, but has been recently replaced by straight up garishly banal advertising, sort of marring the beauty of this big public works project whose spirit is better served when it steers clear of commercial messaging. This week sometime a few buckets of yellow paint were used to selectively buff the message to create a new one. A bit of genius goes a long way sometimes, doesn’t it? Although, for all we know, it’s a clever way to draw attention to the original ad, since you can still read it.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, bunny M, Bust Art, Cera, Damon, Gazoo, Gum Shoe, Kid Monkey, Knarf, Labrona, LMNOPI, Low Bros, Miriam Castillo, Mr. Prvrt, Pyramid Oracle, Sweet Toof, Trentino, UD, Urban Spree, Vexta, Wing, and Zaria.

Top Image >> Unknown artist billboard takeover. Please help us ID the artist. Is it Posterboy perhaps? (photo © Jaime Rojo)

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Summer fashions can get quite skimpy in July in New York. Gum Shoe (photo © Jaime Rojo)

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Vexta (photo © Jaime Rojo)

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Knarf new mural in Poland. (photo © Knarf)

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LMNOPI (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Low Bros mural for Urban Spree. Berlin, Germany. 2014 (photo © Phillipp Barth)

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Kid Monkey for The Bushwick Collective (photo © Jaime Rojo)

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Cera. Hand painted portrait. (photo © Jaime Rojo)

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bunny M (photo © Jaime Rojo)

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Damon (photo © Jaime Rojo)

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Labrona new piece in Montreal, Canada. (photo © Labrona)

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UD (photo © Jaime Rojo)

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Zaria and Bust Art new piece in Amsterdam. (photo © Bust Art)

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Gazoo (photo © Jaime Rojo)

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When Lavinia jumped, unknowingly she left behind her feet. (photo © Jaime Rojo)

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An unknown artist’s sculpture of a face with tree branch below and existing and previously published WING glass hummingbird.  (photo © Jaime Rojo)

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Alice Pasquini new mural in Trentino, Italy. (photo © Jessica Stewart)

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Sweet Toof (photo © Jaime Rojo)

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Mr. PRVRT (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Miriam Castillo (photo © Jaime Rojo)

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Untitled. Lower Manhattan engulfed by fog.  (photo © Jaime Rojo)

 

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Street Art and Activism with “The Slumlord Project” in Baltimore

In a twist on the Broken Windows Theory, Street Artists are using their skills to combat urban blight in Baltimore with “The Slumlord Project”. By drawing the attention of neighbors to abandoned and vacant properties and giving pertinent ownership information to take action on, 17 artists are spray painting and wheat-pasting in a D.I.Y. educational program that aims to renew the social contract in communities hard hit by crumbling real estate, crime, and diminished opportunity.

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Harlequinade. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

With tongue in cheek, Baltimore Street Artist Nether calls “The Slumlord Project” an “unsanctioned public art festival”, where artists are invited to conceive of targeted installations on neglected properties. Along with Carol Ott, the founder of website and organization The Slumlord Watch, he encouraged artists to create with a sense of focus to draw attention to the companies, investors, private tax payers, and even the Housing Authority of Baltimore City about the large swaths of depressing and dangerous buildings decaying where neighborhoods and communities once flourished.

The result? A good old-fashioned bricks and mortar shaming project that calls property owners on the carpet, activates city agency responses, and encourages neighbors to get involved in a civic way to improve conditions on their block.

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Harelequinade. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

“The goal of the project was to catalyze a larger conversation about Baltimore’s ignored vacancy issue,” says the Nether, who had been putting up his wheat-pasted portraits of neighborhood folks on boarded-up doorways of the city’s abandoned buildings when he met Ott and became impressed with her enthusiastic online blog that documents the sad side of Bmore. Just how many buildings are vacant ranges from the city estimate of 16,000 to community group estimates of more than 40,000. But just looking at a Google map that uses some of the data from the groups website gives an idea how widespread the problem of vacancy is in Baltimore.

“It’s really frustrating when the government won’t acknowledge the problem,” says Ott in a video about her experience with her organization and her work to make neighborhoods structurally safer, “You cannot fix what you won’t acknowledge.”

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Nanook. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Now with “Wall Hunters Inc”, a recently created non-profit organization, Nether has invited 17 artists to create this new series of installations that combine art and activism – installing unauthorized artwork on various dilapidated vacant houses. Next to the art are posted notices that incorporate QR codes that link to online data on the Slumlord Watch website so community members may learn about the housing and safety code violations on the property and about the owner responsible for the property’s decline. When neighbors started accessing this information, phones began ringing. Already some of the properties have been razed because of their precarious condition and the danger they posed.

Here are the stories of some of these installations as told by artists themselves and along with images of their work you can read some informational, insightful, even poetic, observations about their pieces for “The Slumlord Project”. As you read, you realize that some undertook a fair amount of research  to understand the relationship of their art with the vacant and abandoned property.

Underlying some of these stories are also critiques of the developers who have more recently begun rehabilitating or renaming neighborhoods, social conditions, and the history of the properties. Below the images of the new pieces here some of the artists give background of their process and the conditions. While we would have liked to confirm the names of some of the landlords who have been referenced in their accounts, we could not in time for publication and felt it would not be responsible to print them.

 

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Jetsonorama. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Jetsonorama

“I spent a month in Baltimore in 1982. Shortly after leaving I heard Nina Simone’s version of Randy Newman’s song ‘Baltimore.’ Though I’ve never heard Randy Newman’s version, Nina sang is like she owned it and defined the persevering spirit of the city.

I shot this image in May of 2012 during Open Walls Baltimore. The girl in the photo, Johnnyasia, is an apprentice of Tony Divers, who is known at the Birdman of Greenmount West. The lyrics of the song appear around the periphery of the photo as a shout out to the city.”

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Stefan Ways. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

STEFAN WAYS

“When conjuring up an idea I will be the first to admit I did play it a little “safe” going for a Raven — Baltimore’s football mascot — but I feel the piece received a very positive response from the community. That was important to me since they are the ones who not only have to live with the eyesore of the building, but my semi-permanent installation as well. I created a mixed-media piece of a Raven building a nest. Wood slats from the building are held tightly in its grasp while “caution” tape blows in the wind from its calling beak. Nether popped up the QR code and we were out in a couple hours.

To our surprise, days later the QR code displaying the owners info had been torn down. Nether went and put it up again – it was later found torn down. About a week later Demolition signs were put all over the property – did our project come to fruition? Nobody is quite sure, but I want to say ‘yes’. The property was eventually demolished about two weeks after its set date. All and all I am so glad for the neighborhood that those terrible buildings are gone.

The project was amazing to be a part of and everyone’s work was held in high regard by everyone – community members, the police, the drug boys, city officials, the general public, and fellow artists. Wall Hunters has now made me look at my work, where I work, and my city in a much more specific way and I hope to do many more ‘unsanctioned murals’.”

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Stefan Ways. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Nether. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Nether

“The piece I made for my second install for the Wall Hunters ‘Slumlord Project’ was a piece that I designed for the Cherry Hill/ Westport/ Mt. Winan’s area of southwest Baltimore. This is an area of town that is very off-the-map and many people don’t even know it exists. It’s an area with a lot of historic importance, has been crippled by drugs, vacancy, and poverty since the 90s, and soon will be developed into the new “Harbor West”. It was created after FDR’s “New Deal” and was built for black veterans returning from WW2. I find it most interesting and shameful when developers change the names of neighborhoods as they develop them. This area will become another example of that.

The character in the piece is my good friend Troy, who is from Cherry Hill. Troy has talked to me a lot about the area’s history, and he encouraged me to do a Wall Hunters piece on the side of the abandoned Mt. Winan Projects.

The Mt. Winans projects have some unsettling history in the dating from the 1990s. The police department twice, in 1995 and 1998, tried to put police substations into the projects and both times the substations were firebombed before opening. The drug operation running out of the Mt. Winans projects was estimated by some to gross $100,000 a month.

It is my belief, and the belief of many people in the area, that the City and developer’s plans are to destroy the collapsed identity of the area rather than help it once again thrive. In the piece, Troy is holding together three structures which symbolize the fading history of the area, probably never to be revitalized. From left to right, a burned down abandoned multi-purpose center at the top of Cherry Hill which has been turned to a methadone clinic, some Westport-style row houses along Annapolis Boulevard, and the Section 8 building called The Cherry Hill Homes.”

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Gaia. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

GAIA

“This piece depicts the crown of King Tut with the visage replaced by a cotton field that fades into another row home owned by Rochkind. A normal suburban home from Pikesville with eagle wings floats above the words Exodus in Hebrew and English. Rather than vilify an individual who could fairly be labeled a slumlord, this piece visualizes the connection between the Jewish and African American experience with migration.”

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Gaia. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Mata Ruda. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Mata Ruda

“ ‘The Slumlord Project’ is a direct overture to a much-needed, urgent dialogue layered with complexity. To put it simply, the project is a visual catalyst for reform. From its conception to the moment I approached the wall with paint, two terms, in particular, had resonated with me: narrative, as a lead-up and description to a conversation of the condition of a specific form.

I painted a bust depicting a Greek Hellenistic muse next to a deteriorating cube. I chose the muse as a source of knowledge, relating a historical narrative of the neglected block. And for posterity, the bust of the muse personifies a face of prudence, relating the ability to govern and discipline oneself by the use of knowledge, reason, and truth.”

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LNY. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

LUNAR NEW YEAR (LNY)

“ ‘Shawnee’s Call’ was totally colored by the public conversation Baltimore was having about the “Wall Hunters” project on paper and around town. I arrived a day before the Baltimore Sun published this article voicing businessman and real estate owner Stanley Rochkind’s allegations of racism as a distraction to the real issue and I was painting on yet another one of his neglected properties. Needless to say the whole experience was very political but that is the point: anything that happens in the public realm is inherently political. Loitering, picking up trash, smoking, putting up illegal murals, commenting on newspaper articles – it all comes loaded with meaning so my attempt was to channel that focus and attention back to the core of this project, which the mural depicts.”

From what I understand, a neighbor of this property called the Baltimore Slumwatch and reported the property next to her house along with its violations, which, in turn, led me to that location to paint and it is this small act of concerned citizenship that the mural celebrates.”

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Pablo Machioli. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Pablo Machioli

To describe his project and his experience, artists Pablo Machioli wrote this poem.

“Breathing Peace”

Mother Nature’s arms warmed
By colorful patches of human skin.

Urgently they break through
Among millions of fallen daisies,
And open our windows.

They beg us to look outwards,
They beg us to look inwards .

Outside there’s Milagro, but she is my sister.
She’s nine years old.
Each time she inhales, a daisy falls,
Each time exhales, a dove is born.

Each dove brings a vein in its beak:
To continue sewing patches ,
To continue warming arms,
To continue opening windows,
To enable us to look outwards and inwards,
And to let us and them breath peace.

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Sorta. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

SORTA

“Like many of the pieces in the project, mine was catered for the specific property. The “Vacant” that I pasted up on was noted as a lead paint infested dwelling. The house, which is listed as being owned by the Mayor and City Council, sits on the corner of a block with occupied houses all around it. Many of these houses have children living in them.

Lead paint exposure has been proven to cause many problems for growing children, including learning disabilities. The subject of the piece is a real person, the son of a friend of mine. He’s holding a Baltimore City Schools report card with failing grades and he’s standing in an oversized bucket of Dutch Boy lead paint.

I loved this project and the piece as the majority of my street works are portraits of people from the community. Additionally I often focus on children. But more often than not I try to capture real life topics, regardless of content and put it all together in a tasteful way. Sometimes I fail at this.

However I know who is walking or driving down that street. As a parent I am cautious to not offend other parents who might be exposed to my work without compromising the point I’m trying to make. The best part about street art for me is the interactions I have with the people walking up and down the street when I’m installing something. Baltimore offers a lot of love for street art and street artists; at least that’s been my experience. They seem to appreciate it. I mean, what’s easier to look at, a 14 foot tall portrait of a young man or the naked vacant building behind it that has been sitting there rotting for years?”

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Sorta. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Specter. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Specter

“ ‘The Scaffold’ is a work that uses elements of construction and demolition
to comment on the uncertainty of vacant properties in Baltimore. The stairs have an eerie emptiness to them that reflects on this uncertainty leaving the viewer in limbo and questioning the fate of these structures.”

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Specter. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Tefcon. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

TEFCON

“In addition to my installation, I was given the opportunity to design the ‘Wall Hunters’ logo. The project was rooted in some pretty complicated cultural issues. Attempting to broach such an involved ideology was causing me to churn out this… overly complex, incomprehensible logo art. So, I decided to approach both the logo and my piece from a more literal standpoint, using animal hunting imagery.

I illustrated the lettering for the logo, adding a pair of horns as the ‘t’ in ‘Hunters.’ I mimicked the knotty / gnarled horn texture throughout the lettering and added a cool light source to give it some dimension. My installation was a carryover from the logo. I chose to go with a hunter character in a ‘hero’ pose. I would never go as far as to say what we were doing was heroic as I have too much respect for the actual heroes out there. However, I did consider the participants and the overall project to be a force for good and I wanted to convey that feeling in my piece.”

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Sirus. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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NohJColey. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Doom. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

Doom

“This piece was pasted on what was reported to be the former base of operations for a self-proclaimed ‘King of Baltimore’, who was a convicted cocaine dealer and slumlord. These properties have been vacant for over 10 years.”

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Doom. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

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Cera. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

CERA

“In order for this piece to function, it simply needed to be activated. Creating ‘A Ship Will Sink With A Neglectful Captain,’ was such an exciting experience.

One of the more crucial points I try my hardest to maintain in my practice is the attention given to the viewer. Working on this wall, with this community, gave me the opportunity to see the their reactions to my artwork as well as their interest and noninterest.

Literally speaking with the community while working on this piece helped me understand what I do in my practice, and why I do it. I’m there for the process of assembling content, altering content, fragmenting it and spreading it out in layers. But I’m mostly driven by our people and our commonality.”

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Cera. Slumlord Project, Baltimore Summer 2013. (photo © Tarek Turkey)

 

For more information on The Baltimore Slumlord Watch please click HERE:

For more information on The Wall Hunters Slumlord Project please click HERE:

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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