All posts tagged: Cake

BSA Images Of The Week: 11.15.20

BSA Images Of The Week: 11.15.20

Happy Diwali to all our Hindu neighbors here in Brooklyn and around the world. We hope you find some ways to celebrate safely over the next few days in this year of COVID-19. Diwali is a festival of lights that symbolizes the spiritual “victory of light over darkness, good over evil, and knowledge over ignorance”. We need that for sure.

A week after the US election was called, the current president is trying to foment discord and raise funds for himself, but with war-loving folks like John Bolton and Carl Rove jumping ship, can it be much longer until a stampede of similar careerists and military industrialists follow suit?

And while certain yellow newsreaders on corporate TV were desperate for open warfare in the streets in the days around the election, most people are just waiting until the inevitable capitulation. This has hardly been a bloody revolution, but keep trying Rachel and whatsisname?

Street art is reflecting the current mood in broad strokes and pointed ones. New Yorkers can never keep their big yaps shut, so the level of discourse may sometimes be crude and brash – but it can also be insightful, enlightening, and even an invitation for thoughtful exchange. It’s times like these you can be proud of the voices on the streets, which very likely will persevere.

Here is our weekly interview with the streets, this week featuring Baston714, Cake$, City Kitty, Dan Bennett, De Grupo, Faile, I Heart Graffiti, Lunge Box, Pure Genius, Reisha Perlmutter, Rubin 415, and Sac Six.

De Grupo positions Biden as Freddy Mercury singing “Weeeee are the champiiiiooons, my friend…”. Of course, there is no comparison. But you get the point. (photo © Jaime Rojo)
De Grupo (photo © Jaime Rojo)
Sac Six interprets Kamala Harris, the Vice President-Elect. (photo © Jaime Rojo)
Democratic National Committee darling and Georgia Representative Stacy Abrams gets a tiara from I Heart Graffiti (photo © Jaime Rojo)
I Heart Grffiti pictures the reluctantly departing Trump on a bed of green leafy Covid-19. (photo © Jaime Rojo)
A bit more of a direct take-down from Pure Genius (photo © Jaime Rojo)
Bela Lugosi or Rudy Guliani? Same difference. De Grupo (photo © Jaime Rojo)
Cake$ in The West Bank sprays a very unlikely silhouetted scene in Palestine. No child could possibly lift that wheelbarrow. (photo © courtesy of the artist)
Math, from Dan Bennett (photo © Jaime Rojo)
Scenes from a street debate – Unidentified artist (photo © Jaime Rojo)
Scenes from a street debate – Unidentified artist (photo © Jaime Rojo)
Reisha Perlmutter (photo © Jaime Rojo)
City Kitty, Lunge Box (photo © Jaime Rojo)
Faile says 2020 hit a pothole. Wonder what happens in ’21? (photo © Jaime Rojo)
Rubin 415 (photo © Jaime Rojo)
Rubin 415 (photo © Jaime Rojo)
Baston 714 goes over himself. (photo © Jaime Rojo)
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BSA Images Of The Week: 05.10.20 / Dispatch From Isolation # 49

BSA Images Of The Week: 05.10.20 / Dispatch From Isolation # 49

Happy Mother’s Day in the US and in Mexico too.

We praise the work and the love that mothers around the world are giving today and every day, with gratitude and recognition for their shaping of our global society. Salute to all the mothers! Without them, it goes without saying, we’d be nowhere.

So here’s our weekly interview with the streets, this week featuring Cake$, DG, Diez, GCG, HOACS, PREZ, Roachi, and Tag.

#TAG with commentary on one Mark Zuckerberg and the use of Pokemon to fully map and trace and predict our behaviors, and of course drive sales. In Tel Aviv. (photo © #TAG)
“This Space is Not for Advertisements.” AJ in Chihuahua, Mexico with commentary on walls free of advertisements. Detail. (photo © Jaime Rojo)
AJ in Chihuahua, Mexico with commentary on walls free of advertisements…and immigration. Detail. (photo © Jaime Rojo)
AJ in Chihuahua, Mexico with commentary on walls free of advertisements and immigration. (photo © Jaime Rojo)
Tribute to Jason DG. We don’t know who painted “Jason” (photo © Jaime Rojo)
Tribute to DG by PREZ. (photo © Jaime Rojo)
DG tribute. (photo © Jaime Rojo)
Hoacs, Roachi (photo © Jaime Rojo)
Hoacs. Detail. (photo © Jaime Rojo)
Don’t Believe The Hype…in Wynwood… (photo © Jaime Rojo)
Unidentified artist…please help…(photo © Jaime Rojo)
GGC in Chihuahua, Mexico. (photo © Jaime Rojo)
Diez in Chihuahua, Mexico. (photo © Jaime Rojo)
Unidentified artists in Chihuahua, Mexico…please help…(photo © Jaime Rojo)
In da dog house in Wynwood…(photo © Jaime Rojo)
Cake$ Stencils in Bethlehem. (photo © Cake$)

“Today people all over the world are wearing the keffiyeh to offer support to Palestinians in their struggle for freedom,” says Street Artists Cake$, who sends us this new piece he did near the separation wall. He says he considers the wall to be a symbol of oppression – but worries more now that Coronovirus has hit the region as well – so he depicts Jesus with a face covering. “Because of the pandemic, this stencil is also a caution sign for locals that you need to cover your face to protect yourself and others. A new study and computer model provide fresh evidence for a simple solution to help us emerge from this nightmarish lockdown. The formula? Always social distance in public and, most importantly, wear a mask, scarf or bandana.”

Cake$ Stencils in Bethlehem. (photo © Cake$)
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BSA Film Friday 04.03.15 – SPECIAL “Persons of Interest” Videos Debut

BSA Film Friday 04.03.15 – SPECIAL “Persons of Interest” Videos Debut

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. BSA PM/7 “Persons Of Interest” Documentation by Dario Jurilli, Urban Nation, Berlin.

SONG:
“Pipedream“ feat. Tok Tok by PARASITE SINGLE

2. Urban Nation Berlin and BSA: PM/7 “Persons Of Interest” by Talking Projects

 

Today we debut two videos on BSA Film Friday that have just been released in support of PERSONS OF INTEREST, our curated program for Urban Nation last month in Berlin. The Project M/7 was all about honoring the practice of cultural exchange between the borough of Brooklyn and the City of Berlin.

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Artists from both cities have been collaborating and influencing each other for years and we were honored to work with such a talented and varied group of Brooklyn-based artists who each came at the project from very different perspectives. We follow a philosophy that says “honor the creative spirit in each person” first and great amazing things will follow.

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While it is challenging the structures that have codified art through centuries, we deeply regard the art that took root on the streets as democratic and idiosyncratic and as something that is given to all of us. This movement doesn’t necessarily require or benefit from gatekeepers and exclusivity to prove its value to a culture – we see it every day.

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And speaking of talent, our hats off to the driving forces behind these two videos which tell different stories about the same program. Our partners at Urban Nation augmented the program with ideas of their own and grew the scope of our original ideas further. We admire the point of view taken by the documentary style video that appears first because it captures the message and the atmosphere we had hoped to engender – one of mutual support and respect. PERSONS OF INTEREST honors the artist and the muse. As artists and directors we know that this kind of thinking actually goes a long way – and art can save lives and hearts and minds – we’ve been lucky to see it.

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The second video is styled more as a music video, an atmospheric pastiche that plays on the second meaning associated with the words “Persons of Interest” – one where graffiti and Street Art overlap with the darker aspects of a subculture that is transgressive. Carefully not dipping into cliché territory, the stories woven here give a serious nod to the graffiti/skater/tattoo/BMX cultures – which among many other influencers are in the DNA of, have given birth to today’s art in the streets.  Its a cool concept and it produces a few surprises.

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We hope you dig both of these works.

Our sincerest thanks to the videographers, musicians, stylists, performers, technical experts, participants, administrators, artists, marketers, directors, poets, captains and dreamers who make this stuff happen.

 

URBAN NATION PROJECT M/7
“Persons of interest” curated by Jaime Rojo & Steven P. Harrington of Brooklyn Street Art

ARTISTS:
DAIN
GAIA
DON RIMX
SWOON
SPECTER
ESTEBAN DEL VALLE
CHRIS STAIN
NOHJCOLEY
CAKE
EL SOL 25
ICY&SOT
ONUR DINC
KKADE
NEVERCREW
DOT DOT DOT
ANDREAS ENGLUND

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See the Gallery Show! The BSA-UN PM/7 Pop-Up Exhibition

See the Gallery Show! The BSA-UN PM/7 Pop-Up Exhibition

Behind the Scenes for the Brooklyn-Berlin Pop-Up

Last Saturday the 14th the public was invited to an open reception to meet the artists who had flown to Berlin to create new portraits for Urban Nation (UN), curated by BSA.

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Don Rimx checks his original illustration on his phone while creating much larger color version on the wall at the UN Gallery Pop-Up show (photo © Jaime Rojo)

The companion show for “Persons of Interest” at the UN Gallery is a pop-up show by the same Brooklyn artists whose portrait works were in the windows of the future museum but there were two important differences from those installations:

1. The artist had no limitations or guidelines regarding the subject or style of their chosen piece
2. The installation was to be mounted directly on the wall and not for sale.

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Don Rimx (photo © Jaime Rojo)

After asking each artist to research and select their “person of interest” for the main windows and façade of the UN, it only seemed fair that we put no restrictions on the content or inspiration for their other piece for the opening to allow more free expression.

While we like gallery shows that sell art it felt much more natural to see the artists hit the walls directly as they would on the street – from floor to ceiling and side by side, they created a sort of continuum that lead out of the gallery doors out to the walls of this much-decorated city.

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Don Rimx “Ache”, a bendicion in the spirit of his birthplace of Puerto Rico.(photo © Jaime Rojo)

Because these new artworks will have a limited run that ends in their destruction, the experience for the gallery goer of viewing them is an acknowledgement that the roots of this art-making practice embraces its ephemeral quality.

Something about that fact makes the work more immediate, more consequential, knowing that the work you are viewing on the street may not be there tomorrow. Each one of these artists knows this on the street, something another kind of artist may find difficult to accept or incorporate into their thinking.

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Cake (photo © Jaime Rojo)

In the first couple of days everyone was recovering from serious NY-Berlin jet lag, and a handful of the artists were wearing the same clothes they arrived in while  waiting for their luggage that was stuck in Düsseldorf because of a strike by bag handlers. One artist missed his plane, others got a little lost on the metro, and there were two lost phones – but these are small problems once you are confronted with a blank wall next to 11 peers on which to create something amazing.

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Cake (photo © Jaime Rojo)

It is a prospect full of opportunities and maybe a little bit of anxiety, but each artist brought their A-game and knew they were in a supportive environment. They also created it – reaching out to help with a brush or a ladder or can of paint, a word of advice and some problem solving too. Ultimately they were total professionals with skillz to lay down. By adapting and excelling at their work, the collective effect that this eclectic harmony produced clearly energized the crowd that overflowed onto the sidewalks Saturday night.

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Cake (photo © Jaime Rojo)

The result on the gallery walls is an acid rainbow pop of personality, metaphor, text, pattern, socio/political commentary, activism, and a tribute to ancestors. Each artist brought their individual style and approach to gallery walls in much the same way that appears on the street. For a few it was the first time meeting while others were long-time friends and clearly some were fans of each others work.

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NohJColey (photo © Jaime Rojo)

One coincidence that sort of blew us away was that Don Rimx and Specter both told us that their pieces were meant to be a “blessing” to their hosts; Rimx featuring a re-worked traditional image of a Puerto Rican grandmother and overflowing bucket of water – “the source of life” he said, and Specters post-modern repetition of leaves from a plant that he said you would bring someone as a gift. Neither had consulted with the other or us, and yet both mounted these pieces side-by-side.

Any day you get to work with artists is a good day – especially driven dynamic talented ones who are always challenging themselves, digging deeper to pull out something that speaks, that means something. These few precious days in Berlin with these few artists were very good days indeed for us and we hope for them too.

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NohJColey (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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Swoon’s undulating biomorphic and ornate paper cuts were at center stage of the gallery, wrapped around the columns in the middle of the room.(photo © Jaime Rojo)

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Olivia from Swoon’ Studio working on the installation. (photo © Jaime Rojo)

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Swoon (photo © Jaime Rojo)

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Swoon (photo © Jaime Rojo)

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Specter took off his shoes to create but remained in his long-johns while waiting for his luggage to arrive a day and a half after him. This plant was understated and yet commanded attention – this guy is one of the most intellectually adventurous in his street practice, easily sliding between mediums and concepts. (photo © Jaime Rojo)

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Specter (photo © Jaime Rojo)

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Specter (photo © Jaime Rojo)

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Dain prepped his wall by tagging the surface multiple times in multiple colors and mucking it up with a roller – effectively bringing the street into the gallery so he could paste his new longer form enigmatic collage portrait on it and within the sea of colors and texture. (photo © Jaime Rojo)

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Dain likes to work alone so he took his body parts and pieces into the adjacent store room to assemble and reassemble, spray, color, cut out, selectively damage or damask – a process that allows for experimentation and discovery while the artist relies on some intuitive guidance to get to the final piece. (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Dain and Swoon (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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Some place in there you’ll find Chris Stain at work on his piece – an artist whose work always reflects the people you see on the street and in your neighborhood. (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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Chris Stain brings a bit of Brooklyn to Berlin (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Gaia’s gallery piece was directly related to his portrait of Fereshta Ludin that he completed for the “Persons of Interest” window installation. An artist who makes a fulsome study of his subject matter and the historical/social/political/anthropological factors that surround it – Gaia here incorporated the marching mass of right wing anti-Islamic Pegida demonstrators as a backdrop to a disembodied draped head scarf, a symbol of religious expression by Muslim women. Posted on the front, with dropped shadow to pop it forward, is a published interview with Ms. Ludin -who attended the opening reception last Saturday, meeting the artist and us in person for the first time. (photo © Jaime Rojo)

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Gaia, Ms. Farestha Ludin and Steven P. Harrington (photo © Jaime Rojo)

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Gaia and Esteban Del Valle (photo © Jaime Rojo)

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Esteban Del Valle (photo © Jaime Rojo)

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Esteban Del Valle (photo © Jaime Rojo)

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El Sol 25 and the German translation of “Here today, gone tomorrow”, his reference to the ephemerality of the graffiti/street art game, and perhaps larger existential considerations. (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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For some, these are two essential products to survive while painting in a foreign country (or at home) (photo © Jaime Rojo)

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Icy & Sot used this opportunity to create something more abstract than the work that they are known for, which can be quickly understood. According to a few people at the opening, they liked it more than the brother’s typical work for that reason, so it was successful in that respect. Icy explained that it is a crouching figure with a mashup of a destroyed city within it. (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Nice Keds dude… (photo © Jaime Rojo)

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Cake . Swoon . Dain  . Gaia . Chris Stain  CLICK ON IMAGE TO ENLARGE (photo © Jaime Rojo)

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Swoon . El Sol 25 . Esteban Del Valle . NohJColey . Gaia CLICK ON IMAGE TO ENLARGE (photo © Jaime Rojo)

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Don Rimx . Specter . Icy & Sot (photo © Jaime Rojo)

 

Project M/7 “Persons Of Interest” Street level exhibition and the Pop-Up show are currently on view and free to the general public at:

URBAN NATION
Bülowstraße 97
10738 Berlin-Schöneberg, Germany

Opening Hours
Monday-Friday 10.00 -18.00

 http://www.urban-nation.net/

 

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Complete “Persons of Interest”: Brooklyn in Berlin

Complete “Persons of Interest”: Brooklyn in Berlin

All the Works Completed for Project M/7 at Urban Nation with BSA

Our trip to Berlin with 12 of Brooklyn’s finest street artists was a quintessential cultural exchange; bringing together artists, curators, social activists, ministers of art, museum board CEOS, collectors, gallerists, fans, and the director of a future museum called Urban Nation. The seventh Project M, a program to draw artists and attention to the enormous UN haus while it is under construction, was called “Persons of Interest”. All week we got to meet interesting people – not a surprise in this raw cultural hot spot that bubbles with an effervescent underground and creative laboratory that is full of youthful vigor and serendipity.

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Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. Detail. (photo © Jaime Rojo)

How fitting then that our first youthful arrivals were Icy & Sot, who set the tone with their 4 story portrait of an anonymous Brooklyn woman with “Freedom” scrawled across her face, an iconic scene of the celebrants at Berlin’s fallen wall inside her. With one of the brothers turning 24 that week, it was even more touching to see them marking an important event that predated him by one year – a new generation of artists helping us identify what events of the modern age are truly touchstones.

The 176 piece stencil had taken about 10 days for them to cut back in Brooklyn and the brothers methodically sprayed their missive to Berlin’s people over the course of 5 more days. This, their largest mural ever, was enormous and peaceful and an incredible act of discipline, determination, and dedication to teamwork.

 

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Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. Detail. (photo © Jaime Rojo)

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Icy & Sot. A passer by spans a photo of the completed mural with her iPad. (photo © Jaime Rojo)

“Persons of Interest” was meant to celebrate the connections between the lively artists communities in these sister cities over the last few decades, and being in Berlin felt like home to most of the artists in many ways. The curatorial vision was also meant to counter the criticism of many of the new Street Art mural festivals that have taken hold in cities around the world that they are not considering their hosts and to help focus on the neighborhoods where the new works appear.

 

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Icy & Sot. “Persons of Interest” Portrait of an unknown girl from Brooklyn to the people of Berlin. (photo © Jaime Rojo)

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Cake at work on her portrait of Käthe Kollwitz. “Persons of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Undeniably the Internet has supercharged this worldwide peoples’ art movement and has allowed us to learn about and connect with artists and their street work as we never would have encountered previously. It also has created a strata of international artists whose names appear again and again on these festival lists and while it is sort of exciting, it also is producing a sort of cultural imperialism that leaves a sour taste in the mouths of locals who don’t feel a connection to the artists or the art works that remain in their neighborhoods long after the festival has ended.

Our aim with “Persons of Interest” was to suggest a new model that may also be considered, one that is based on impactful work and meaningful exchange.

From this experiment that took us roughly six months to conceive, organize, and execute, we discovered two things:

1. Artists actually like to do research and create art that is meaningful and relevant to their personal stories, and
2. Many street passersby and art audiences are elated to find work that they can relate to – that reflects their lives, history, and culture.

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Cake at work on her portrait of Käthe Kollwitz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Cake her portrait of Käthe Kollwitz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Each of the artists had really challenged themselves to learn about the city they were making work for, and each had a story that also spoke of their own. Every day we were learning from them and they were learning from each other and without hesitation our hosts were schooling us as well.

Of course it helps when you are working with a dynamic urban contemporary art expert like Yasha Young, who has a deep well of ideas about community and more connections than the WiFi router at a One Direction concert. All week we were treated to a rotating list of visiting photographers, videographers, art directors, reporters, radio hosts, writers, culture mavens — and to many artists who were in town to put up new walls, show us their black books and iPhoto libraries, or just to meet their New York friends who were painting in the gallery.

 

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Dain on the left with Gaia on the right at work on their portraits for “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Shout out to Onur Dinc, Andreas Englund, Herakut, The Never Crew, KKade, Various & Gould, Strok, David Walker, FKDL, James Bullough, Vermibus, Roland Henry, Nika Kramer, Butterfly, Mark Rigney and other very cool well-wishers. While we’re at it, we all send a gold-plated shout out to the three women who kept us all cared for in so many ways in the gallery and on-site at the UN – Alejandra, Elisabetta, and Ana were indispensable.

 

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Dain at work on his portrait of Marlene Dietrich. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Dain. Portrait of Marlene Dietrich. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Speaking of meeting interesting people, a huge highlight of the program for us was when two of the artists got to meet their “Person of Interest” face to face. We had arranged a surprise visit of one of them; NohJColey had no idea that Katharina Oguntoye would walk on the sidewalk in front of the UN and peer in the window where he was preparing his portrait of her.

To witness the enthusiasm with which they greeted one another and to hear them excitedly asking and answering each others questions regarding his work as an artist in Brooklyn and hers as an Afro German feminist in Berlin was the epitome of art as a catalyst for cultural exchange. We didn’t know life could be so rich.

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Gaia at work on his portrait of Fereshta Ludin. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Gaia’s person of interest, Fereshta Ludin also attended the opening in person on Saturday night, the first time that the two had met in person. Only two days before a Berlin law had been overturned allowing Muslim school teachers to wear headscarves – and Ms. Ludin has been a social activist advocating for the right for the last decade and a half.

The politics around this of course are highly charged and there have been xenophobic right-wing marches against Muslims and others in their defense in the streets in Berlin in recent months. Meeting Ms. Ludin in person and seeing her reaction to Gaia’s portrait of her gave such a powerful additional dimension to the entire experience of “Persons of Interest” that we never could have predicted when we first conceived of it. Gaia said it was a “life affirming moment”.

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Gaia’s portrait of Fereshta Ludin in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

Probably what is most gratifying is when you see someone’s eyes light up with recognition at seeing one of their icons brought to life. One woman told us that she couldn’t believe that El Sol 25 knew Hannah Höch so well. Was it that she couldn’t imagine a former graff writer honoring the central female figure of Berlin’s Dada movement? We were shocked when a UN board director told us Marlene Dietrich had grown up in the same neighborhood where this new DAIN portrait of her was going up – we even met someone who went to her funeral here in ’92!

In the final analysis once again we witnessed the creative spirit alive and well in the street and in the gallery. Unlike early graffiti writers, these artists come from different backgrounds and disciplines – yet all intersected with art in the public sphere in New York; graffiti writers, muralists, painters, wheat-pasters, paper cutters… In Berlin you would have thought that they all had been working together for years, the collaborative spirit was so high – and luckily for us, Berlin welcomed them all.

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Gaia. Portrait of Fereshta Ludin. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Swoon. Olivia from Swoon’s Studio at work on “Cairo”. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Swoon. Olivia from Swoon’s Studio at work on “Cairo”. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Swoon and her tribute to Turkish immigrants for “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

The photo above captures the moment when NohJColey learns that Ms. Oguntoye is outside on the sidewalk looking at him through the window working on his portrait of her.

In the photo you see Ms. Oguntoye meeting NohJColey for the first time.

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NohjColey at work on his portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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NohjColey. Portrait of Katharina Oguntoye. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Specter at work on his portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Specter at work on his portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Specter. Portrait of Sally Montana in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Specter. Portrait of Sally Montana. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Don Rimx at work on his portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Don Rimx at work on his portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Don Rimx. Portrait of John A. Roebling. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Esteban Del Valle at work on his portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Esteban Del Valle. Portrait of George Grosz. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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El Sol 25 at work on his portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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El Sol 25 at work on his portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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El Sol 25. Portrait of Hannah Höch. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Chris Stain at work on his portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Chris Stain at work on his portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Chris Stain portrait of Charles Bukowski in progress. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

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Chris Stain. Portrait of Charles Bukowski. “Persons Of Interest” UN PM/7 Berlin. (photo © Jaime Rojo)

 

Urban Nation Project M/7 “Persons of Interest” is currently on view on the streets of Berlin until June 22nd at Bülowstraße 97
10738 Berlin-Schöneberg, Germany.

 

For more details on each artist’s Person of Interest click on the links below:

CAKE and Käthe Kollwitz, “Persons of Interest”

Chris Stain and Charles Bukowski – “Persons of Interest”

DAIN and Marlene Dietrich – “Persons of Interest”

Don Rimx and John A. Roebling – “Persons of Interest”

Esteban Del Valle and George Grosz – “Persons of Interest”

El Sol 25 and Hannah Höch – “Persons of Interest”

GAIA and Fereshta Ludin – “Persons of Interest”

ICY & Sot and Berlin’s People – “Persons of Interest”

NohJColey and Katharina Oguntoye – “Persons of Interest”

Specter and Sally Montana – “Persons of Interest”

Swoon and Turkish Immigrants – “Persons of Interest”

____________

From Katherine Brooks at the Huffington Post, an interview with us and more images to recap.

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Dispatch from Germany: Pop-Up Show at UN Gallery with BSA

Dispatch from Germany: Pop-Up Show at UN Gallery with BSA

A great many things underway here in Berlin for the debut of “Persons of Interest”, a show of 12 artists who have worked on the streets of Brooklyn bringing their A Game to Berlin. This group of talented people have transformed the Urban Nation Pop-Up gallery with an astounding array of styles, skillz, techniques, and a lot of imagination. We couldn’t be happier with the results. The camaraderie is strong and the creative display directly on the gallery walls is iron-clad.

If you are in Berlin anytime Saturday come see the windows being installed in the UN Haus and at 7 pm come to the reception. Both events are curated by Steven P. Harrington and Jaime Rojo co-founders of BrooklynStreetArt.com and we will be very happy to meet you.

Here is a preview of the Pop-Up Exhibition…more to come

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Swoon. (photo © Jaime Rojo)

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Swoon with Chris Stain on the backgorund. (photo © Jaime Rojo)

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Chris Stain (photo © Jaime Rojo)

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NohJColey (photo © Jaime Rojo)

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NohJColey asses his progress. Swoon on the right. (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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Don Rimx (photo © Jaime Rojo)

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Don Rimx (photo © Jaime Rojo)

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Specter (photo © Jaime Rojo)

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Specter tries some yoga. (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (“Here Today”) (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Esteban Del Valle (photo © Jaime Rojo)

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Esteban Del Valle (photo © Jaime Rojo)

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Icy and Sot (Photo  © Jaime Rojo)

Click HERE for the FaceBook event and more details about UN Project M/7 Persons of Interest and Pop-Up Exhibition.

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BSA Images Of The Week: 02.08.15

BSA Images Of The Week: 02.08.15

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This week MOMO is in town and we got to see him setting up for his mini show in a bodega, Concrete to Data opened in Steinberg Museum, a cable show about Street Art arrived and was dissed horribly, POW! Wow! began in Hawaii, Combo says he was attacked in Paris for putting up a “Coexist” piece, and we all learned that Street Art is in Vogue.

Here’s our weekly interview with the street, this week featuring Agni, Buff Monster, Cake, EC13, Flood, James Bullough, Jilly Ballistic, LMNOPI, MOMO, UNO, and Varenka66

Top Image >> LMNOPI tribute to Jessie Hernandez. A 17 year old girl shot and killed by the Denver police last week. (photo © Jaime Rojo)

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Varenka66 and James Bullough collaboration in Brooklyn.  (photo © Jaime Rojo)

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Varenka66 and James Bullough collaboration in Brooklyn. Detail. (photo © Jaime Rojo)

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Varenka66 and James Bullough collaboration in Brooklyn. Detail.  (photo © Jaime Rojo)

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EC13 new installation in El Padul, Spain. (photo © EC13)

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MOMO at work for his solo exhibition at M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

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MOMO at work for his solo exhibition at M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

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MOMO. Installation in progress for his exhibition at M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

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MOMO. Detail of the vitrine exhibiting the artist’s personal sketches, tools, diaries etc… At M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

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MOMO. Detail of the vitrine exhibiting the artist’s personal sketches, tools, diaries etc… At M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

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MOMO. Detail of the vitrine exhibiting the artist’s personal sketches, tools, diaries etc… At M. Carter Shop in Brooklyn. (photo © Jaime Rojo)

MOMO is currently on view at M. Carter Shop in Greenpoint, Brooklyn. 141 Engert Ave.

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Buff Monster (photo © Jaime Rojo)

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Jilly Ballistic (photo © Jaime Rojo)

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Jilly Ballistic installation for Concrete To Data at the Steinberg Museum of Art. LIU. Long Island, New York. (photo © via iPhone Jaime Rojo)

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Cake installation for Concrete To Data at the Steinberg Museum of Art. LIU. Long Island, New York. (photo via iPhone © Jaime Rojo)

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UNO. Rome, Italy. (photo © UNO)

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Mary Had A Little Lamb. Artist Unknown. (photo © Jaime Rojo)

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FLOOD recalls the Sex Pistols anthem (photo © Jaime Rojo)

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Agni (photo © Jaime Rojo)

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Untitled. NYC Subway. January 2015. (photo © Jaime Rojo)

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

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Sneak Peek “Concrete to Data” at Steinberg Museum

Sneak Peek “Concrete to Data” at Steinberg Museum

Curator and artist Ryan Seslow has pulled off an overview of art on the streets and the practices employed, minus the drama. So much discussion of graffiti, Street Art, and public art practice can concentrate on lore and turf war, intersections with illegality, the nature of the “scene”, shades of xenophobia and class structures; all crucial for one’s understanding from a sociological/anthropological perspective.

“Concrete to Data”, opening this week at the Steinberg Museum of Art on Long Island, gives more of the spotlight to the historical methods and media that are used to disseminate a message, attempting to forecast about future ways of communicating that may effectively bridge the gap between the physical and the virtual.

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Joe Iurato. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

Seslow has assembled an impressive cross section of artists, practitioners, photographers, academics, theorists, and street culture observers over a five-decade span. Rather than overreaching to exhaustion, it can give a representative overview of how each are adding to this conversation, quickly presenting this genre’s complexity by primarily discussing its methods alone.

Here is a sneak peek of the the concrete (now transmitted digitally); a few of the pieces for the group exhibition that have gone up in the last week in the museum as the show is being installed.

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Chris Stain. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Cake. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Lady Pink at work on her mural. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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John Fekner. Detail of his stencils in place and ready to be sprayed on. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Henry Chalfant. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Billy Mode. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Oyama Enrico. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Col Wallnuts. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

 

CONCRETE to DATA will be exhibited at the Steinberg Museum of Art, Brookville, NY January 26th 2015 – March 21st 2015.

Opening Reception – Friday, February 6th  2015 6PM -9 PM 

Follow the news and events via – http://concretetodata.com

Follow @concretetodata on Instagram – #concretetodata

Curated by Ryan Seslow@ryanseslow

Museum Director – Barbara Appelgate

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The 2014 BSA Year in Images (VIDEO)

The 2014 BSA Year in Images (VIDEO)

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

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Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at BrooklynStreetArt.com , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world. 

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Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.

 

Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.

 

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GIFFITTI and the Eye Popping Animations of Ryan Seslow

GIFFITTI and the Eye Popping Animations of Ryan Seslow

You think that maybe the animated GIF is the equivalent of graffiti on the digital wall?

Artist Ryan Seslow has been experimenting for a little while with that hyper eye-blitzing looping tag called the animated GIF – and today you’re getting splendid platter of GIFs like holiday cookies glistening before you. With bright visual references to graffiti history, culture and art, Seslow manages to simplify the vernacular in a poppy way that pushes the work into a playful cartoon realm – like the stuff on subway cars in the 70s. If the connection to Street Art isn’t clear, he has also been doing artful collaborations with a number of figures you may have seen on the street and in subway stations.

“It has been great fun so far working with Cake and Jilly Ballistic and we are making more!” says Seslow of this collaborative approach to GIF making. “I wanted to work with them both because they have great contrasting work that translates well on the street, subway tunnels and as digital images online.”

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Ryan Seslow (gif © Ryan Seslow)

So far Seslow has been “trickling out the gifs one at a time” on his blog and as a project with RJ Rushmore of the blog Vandalog. They will be exhibiting their project entitled “Encrypted Fills” at the end of January for Concrete to Data in the Steinberg Museum of Art.  Seslow’s GIF animations will include a host of other graffiti and Street Artists including Stinkfish,  Broken Fingaz,  General Howe,  Caroline Caldwell,  Abe Lincoln Jr.,  Gaia,  Enzo & Nio,  John Fekner,  Olek,  Ryan Seslow,  Swampy,  Peter Drew,  Adam VOID,  Rone,  Enzo Sarto, and Leon Reid IV.

In the meantime all these jolting lights may make you think of the first night of Hannukah (tonight) as well as all the Christmas lights that are blinking from apartment windows overhead wherever you go on the street. Enjoy!

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Ryan Seslow (gif © Ryan Seslow)

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Ryan Seslow (gif © Ryan Seslow)

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Ryan Seslow (gif © Ryan Seslow)

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Ryan Seslow (gif © Ryan Seslow)

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Ryan Seslow (gif © Ryan Seslow)

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Ryan Seslow in collaboration with CAKE. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with CAKE. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with Jilly Ballistic. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with Jilly Ballistic. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with Jilly Ballistic. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with Jilly Ballistic. (gif © Ryan Seslow)

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Ryan Seslow in collaboration with Jilly Ballistic. (gif © Ryan Seslow)

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Freewill Gallery in New Yorks Military Bunker on the Beach

Freewill Gallery in New Yorks Military Bunker on the Beach

Exploring Fort Tilden

National monuments are typically solemn places for reflection and remembrance. In the case of many decommissioned military installations across the world, the hidden parts of forts and bunkers are also serpentine galleries of freewill art shows. You may call it graffiti or you may call it a colossal explosion of creativity and unscripted free speech, but in all likelihood you will be moved by the clandestine display it in one way or another.

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The entrance… (photo © Jaime Rojo)

The site of New York’s abandoned WWI era military base (and site of the first Trans-Atlantic flight departure), Fort Tilden, also conveniently is a beach for many of its creative types and related mis-matched fun loving miscreants. While there are snide asides about this being a hipster spot, it is much more than a place for one-dimensional posers – if only because it is sort of hard to get to.

But it is also a little utopia for the grimy self-powered soot-covered bicycling city-set who gravitate to the margins and outskirts for a day at the beach; There are art shows and ad hoc performances, long days of reading and snacking, splashing, Backgammon, and nudity. Sometimes all at once.

Additionally the entire site can be a hidden, yet open, art gallery.

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Artist Unknown. Also, Mika loves Mea. (photo © Jaime Rojo)

Perched atop the bunker you can have a 360 degree view of the ocean and most of New York City, including the cluster of skyscrapers in yonder Manhattan. Inside it’s labyrinthine spaces below with a flashlight you will discover a 360 degree view of most all of the graffiti and Street Art techniques that are freely experimented with in these mid twenty teens.

On a recent overcast/sunny day at the end of the summer season we took a tour of the darkened spaces that are open to the public to find what kind of art gallery is on display and to discover hidden gems, furtive artists, discarded liquor bottles and the occasional condom. Are these the aesthetic meanderings of mad minds, the seeds of tomorrow’s art stars, or simply the unfiltered mark-making of youth on a summer day’s spraycation?

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Cake (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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DAN (photo © Jaime Rojo)

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NAD (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Elvis (photo © Jaime Rojo)

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A monument to Walt Whitman by artist Patty Smith is one of many placed here during this summers “Rockaway!” art show here, organized by PS1’s Klaus Biesenbach. Whitman’s masterpiece “Leaves Of Grass” begins with the words carved on the stone above. (photo © Jaime Rojo)

“I Celebrate Myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you”

~ Walt Whitman. July 4th 1855

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KUMA (photo © Jaime Rojo)

 

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You Go Girl . Mistakoy (photo © Jaime Rojo)

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You Go Girl (photo © Jaime Rojo)

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$howta (photo © Jaime Rojo)

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$howta (photo © Jaime Rojo)

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Newserf. Collab between News & Serf. (photo © Jaime Rojo)

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Never (photo © Jaime Rojo)

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Overunder (photo © Jaime Rojo)

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“United States of pills and corn syrup”, says ARC as he washes down an Oxycontin with Coke. (photo © Jaime Rojo)

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Armer (photo © Jaime Rojo)

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The New York Skyline from the top of the bunkers. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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“Welling Court” 2014, a Grassroots Mural Event Turns 5 in Queens

“Welling Court” 2014, a Grassroots Mural Event Turns 5 in Queens

When the revered graffiti holy place named 5Pointz in Queens, New York was buffed and slated officially for demolition last fall the collective response of the graffiti / Street Art fan base and community was horror and lament. Nonetheless, community persists, and art in the streets is stronger than ever in many cities, including right here in Queens which has played host to an ever growing grassroots exhibition on the walls for five years called Welling Court.

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Icy & Sot (photo © Jaime Rojo)

Imagined and produced by two advocates of creativity in the public sphere and run on a shoe-string budget, Welling Court is a series of 100+ walls throughout this largely working class neighborhood that feels like it perhaps has been overlooked by the rest of the city. With a mix of some of New York’s newest immigrants and families, the modest residential/light manufacturing neighborhood has had a eye-jolting injection of spirit and free art every summer since 2009.

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Veng RWK (photo © Jaime Rojo)

We look forward to this annual event for a number of reasons, among them: the unpretentious spirit of community creativity at work as tens of artist straddle ladders and stepstools side by side painting walls, the friendly inquisitive neighbors who hang out and discuss the art and prepare a variety of foods to share on folding tables in the middle of the street, and the unbridled enthusiasm of the kids who race through the neighborhood on foot, bicycle, scooter, even grocery cart.

Unsponsored by brands and run by community elbow grease, Welling Court brings lots of Street Art / graffiti / public art enthusiasts and almost no police presence or crime for that matter. Breaking their own record this June at 127 painted walls, organizers Garrison and Alison Buxton help hook up the opportunity and artists are happy to take advantage of it. Here is just a relatively small selection of images taken by photographer Jaime Rojo at Welling Court 2014.

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Fresh from graduation and walking in front of a RHAK gate. (photo © Jaime Rojo)

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Joe Iurato and Rubin collaboration. (photo © Jaime Rojo)

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R.Robots (photo © Jaime Rojo)

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Sub (photo © Jaime Rojo)

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Kaffeine at work. (photo © Jaime Rojo)

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Kaffeine (photo © Jaime Rojo)

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Toofly (photo © Jaime Rojo)

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Cern (photo © Jaime Rojo)

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LMNOPI at work. (photo © Jaime Rojo)

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MRC (photo © Jaime Rojo)

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John Ahearn temporary installation with a Dennis McNett wheat paste from last year as a background. (photo © Jaime Rojo)

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John Ahearn working on the details of the live casting he did of Roger Smith. (photo © Jaime Rojo)

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John Ahearn. More to be done with this Roger Smith piece. (photo © Jaime Rojo)

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Pyramid Oracle at work. (photo © Jaime Rojo)

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Greeg Lamarche, Wane and Trap (photo © Jaime Rojo)

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Not Art (photo © Jaime Rojo)

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Cekis (photo © Jaime Rojo)

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Cake and Ryan Seslow collaboration. (photo © Jaime Rojo)

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Bishop203 with an old Flying Fortress in the middle gate. (photo © Jaime Rojo)

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Ellis G, Joseph Meloy and Abe Lincoln collaboration. (photo © Jaime Rojo)

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Esteban Del Valle (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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PRVRT (photo © Jaime Rojo)

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Gregg Lamarche (photo © Jaime Rojo)

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Damien Mitchell at work. (photo © Jaime Rojo)

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Damien Mitchell (photo © Jaime Rojo)

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Christopher Cardinale (photo © Jaime Rojo)

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Fun! Fun! Fun! (photo © Jaime Rojo)

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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