All posts tagged: Bio Tats Crew

Dispatch From Curaçao: Caribbean Warmth and Urban Art

March 26, 2024 Artists

On the street, Curacao feels like a vibrant heart where Caribbean warmth meets urban art in a spectacular showdown. It’s an island—a canvas painted with rich strokes of history, culture, and innovative thinking. Nestled off the Venezuelan coast, Curacao stands out with its Dutch heritage, swirling in a cocktail of languages, cuisines, and, notably, street art that tells stories deeper than the clear blue waters surrounding it.

Carlos Blaaker. Willemstad, Curaçao. (photo © Chris Jordan)

Willemstad, the capital, is not just a city but a UNESCO-listed testament to colonial architecture, Caribbean vibes, and mural magic. Here, historical narratives meet modernity, and old Dutch houses stand tall, often awash with color. Beyond the postcard-perfect Handelskade, a current revolution in public art-making brings paint, passion, and a sense of purpose, led by a vibrant local creative community.

Garrick Marchena. Willemstad, Curaçao. (photo © Chris Jordan)

Enter Street Art Skalo, a pied piper of this visual revolution, transforming the neighborhood of Scharloo Abou from a forgotten area into an outdoor museum. This isn’t merely a beautification effort spearheaded by the chamber of commerce; it’s an eclectic transformation that breathes life, creating a dialogue that invites locals and tourists alike to wander, wonder, and witness the neighborhood as it is reborn.

Curacao’s mural scene is as diverse as its coral reefs, featuring everything from intricate stencil works to grandiose murals stretching across buildings. Themes delve into identity, heritage, colonial past, global issues, and natural beauty—all greeted with Caribbean flair. From the alleys of Scharloo Abou to the bustling streets of Punda and Otrobanda, Curacao offers a kaleidoscope of styles and techniques, mirroring the island’s multicultural heartbeat.

Thanks to light artist Chris Jordan, who shares with BSA Readers his photos of recent discoveries on Curacao. Through his photos, Chris captures an island that is not just surviving but thriving, propelled by creativity. It’s good to know that here one can look beyond the beaches, dive into its streets, and find some real treasures.

Mr. Garek. Willemstad, Curaçao. (photo © Chris Jordan)

Tao Szen. Willemstad, Curaçao. (photo © Chris Jordan)

Giovanni Abath. Willemstad, Curaçao. (photo © Chris Jordan)

Nina Paintina. Willemstad, Curaçao. (photo © Chris Jordan)

Blend Curacao. Willemstad, Curaçao. (photo © Chris Jordan)

Jhomar Loaiza. Willemstad, Curaçao. (photo © Chris Jordan)

Nina Valkhoff. Willemstad, Curaçao. (photo © Chris Jordan)

Bio Tats Cru. Eno Egul. Willemstad, Curaçao. (photo © Chris Jordan)

Unidentified artist. Willemstad, Curaçao. (photo © Chris Jordan)

BSA Images Of The Week: 02.19.23

February 19, 2023 Artists, BSA Images Of The Week

Welcome to BSA Images of the Week! We’re in the middle of a long weekend thanks to tomorrow’s President’s Day. Usually, its a good weekend for some people to get out of the city to go skiing, but seriously there has been no snow here this year, which is troubling. We might as well stay at home and get to know our friend ChatGPT. Maybe make some comfort food and play board games with it. What? Why did you make a face?

Big things are happening in the Bronx right now, thanks to Tats Cru and the cultural ecosystem surrounding them and the community of Hunts Point in the Boogie Down. See some new images below and look out for some new serious Hip Hop & graffiti collaborations this year.

Here’s our weekly interview with the street, this week featuring: Praxis, Tats Cru, Dmote, Bio, Ribs, Andaluz the Artist, BG183, Qzar, Anahu, R. Flores, XSM, OTL, Skemes, Sheek Louch, The Lox, and YesOne.

Anahu & R. Flores. Detail. (photo © Jaime Rojo)

Welcome to Bronxlandia, a marketplace, with local vendors, symposia, events and performances in Hunts Point. Unidentified artist (photo © Jaime Rojo)

Welcome To…The Bronx. (photo © Jaime Rojo)

Memorial wall by Tats Cru to celebrate life and in memory of Djay. (photo © Jaime Rojo)

Memorial wall by Tats Cru to celebrate the life and in memory of BIG PUN who passed away in 2000. Christopher “Big Pun” Rios was a Hip Hop artist and a master lyricist. His two classic albums “Capital Punishment” and “Yeeahh Baby” are among the most revered among the Hip Hop community and fans. (photo © Jaime Rojo)

Andaluz The Artist mural in celebration of the 50th anniversary of Hip Hop turns the spotlight to Sheek Louch, Mr. David Styles, Jada Kiss, and The Lox. (photo © Jaime Rojo)

Yes0ne, Ribs, and BG183 wish you a Happy New Year 2023 with the help of Frank Sinatra, “New York, New York”. (photo © Jaime Rojo)

A constellation of graffiti writers gathered at Hunts Point in The Bronx to hear KRS ONE The Teacha’s proposal for a project celebrating the 50 years of Hip Hop. KRS ONE and Tats Cru will create an exhibition with 50 graffiti writers to mark this momentous milestone in Hip Hop. BSA will keep you in the loop as the project continues to develop. (photo © Jaime Roj

BSA Film Friday: 01.18.19

January 18, 2019 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Tats Cru on the Houston Wall in NYC
2. Broken Fingaz Crew In Mexico: “Si Desaparezco Rompe El Cochinito”
3. Lee Quinones, Brooklyn Studio Visit. December 2018
4. Lili Brik // 12 + 1 Project // Contorno Urbano Foundation. Barcelona

BSA Special Feature: Tats Cru on the Houston Wall in NYC

New York graffiti heroes the Tats Crew have endured – and withstood – and prevailed – during the onslaught of Street Art during the 2000s and 2010s. Writers of an important narrative of city life as it continues to evolve, the Bronx trio of Bio, Nicer and BG 183 continue to keep it real – and have been going hard with style this week on the famed Houston/Bowery Wall this week. We are honored to catch them at work, especially when Martha is in the mix and it feels like family, like community – with friends and writers stopping by to catch a tag or tell a story. This little bit of homemade footage is just a taste of how its done…big game writing with New York at the center.

Broken Fingaz Crew In Mexico: “Si Desaparezco Rompe El Cochinito”

Israeli Street Artists / graffiti writers Broken Fingaz Crew are rocking their Dad Hats and 90s skater style in this new vid of a spraycation in Mexico. Slow pans of local faces with character give a real flavor for the location, and the BFC are maturely observant of their host culture, incorporating a street portrait among the motifs that reference Mexico – aside from the shout out to their hometown of Haifa. Later on AB&B with their lady friends they practice still lifes and figurative painting by the pool.

Lee Quinones, Brooklyn Studio Visit. December 2018

Of course we felt lucky as hell to spend time with Lee Quinones in studio to talk about where he’s at right now and his preparation for a solo show. This small collection of footage featuring his wit and wisdom proved to be a jewel in this new year so far. See the full interview here:

Lili Brik // 12 + 1 Project // Contorno Urbano Foundation. Barcelona

Where Graffiti Art Is The Rose of The Desert : Spraying Outside the Jardin

January 26, 2017 Artists

When you are a renowned graffiti writer living 25 minutes outside of Marrakech at an artists compound and painting in your studio to prepare for an upcoming exhibition on canvas, sometimes you still are activated by wanderlust to go out and catch a tag. Or something more elaborate.

Ceet . Tilt . Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Jardin Rouge has hosted some of best known American and European graffiti writers such as members of Tats Cru, Daze, Ceet, Jace and Tilt as well as Street/Mural Artists like Kashink, Mad C and Hendrick Beikirch (ECB) over the past few years, inviting them to paint and sculpt new works in roomy quiet studios and on the buildings of the property itself.

As you leave the compound and take a long walk or motorcycle ride up the lonely and narrow dusty roads and gaze through ruddy fields past lines of olive trees you’ll discover bubbled and colorful aerosol works on dilapidated structures, half walls, and cratered remnants of buildings that rise just above the rich red soil.

Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Suddenly the visual language of the inner city overflows the margins into agrarian areas, this time by way of a fervent patronage of this painting practice as art form. The distinction happens more often these days with festivals, galleries, museums, brands, collectors, fans inviting urban artists to suburban or ex-urban oasis to create their signature work very far removed from its original context.

Until now most of the fiery debates about graffiti and Street Art moving into the mainstream have focused on whether it belongs in institutions, or needs to be studied in academia, or if it ceases to be graffiti or street art when it is made for the gallery canvas or brought into the gallery directly from the street. Here, it is going anywhere but mainstream.

Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

What do we call graffiti writing or characters from one city when it is introduced to another city, as has happened for decades thanks to the nomadic nature of couch-surfing artists and the adventurous practices of the graffiti tribe. And what happens when it goes for a hike further afield?

What do you call it when artists like Yok & Sheryo are on perpetual spraycation in places like Ethiopia or Mexico or when ROA is spraying his monochromatic animals in fields of Latin America or when New York graffiti icons are providing a backdrop to livestock that are chewing their cud and flipping their tales at flies?

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Is the graffiti and Street Art practice intrinsically tied to location or citizenship or local identity? Is is somehow made new by its audience?

There is much concern expressed today about graffiti and Street Artists losing their “street cred” (ibility) or authenticity by painting permissioned murals in their home cities or at festivals they have been invited to.

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

In many countries and regions there are no norms regarding aerosol art, so none are violated when an artist decides to spray a multicolored bubble tag on an old milk house next to a collapsed dairy barn.

One wonders how to contemplate the work of artists whose culture has often been marginalized when the work itself keeps appearing in unexplored margins.

As usual, the movement of these art forms and their various practices are in flux, continuously on the morph. At the very least the new context draws the work into strong relief, allowing a new way to regard its aesthetics.

310 . Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo

Reso . Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tilt . Poes. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified Artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tats Crew BG183. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Rezo . Rolk. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Basila . Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

DE. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Artists Bring 22 New Murals to “Coney Art Walls 2016”

June 15, 2016 Artists

Just in time for this weekend’s Mermaid Parade, London’s D*Face is finishing up “Live Fast Die Young,” his beauty-and-the-zombie comic couple sipping an ice cream float at the soda counter. Austrian surrealist slicer Nychos has completed his dissection of a Ronald McDonald-ish character without a sketch; running, jumping, nearly flying through the air with aerosol in hand, flinging the spent cans over his shoulder blindly to skitter across the pavement. Baltimore-based freeform anthropologist Gaia is cavorting with passersby who want to take cellphone selfies in front of his painted wall that depicts exactly that; selfies taken in Coney Island.

This is a modern version of the multi-mirror funhouse in mural form, and Coney Art Walls is bringing it again.

Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

22 new murals on standing slabs of concrete join a dozen or so that were retained from last summer to present an eclectic and savory selection from the old-school and the new. When it comes to art in the streets, a salty luncheonette of city-style treats is on a large public platter these days, with names like graffiti, street art, urban art, installation art, public art, fine art, even contemporary art. For some of those hapless gatekeepers of any of these respective categories, this show in this location presents degrees of discomfort and anger as many subcultural roots are now brought into the light in tandem with one another in a public display – funded by a real estate firm. For the artists and majority of fans, however, the trend is more toward delight and gratitude.

While you are unpacking that, consider that lead curator Jeffrey Deitch has often proved very adept at plumbing the aesthetic margins of our culture while rearranging and intermingling the parties, helping the viewer to appreciate their differences. This outdoor exhibit co-curated with Joseph Sitt provides a venue for a wide audience to contemplate the range of expression that New York streets have had over the last few decades, including a few artists who are trying this manner of expression for the first time.

As the Thunderbolt, Steeplechase, Cyclone and Wonder Wheel spin and swerve nearby and overhead, sending screams and personal projectiles into the ocean breeze, you have this paved lot full of paintings to peruse, lemonade in one hand and the cotton-candy-sticky hand of a sunscreen-slathered child in the other. Here you’ll see a large two-walled corner smashed with Coney Island themes by Bronx graffiti masters Tats Cru (Bio, BG183, and Nicer), a selection of hand-drawn wheat pasted portraits of Coney Island youth by Tatyana Fazlalizadeh, and 4 full-form sculptures by John Ahearn creating a modernist view of divers on the beach .

Tooling elsewhere through the loose labyrinth you come upon a monochromatic cryptically patterned tribute to Brooklyn-born Beastie Boys vocalist Adam “MCA” Yauch by Brooklyn tagger/train writer/artist Haze and a seemingly lighthearted abstractly collaged wall of mermaids by fine artist Nina Chanel Abney, whose work is currently on the cover of Juxtapoz. There is also a spectacular underwater-themed symmetrical fantasy topped by pylons bearing the likenesses of characters from “The Warriors” film by artist duo The London Police, and a stenciled “Last Supper” featuring heads of world currency playing the disciples and George Washington as Jesus sprayed across the face of a huge dollar bill by Iranian brothers Icy & Sot.

We often travel streets and neglected spaces in cities looking for signs of freewill artistic expression and often the creative spirit surprises us as it can be expressed in so many ways with emotion, agenda, and idiosyncratic point of view. It may be the plurality of voices one experiences surfing the Internet or the multi-cultural nature of living in New York with a continuous river of fresh arrivals mixing in with established and old-timers every day, but one comes to expect this variety of viewpoints and rather naturally creates accommodation for inclusion that celebrates without negating – and in many ways Coney Art Walls does that as well.

Oppositional viewpoints are present if you look: There are coded messages and obvious ones, critiques of corporate hegemony, issues of race, commentary on police relations, sexuality, religion, capitalism, community, the languages of advertising, movies, music, entertainment, local history, and examination of roles and power structures.

When tooling around this collection, you may wonder what, then, are the commonalities of this survey. Certainly there are the recurring references to Coney Island lore and aspects of performance and flimflam, oddity, fantasy, even the erotic. Naturally, there are elements of natural wonder as well, perhaps expected with the proximity to the beach and the ocean and the history of this place as a vacation getaway.

Aside from this, the connective tissue is what we frequently identify as what is distinctly New York – the plurality of voices. Arguing, making fun, praising, preening, bragging, lambasting, mocking, singing. Despite the continuous attempts by others to divide us, we’re strangely (very strangely), beautifully united.

Marie Roberts has multi-generational roots here and her work makes you stop and study it. She has painted many visions and views around the neighborhood, and is considered the artist-in-residence. Coney Art Walls – 2016 (photo © Jaime Rojo)

Originally from Japan, Brooklyn’s AIKO has a double sided stencil sonnet to the romance of the sea. With “Tale of the Dragon King and Mermaids in Water Castle” Aiko tells a new version of Urashima Tarō, an old Japanese legend about a fisherman who rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin. Says Aiko, “This piece speaks to my and all women’s fantasies; chilling hard super sexy in the beautiful ocean with friendly dragon who is super powerful and a smart guy – they are about going to water castle having good time.”

Coney Art Walls
2016 New Artists: Nina Chanel Abney, John Ahearn, Timothy Curtis, D*Face, Jessica Diamond, Tristan Eaton, Gaia, Eric Haze, Icy & Sot, London Police, Nychos, Pose, Stephen Powers, Tats Cru, and Sam Vernon. Returning artists who created new works: Lady Aiko, Mister Cartoon, Crash, Daze, Tatyana Fazlalizadeh, and Marie Roberts. 2015 Murals on display: by Buff Monster, Eine, Ron English, How & Nosm, IRAK, Kashink, Lady Pink, Miss Van, RETNA, eL Seed and Sheryo & Yok. There are also three community walls.

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This article is also published on The Huffington Post

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BSA Special Feature: Tats Cru on the Houston Wall in NYC

Ceet . Tilt . Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

310 . Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo

Reso . Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tilt . Poes. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified Artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tats Crew BG183. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Rezo . Rolk. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Basila . Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

DE. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nychos. The London Police photo bomb. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

Pose. Coney Art Walls – 2016 (photo © Jaime Rojo)

John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

Jeffery Deitch with John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

Icy & Sot. Coney Art Walls – 2016 (photo © Jaime Rojo)

Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

“11 Instagram Posts”, by Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

Haze. Coney Art Walls – 2016 (photo © Jaime Rojo)

Haze. Coney Art Walls – 2016 (photo © Jaime Rojo)

D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

Marie Roberts has multi-generational roots here and her work makes you stop and study it. She has painted many visions and views around the neighborhood, and is considered the artist-in-residence. Coney Art Walls – 2016 (photo © Jaime Rojo)

Marie Roberts. Coney Art Walls – 2016 (photo © Jaime Rojo)

Marie Roberts. Coney Art Walls – 2016 (photo © Jaime Rojo)

The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Side A. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Side B. Coney Art Walls – 2016 (photo © Jaime Rojo)

Daze. Coney Art Walls – 2016 (photo © Jaime Rojo)

Daze. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

Jessica Diamond. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh photographing her subjects. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

Crash. Coney Art Walls – 2016 (photo © Jaime Rojo)