Australia

The organization of celestial coincidences by Jason Mamarella. (Brooklyn, NYC)

March 25, 2013 ,

The final viewing of the organization of celestial coincidences by Jason Mamarella is Saturday, March 30, 2013, from 7 to 10 pm. A small number of limited edition books are still available ( jmamarella.com ) . with Special Guests : Dint Wooer Krsna, Street Grapes, & Jos-L. Peru Ana Ana Peru will be screening movies in the theater. at 17 Frost Street Gallery, Williamsburg, Brooklyn. L train to Lorimer. More info at 17frost.com

the organization of celestial coincidences ends.

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Anno Domini Presents: KLONE “The Moment (when the world stopped turning)” (San Jose, CA)

January 31, 2013 ,

A collection of glimpses from our world, snapshot like documentation of possible/impossible moments. Each of those moments is represented through a visual vocabulary, loaded with symbolism that is derived from various experiences from not so far away childhood and through not so clear adulthood. This is visual documentation of life , no matter where you’re from, which part of the globe and which side of the ocean. The dreams we have, the days we live, the politics, the unnecessary battles, the necessary struggles, the poor and the rich, the tired and the restless. There’s place for everybody and place for no one. This is daydreaming of what could be and what won’t ever return. The chase that never ends.

http://www.facebook.com/events/202346556570762/

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Blanco Freezes Street Art to Wall in Mongolia at -25 Degrees

Blanco Freezes Street Art to Wall in Mongolia at -25 Degrees

January 5, 2013

New Yorkers are now complaining bitterly about the cold January weather because, well, it’s our job. In a city where opinions collide into each other daily about all topics like bumper cars at Coney Island, you can always get someone to complain about the weather, no matter the season.

Brooklyn native and Street Artist Blanco has you all beat with his first installation on a wall that uses only water – because that’s the only thing that works when the temperature is -25 degrees fahrenheit.

“Its currently -20F outside my ger,” he says as he refers to the house he is staying in as he talks to us from the the frigid lands he is visiting for a while. “The overnight low is expected to be -36F and this isn’t even bad yet.” Okay we get the point, sounds disgusting.

So what about that new wheat-paste he just made of his friend Nandia?

“Nandia”, Blanco in Mongolia (photo © Patrick Findler)

“Last week I did that experiment where you throw boiling water up in the air and it didn’t hit the ground because it froze into an icy mist in mid-air. It has not been above freezing here for about two months and it wont be above freezing again for a couple more,” he says.

“This makes it almost impossible to wheat-paste anything for about 4 months of the year. The paste will freeze to the surface of a wall before you can even get the paper on it. I have a couple pieces waiting for the spring. But I decided to try something new.”

“On New Years Day I froze a piece to a door using water instead of paste. It should stay there for a couple months until the thaw sets in. The climate will dictate the lifespan,” describes Blanco. Let us know when the crocuses are popping up and maybe we’ll come and take a look.

“Nandia”, Blanco in Mongolia (photo © Patrick Findler)

“Nandia”, Blanco in Mongolia (photo © Patrick Findler)

“Nandia”, Blanco in Mongolia (photo © Patrick Findler)

“Nandia”, Blanco in Mongolia (photo © Patrick Findler)

 

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Ambush Gallery Present; “Rinse & Repeat” A Group Exhibition. (Sydney, Australia)

November 28, 2012 , , , , , ,

Rinse & Repeat

For centuries, art has marched alongside history, and history alongside art. Each movement, from the painstakingly detailed oils of the Renaissance to the tongue-in-cheek boldness of 1960s Pop Art, has marked and been marked by the great heights and most regrettable lows of its cultural and temporal context.
Having bubbled below the surface, in tunnels, on train lines and under the ominous cloak of midnight hours, the persistent and controversial street art and graffiti subculture has burst into the foreground of popular attention and established itself, however unexpectedly, as the defining art movement of our time.
Characterised by conflict, enigma and the burgeoning curiosity of growing audiences, it is undeniable that this movement belongs in the same echelon as other controversial, yet ultimately significant and culturally reflective art movements of centuries past.
Rinse and Repeat seeks to articulate this sentiment by showcasing the work of twelve Australian established and emerging street and graffiti artists as they find inspiration in history’s master works and reinterpret them from the perspective of today’s most prevalent and exciting art form.
Comprising the work of Adnate (AWOL Crew), Bridge Stehli, Cam Wall, Carl Steffan, Deams (AWOL Crew), Fintan Magee, Guido van Helten, Phibs, Shannon Crees,  Slicer (AWOL Crew) , Team and Teazer, Rinse and Repeat articulates the evolution of a movement that, in its irrepressibility, has rendered it the defining art form of contemporary culture.
Proudly supported by aMBUSH, ABSOLUT, The Apple Thief, Doss Blockos and premium paint brand Molotow, Rinse and Repeat launches at aMBUSH Gallery on Thursday 6 December from 6-10pm. The exhibition continues until Sunday 9 December 12-14pm.
What: Rinse & Repeat
Where: aMBUSH Gallery, 4a James Street, Waterloo (Sydney)
When: Thursday 6 December
Time: 6pm-10pm
Cost: Free Public Event
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Ambush Gallery Presents: “Living in a Glass House” A Group Exhibition. (Sydney, Australia)

October 2, 2012 , , , , , ,

Living in a Glass House

What: Living in a Glass House
Where: Glasshouse, 150 Pitt Street Mall (Cnr of King St), Sydney – Exhibition spans across 3 levels
When: 3 October to 2 November 2012 (during centre hours)
They say that those who live in glass houses shouldn’t throw stones, but what about those on the outside looking in? Living in a Glass House, the latest free public art initiative of aMBUSH Gallery, shows that a better policy is that no one should throw stones, regardless of their accommodation, and simply look under them instead. You never know what you might find.
Presented by Sydney’s GLASSHOUSE and aMBUSH Gallery, Living in a Glass House comprises the work of fifty contemporary street, graffiti and urban artists from almost all the major cities in Australia. Located across the three levels of the GLASSHOUSE, the pop-up exhibition brings the most prominent figures in Australian art together in an ambitious and dynamic display of home-grown talent.
Produced and curated by aMBUSH Gallery, Living in a Glass House will exhibit new and original works by Brisbane artists Benjamin Reeve and Gimiks Born; Adnate, Itch, Lucy Lucy and Slicer, four of Melbourne’s indomitable AWOL crew; Gary Seaman from Adelaide; and Sydney’s own Brett Chan, Jodee Knowles, Deb, Bei Bad Girl, Bridge Stehli, Jumbo, Ben Brown and Ears, plus 36 more artists, hailing from across the nation.
On Wednesday October 3, to mark the launch of this exciting new project, Deb and Bei Bad Girl will bring their bombshell attitudes and signature femininity to GLASSHOUSE with a live painting display from 11am to 2pm.
All works from Living in a Glass House will be for sale, and aMBUSH Gallery will release an online catalogue on October 3 that audiences can browse and from which purchases can be made. The catalogue will be available at www.livinginaglasshouse.com and 100% of sales go to the artists themselves.
Dedicated to the uncovering and dazzling display of new and exciting artists and their works, aMBUSH Gallery and GLASSHOUSE are proud to present Living in a Glass House, a vibrant addition to Sydney’s burgeoning public art space and a testament to the talent beholden by Australia’s shores.
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Ambush Gallery Presents: “Open Street Art” An Outdoor Group Exhibition (Sydeney, Australia)

September 20, 2012 , , , , , , ,

 

OPEN Turns The Art Gallery Inside Out

In an initiative that transcends the white walls of the conventional gallery space and redefines Sydney’s relationship with art, OPEN is Darling Quarter’s newest public art space, set to launch in association with Art & About 2012 on Friday 21st September.

Presented by Darling Quarter and curated and produced by aMBUSH Gallery, OPEN will surprise and enchant the passersby of Darling Quarter’s Civic Connector with large-scale and vibrant public art exhibitions.

The precinct’s debut exhibition, launching on Friday 21st September and continuing until the 26th October, is OPEN STREET ART, which features internationally renowned Australian artists Anthony Lister (Bris/NY), Beastman (Syd), Shannon Crees (Syd) and Hiroyasu Tsuri/
TWOONE (Melb). Illuminated at night, OPEN STREET ART will be visible 24 hours a day.

Singular in style and leaders in their field, the artists have created a site-specific and culturally reflective body of four works each, sixteen in total, which will hang throughout the exhibition’s duration on purpose built cubes down the length of the Civic Connector.

OPEN STREET ART explores the changing relationship between street artists, their work and their audiences, as the art form continues to grow as the most significant art movement of the last ten years.

Darling Quarter’s Abigail Campion says, “OPEN STREET ART gives visitors a chance to explore the fastest growing and most dynamic art movement in the world and the Australian artists who are leading it. We have some of the most brilliant artists here in Australia and
initiatives like OPEN are a chance to celebrate and support this. Through initiatives like Luminous, Lend Lease Darling Quarter Theatre,
the Night Owls Film Festival and now OPEN, Darling Quarter is gearing up to become a premier cultural hub in the city, supporting the arts,
partnering with cultural organisations such as aMBUSH Gallery and engaging with the community.”

Bill Dimas and John Wiltshire of aMBUSH Gallery attest to the broader significance of OPEN, saying, “OPEN demonstrates how successful
partnerships between business and the arts can benefit the whole community and the city’s cultural landscape, by providing an open,
direct and inclusive arts communication.”

While each of the artists’ work is a reaction to the space, their approaches are as diverse as their styles. One of the world’s Top
50 Most Collectable Artists, Anthony Lister says of his method, “I approached this painting like I was being attacked by an angry bull.
It’s best to deal with an angry bull head-on and with conviction. It’s worst to run and be hit and have to deal with the horns then.”

Beastman, 2010 Sydney Music, Arts & Culture (SMACS) best artist winner, whose iconic creatures grace walls around the globe, explains
that his OPEN STREET ART work “is a representation of the four material elements of nature: wind, water, fire and earth.”

The only Australian artist to show in Banksy’s Cans Festival 2 2008, Shannon Crees’ work is both bold and feminine, and she seeks to
engage her OPEN STREET ART audience by designing her work “as a seamless, unending plane… every surface an extension of the last and
a precursor to the next.”

Hailing from Japan and based now in Melbourne, Hiroyasu Tsuri, who also works under the name TWOONE, has created a series that is
“an exploration of the concept of a psychological portrait.” His work depicts people not as they look, but as they feel and act, by employing
animals as metaphors for the human condition.

In conjunction with the launch of OPEN STREET ART, Darling Quarter’s biggest tenant, the Commonwealth Bank of Australia, is
hosting a fundraising barbecue in support of prostate cancer research on Friday 21st September. The barbecue is open to the public, and
will be a great opportunity for Sydney to collectively welcome and celebrate OPEN as Darling Quarter’s newest cultural initiative.

The future of OPEN holds an exciting and diverse program of exhibitions. The pop-up shows will explore a dynamic range of
disciplines, from drawing and painting to photography, embellishing Sydney with beauty and reminding the city of the talent Australia
boasts from its own shores.

The OPEN STREET ART exhibition is presented by the recently developed 5 Green Star rated Darling Quarter precinct, and is produced and curated by award winning Sydney gallery aMBUSH. It is an Associated Event of Art & About Sydney 2012, produced by City
of Sydney.

For more information about Open Street Art visit
www.darlingquarter.com or
www.ambushgallery.com

Open Street Art is an Associated Event of Art & About Sydney 2012
www.artandabout.com.au

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Invurt Presents: “Paperápe” A Group Exhibition at The Egg Gallery (Melbourne, Australia)

July 11, 2012 , , , , ,

Paperape

Mysterious Al

Paperápe is a group show featuring seven Melbourne artists who, over the past year, have formed a collaborative friendship via their mutual love of art. Heesco, Jack Douglas, Pierre Lloga, Facter, Mysterious Al, Hancock and Conrad Bizjak are now coming together to share their passion for painting walls, drawing and enjoying the vibrancy of Melbourne life.

Often finding themselves escaping the trappings of 9-5 work by hanging out and painting on the weekends, these seven artists now paint together under the somewhat humourous moniker of We Spray Weekends (WSW). From the side streets of the suburbs to the cities laneways, exhibitions and live art events, all the artists within Paperápe are all highly prolific and consistently chasing the artistic dream.

Paperápe will be an exhibition of paper based works showcasing each artists unique style and talent, offering  a snapshot of their current directions and a glimpse towards several larger projects planned for the future. With drawings, paintings, collage, prints and other paper based works on display Paperápe is an exciting showcase of current work from a diverse and talented group of friends.

Who: Heesco, Jack Douglas (JD) Pierre Lloga (P-Yeah), Facter (Fletcher Andersen), Mysterious Al, Chris Hancock and Conrad Bizjak (Rad)
What: Paperápe group show
Where: Egg Gallery, 66a Johnston St, Collingwood, VIC
When: Show opens Friday 20th July from 6pm til 9pm and continues until July 29th

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Greenhill Galleries Present: Stormie Mills “Dark Lights” A Solo Exhibition (Perth, Australia)

June 18, 2012 , , , , ,

Stormie Mills

Greenhill galleries is proud to present dark lights, their first solo exhibition of new works by australian contemporary artist, stormie mills.

Dark Lights continues Stormie’s exploration into the characteristics that define humanity.

By shining a light into the darkness his work seeks to uncover what lies beneath in each of us.

Dark Lights explores the idea that a “villain” in society can still possess a captivating human quality when the light is shined within them.

By contrast a pillar of society exposes their “dark side” as they stand still under the light.

About the Artist

Stormie mills began painting in 1984. the first mark on the world began on a dark wet night that fuelled the relentless all consuming passion to create an image.

More than 25 years later stormie has more than made a mark in the global context as a highly collectable artist that has seen him travel around the world producing large scale commissions and transforming the concrete landscape in barcelona, greece, london, los angeles, miami, melbourne, new york, perth, sydney and tokyo.

Using a combination of acrylic, dirt, spray paint and graffiti remover and working predominately in a palate of black, grey, silver and white. stormie has crossed many boundaries of painting from, 40 metre scaffold facades on buildings, to inside discarded draws, to the tiniest detail on a fallen leaf and to the finest of belgium linen.

In between painting stormie dedicates time to giving back to the community often speaking to students in schools as well as presenting to formal forums. in may, stormie was invited to present at the agideas international design week, one of the largest and most prestigious design festivals in the world.

Stormie’s work reflects a deeply personal expression of emotion motivated by the notion of isolation. each work is a communication of the human condition engaging the viewer to explore beyond the image on the surface. each work stormie creates is compelling and continues to attract collectors for his unique statements on life.

Dark Lights is on display at greenhill galleries from 13th- 26th july 2012.

Greenhill Galleries
6 gugeri street, claremont wa 6010 www.greenhillgalleries.com.au

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Hush in Australia: A New Figure on the Street

March 19, 2012 , ,

Street Artist Hush is in Melbourne, Australia this week getting some work up on the street and preparing for a new show at Metro Gallery. A mixologist who borrows widely from graff, fine, and folk art traditions, the guy has many interests and continues to explore techniques of art making, sharing what he has learned as he goes.

The new collection of work will be wide and deep, including large paintings, one-off screen prints on paper, wood cuts (linotypes), 3-D plastic drawings, and sketches that give viewers a better understanding of his working practice and technique.

Here are a few stylish shots on the street of his newest work by Cleo le Vel. The overall shape may remind you of Russian Matryoshka dolls, but the countenance on this figure is smokey as she is surrounded by decorative motifs and graffiti tags.

Hush (photo © Cleo le Vel)

Hush (photo © Cleo le Vel)

Hush (photo © Cleo le Vel)

Hush (photo © Cleo le Vel)

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ROA: Postcards from The Australian Outback and The Coast of Chile

March 15, 2012 , , , , , ,

ROA continues his vertiginous worldwide tour with the animal kingdom in tow, meeting many of the two legged species on the way. Venturing far from his river town of Ghent in Belgium, ROA brings his distinctive monochromatic aerosol painting everywhere; high lands, flat lands, canyons, mountains, crusty old buildings, huts, rusty car carcasses, wooden vessels, water tanks. More often today he also brings them to a gallery or the occasional museum.

ROA. A Bilby. Pilbara, Australia (photo © ROA)

His unassuming depiction of an animal that is native to the area is ROA’s way of offering a non-sentimental, beautiful side of the material world and a way of respecting it; these are the flesh and bones of the animals that we eat, hunt, care for or ignore. Whether we regard them for our use for pleasure or our survival, ROA gives animals the main stage, where we’ll be more likely to appreciate their role, existence, death, and even personality.

At ease in cosmopolitan areas with Street Art scenes like New York, London, Los Angeles or Mexico City, ROA shares here brand new images from his most recent travels in the Australian Outback and the coast of Chile. Their distinctly different climates and unassuming relics of the built environment can serve as thoughtful vessels, breath-taking back drops for the creatures he brings with.  ROA’s acute observational style, rendered with a can in what could be described as a fine and precise hand, continues to illustrate his vivid eye and almost daring approach to his craft.

In person these are striking, a strong reminder of our own mortality and our role as humans on the planet we share with other species. These images below, exclusively for BSA readers, are as beautifully painted as they are placed.

ROA. A Bilby and his tail. Pilbara, Australia (photo © ROA)

ROA. Pilbara, Australia. Kangaroo bones on the foreground. (photo © ROA)

ROA. Valparaiso, Chile.  (photo © ROA)

ROA. Valparaiso, Chile.  (photo © ROA)

ROA. Valparaiso, Chile.  (photo © ROA)

ROA. Santiago, Chile.  (photo © ROA)

ROA. Santiago, Chile.  (photo © ROA)

While in Australia ROA was a guest of FORM, a non-profit organization who works with the Aboriginal communities throughout the Pilbara region. He was invited on a field trip to gain a better anthropological perspective of the native culture and nature of the land.

While in Chile ROA visited Santiago and Valparaiso. In Santiago he painted the horse mural on the San Miguel Neighborhood. He was a guest of the famed local muralist Mono Gonzalez. Mono, as he is locally known, has been painting murals in Chile for several decades since before the dictatorship. Mono is the director of an open air museum called “Museo A Cielo Abierto de San Miguel”. ROA is very thankful for the hospitality of the Familia de Roberto Hernandez.

To learn more about the murals of Museo A Cielo Abierto de San Miguel click on the link below:

http://www.mixart.cl/index.php

 

 

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Ambush Gallery Presents: Project 5 Volume 4 (Sydney, Australia)

March 1, 2012 , , , , , , ,

Project 5

STREET ART ROCKS SYDNEY’S HISTORIC PRECINCT

Project Five – Volume Four

Award winning urban arts initviative, Project Five, gets a fresh look for its forth volume as organisers, aMBUSH Gallery an- nounce new presenting partners, Sydney Harbour Foreshore Au- thority (SHFA). Leading Street Artists Vexta, HAHA, E.L.K.. and Reka bring their art to life in the cobblestone streets of The Rocks Square, The Rocks across three days in March (opening night March 9 – 6-9pm, then continues 10 and 11 March – 12- 3pm) in collaboration with aMBUSH Gallery – who will auction the groundbreaking works on Thursday 22 March (6-9pm). All proceeds go to charitable arts and media organization Informa- tion and Cultural Exchange (ICE).

This time around, Project Five (March 1-25) is set to be bigger than ever with the launch of a new full month format that in- cludes a Retrospective Art Exhibition and Artists Talks. All events will be hosted within Sydney’s beautiful historic hub, The Rocks.

The wonderfully diverse collection of artists lured to Sydney
by Project Five offer a seriously formidable, watchable and col- lectable live group show. Project Five Volume Four welcomes the queen of street art Vexta; finalist in the 2011 Metro Gallery Art Award, E.L.K.. (Luke Cornish); in high demand, abstract sur- realist painter, REKA (James Reka); and HAHA (Regan Tamanui)

whose 10 year history of exhibiting adds punch to the line up.

Watch the artists as they draw, spray, paint and create to the sounds of the Future Classic Deejay’s who’ll be pumping beats live on the turntables for the Live Art Event.

aMBUSH Gallery’s Bill Dimas says, “Project Five is a great weekend to come and check out what street art is all about, and if you already know, then a chance to catch some of the Aussie artists leading the charge. Across three huge days we’re going to have some of Australia’s finest street artists bringing the vibrant colours and life of art to the beautiful, scenic and historically rich space The Rocks have to offer. With cranking tunes it will definitely be a weekend not to miss.”

Michael Cohen, SHFA’s Creative Producer says “The Foreshore Authority is delighted to be jumping on board with Project Five for its fourth outing and to bring it to The Rocks.

“There is a real momentum gathering around street art glob- ally and it’s getting a hold in Sydney. There is also a cultural surge happening in The Rocks at the moment, with a lot of SHFA creative initiatives, such as The Rocks Pop-Up. So it’s a natural marriage and we’re excited to support ICE and team up with the other partners.”

Project Five kicks off with the Retrospective Art Exhibition (1-25 March) giving new audiences the chance to take a look at past Project Five artists and their works, all on display at a pop up gallery at 47 George Street, The Rocks.

Audiences will get the chance to get up close and personal with the artists and their brand new works at the Artists Talks, a new addition to Project Five’s program. Jess Scully, Creative Director of Creative Sydney, part of the Vivid Sydney Festival, will lead the way as the four street artists talk through their new works and their style on Monday 12 March at 11:00 am at 47 George Street.

Project Five finishes off with the Auction Event on Thursday 22 March (6-9 pm at the foyer of Cleland Bond) led by Anne Phil- lips, head of art at Bay East Auctions.

You’ll have to wait and see what Vexta, E.L.K., James Reka and HAHA bring to the table. 100% of the proceeds will go to ICE, a charity helping disadvantaged kids in western Sydney access creative media and arts programs.

Project Five has raised over $40,000 for ICE over the previous three volumes and last year was the National Winner at the AbaF Awards winning the Australia Council Young and Emerg- ing Artists Award.

Lisa Torrance, Executive Director of ICE says “ICE’s involve- ment in Project Five has enabled us to engender some fresh creative aspirations within the communities we work with
by exposing emerging artists to new ways of expressing them- selves through street art.

“Couple this with the fact that Project Five injects vital funds into our projects and the recognition we received through an AbaF Award last year simply fuels our passion to keep building on the possibilities this wonderful initiative presents.”

Significant growth in Australia’s own street art movement both at home and abroad are further evidence of the rise of urban art. This year, Vexta, E.L.K., James Reka and HAHA are at the fore- front of the movement, and present an appealing investment opportunity for those with an eye for talent.

The Project is made possible by aMBUSH Gallery who have been exhibiting cutting edge street art for many years, and have significantly contributed to supporting new and emerg- ing local artists across Australia, and now The Rocks, who are using their resources to support Project Five as part of their investment in community and charity, and to engage visitors with something unexpected and fresh.

Where:

Retrospective Art Exhibition,

47 George Street (March 1-25, 2012)

Live Art Events The Rocks Square

(opening night Friday March 9 6-9PM – Saturday March 10 & Sunday March 11 12-3PM)

Artist Talks 47 George Street

(Monday March 12 11AM- 12pm)

Auction – invitation only

(Thursday March 22– 6-9 PM)

Free public event www.project5.com.au

aMBUSH Gallery – www.ambushgallery.com

Based in Waterloo Sydney, aMBUSH seeks to educate and en- gage new audiences with creative exhibitions and art projects. Presenting original works created by Australia’s established and emerging street and contemporary artists, aMBUSH live up to their name by surprising or ‘ambushing’ their audiences with innovative, experimental and non-traditional shows and art proj- ects, both in and out of the gallery. These carefully developed collaborations provide artists with a powerful commercial plat- form to reach a broad audience that includes buyers, investors, creative associations, corporations, media and the wider com- munity.

In October 2011, aMBUSH Gallery were awarded the nation- al Australia Council Young and Emerging Artists Award at the 2011 Australia Business Arts Foundation Awards in Perth for excellence in developing partnerships between corporations, artists and the wider community. In January 2012, the FBi Ra- dio SMACS awards named Outpost Project as Best Art Event for 2011, awarding the joint partnership of the Sydney Harbour Federation Trust and aMBUSH Gallery.

Project Five – www.project5.com.au

Project Five is a community arts initiative aimed at supporting the arts through pop-up live art, music and auction events. Proj- ect Five commissions four Australian contemporary street artists to produce four large-scale artworks at a three day live art event, which artworks are then auctioned to raise money for charity.

To date, Project Five has raised over $40,000.00 for its nomi- nated charity Information and Cultural Exchange (I.C.E.) and has featured some of Australia’s best creative talent such as An- thony Lister, Kid Zoom and Ben Frost. In 2011, Project Five was the National Winner at the AbaF Awards winning the Australia Council Young and Emerging Artists Award. Now in its Fourth Volume and with a new format to include an Art Exhibition and Artist Talks, Project Five is presented by aMBUSH Gallery and Sydney Harbour Foreshore Authority at Sydney’s iconic and his- toric venue The Rocks. Also produced and curated by aMBUSH, Project Five is supported by Bay East Auctions and Information and Cultural Exchange.

Information and Cultural Exchange (ICE) – www.ice.org.au/about/intro

ICE is a charitable community, arts and technology organisa- tion working at the frontier of digital arts to foster community creativity and empowerment in Australia’s most culturally diverse region- Western Sydney. We amplify artists’ and com- munity voices to build resilience, autonomy and infrastructure, and to enhance quality of life. ICE’s main activity is to develop programs that engage communities and cultural leaders us- ing creative practices and digital media.These programs are targeted to communities with specific needs, and focus on creative solutions to the challenges and issues they face. We are particularly known for our work in engaging, drawing out and supporting platforms that support the cultural expression and stories of culturally diverse and disadvantaged communi- ties. ICE’s programs build capacity and connections, provide

learning and participation pathways, and enable communities and artists to create and share their expressions, stories and experiences in platforms that provide them with a conduit to the world.

Sydney Harbour Foreshore Authority (SHFA) – http://www.shfa.nsw.gov.au/

The Rocks is fast becoming one of Sydney’s most creative hubs. As part of Art Month NSW, Sydney Harbour Foreshore Authority is proud to co-present the award-winning arts initia- tive, Project 5.Held over 25 days in March, Sydney Harbour Foreshore Authority and Ambush gallery invite the public, and the broader arts industry, to The Rocks to experience the Project Five retrospective Art Exhibition, artist talks, a live

art event and artwork charity auction. All funds raised will go to the Information & Cultural Exchange (ICE), a supporter of emerging creative artists in greater Western Sydney.

The Rocks has long been home to artists and designers. Today the heritage surrounds of indoor and outdoor spaces continues to provide an innovative backdrop to profile and celebrate Aus- tralia’s most recognisable and contemporary street artists; as well as to educate new audiences through stories of Australian artists and their positive contribution to our community.

Sydney Harbour Foreshore Authority owns and manages some of the State’s most significant assets, including Sydney’s heritage and cultural precincts at The Rocks and Darling Har- bour. With more than $1.2 billion in assets, and around 215 employees, the Foreshore Authority manages significant com- mercial and retail leases, provides security, cleaning, building maintenance and other facility management services, cares for the public domain and around 140 heritage items.

The Authority also operates tourism and marketing services and holds significant events in The Rocks and Darling Harbour each year. Between them, the precincts attract around 39 mil- lion visitors annually.

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